Press Release
One Runway, Many Cultures: Fashion Takes Center Stage in Paris
Palmetto, Florida, United States, 24th Oct 2026 – Paris Fashion Week has come to an end, leaving behind another busy season of runway shows, presentations and events that brought designers and fashion professionals from around the world to the French capital.

On September 30, Maison de l’Amérique Latine in Paris hosted a large international fashion program, bringing together designers from Latin America, Europe, Asia and the Middle East.
One of the main highlights of the day was the first collaboration between 12|11 PRO and Fashion Designers of Latin America (FDLA), founded by Albania Rosario. The two organizations joined forces to bring Latin American designers to Paris and create a major international runway presentation during Fashion Week.
For FDLA, which has spent years supporting designers and promoting Latin American fashion internationally, this marked an important new chapter: its first collective runway presentation in Paris.
The FDLA program featured five designers and brands: Michelle Espinoza, Jesús de la Garsa, Ivanildo Nunes, Valverde and Urban Palais.
The collaboration was part of a larger day of fashion presentations organized by 12|11 PRO at Maison de l’Amérique Latine.
The international lineup also included Diana Caramaci from Romania, Run The Way and RAIS from Russia, SADF from Saudi Arabia, Meruert Balmanova from Kazakhstan, and Nguyen Phuc Tuan from Vietnam, who presented his collection Numéro 6: Vũ khúc Cố đô.
Bringing together designers from different countries on one runway was one of the main ideas behind the project. It offered participants an opportunity to present their work in Paris, meet international fashion professionals and introduce their brands to new audiences.
Behind the Runway
While a fashion show may last only a few minutes, organizing an entire day of presentations requires months of preparation and a large team working behind the scenes.
More than 200 professionals were involved in the September 30 production, including models, casting and beauty teams, producers, showrunners, technical staff, backstage coordinators and volunteers.
Casting Director Mariia Anosova was responsible for model selection and casting coordination, working closely with the production team to organize the lineup across the different runway presentations.
The beauty direction was managed by Cristina Cuellar, together with the team from Instituto Cristina Cuellar, who handled makeup and hair for the participating designers.
Producers Valentina Varnavskaia and Ruslan Evseev coordinated the overall production, working with designers, backstage teams and technical departments to bring the entire program together.
An important role was also played by Ilyssa Wexler Zacchei and Fashion for Futures, whose volunteer team supported backstage operations, model coordination and communication between departments throughout the day.
For a production involving so many designers and participants, the work of these teams was essential to keeping the schedule and the shows running.
An International Collaboration
The partnership with Fashion Designers of Latin America was an important part of the project.
Founded by Albania Rosario, FDLA has developed an international platform supporting both emerging and established designers, particularly from Latin America.
Over the years, the organization has created opportunities for designers to present their collections, connect with industry professionals and reach international audiences, with New York serving as one of its main fashion destinations.
Its first collective presentation in Paris, produced in collaboration with 12|11 PRO, marked another step in expanding those opportunities.
Fashion and Contemporary Art in Dialogue: Curated by Anna Sashina
Bringing together fashion and contemporary art in the context of Paris Fashion Week, an exhibition curated by Anna Sashina will feature three creative voices: artist Mirco Piccioli, artist and writer Elen Sharafullina, and photographer Komiljon Pattaev. Through collage, video, literature, and documentary photography, the project will explore cultural memory, beauty, and the role of visual imagery in contemporary life.
Anna Sashina is an art curator whose exhibitions during Paris Fashion Week explore the relationship between contemporary art and high fashion. Her curatorial vision positions both disciplines as forms of self-expression, creativity, and cultural commentary. Bringing together artists with diverse backgrounds and perspectives, she creates a space for ideas to move across disciplines. This exhibition reflects her commitment to connecting individual artistic voices through a shared dialogue between fashion and art.
Mirco Piccioli is an artist working at the intersection of collage, video, and luxury fashion imagery. Drawing on image fragments, glamour, and cultural memory, he creates layered compositions that evoke attraction, unease, and curiosity. His practice examines what lies beneath the polished surface of fashion: desire, power, femininity, and the psychology of looking. Within the project, he approaches fashion as a space for artistic inquiry, revealing its fantasies and contradictions. @mirco.piccioli
Elen Sharafullina is a contemporary artist and writer based in France whose work brings together art, cultural traditions, and a contemporary vision of elegance. On 30 September 2026 in Paris, she will present her new book, Advent Calendar: Its Origins and History. The book traces this Christmas tradition from its historical roots and symbolism to its place in contemporary culture, art, and design. She is also the author of Etiquette on Board: A Guide for Yacht Owners and Guests, dedicated to yachting culture, international etiquette, and the art of gracious living.
Komiljon Pattaev is a photographer who explores everyday life and cultural heritage through people’s stories. His documentary work centres on labour, human dignity, connections between generations, and a sense of belonging. Photographing in Uzbekistan, he brings attention to people whose lives rarely enter the public spotlight, revealing the significance of their everyday experiences. Traditional costumes from Uzbekistan’s regions hold a special place in his project, their colours, fabrics, and ornaments expressing cultural diversity and living memory
Partners of the Project
The September 30 presentations were also supported by POLARE Paris and Young Voyage. POLARE Paris is a French luxury skincare brand combining French beauty expertise with modern anti-aging technologies. Its L’Âge-Miracle collection includes creams, serums and masks developed to support hydration, firmness and the overall appearance of the skin.
Young Voyage, an independent niche fragrance house founded by Nadine Ahmad, introduced its debut fragrance, Musk Thé, released in a limited edition of 1,000 bottles. The brand focuses on individuality and a contemporary approach to luxury perfumery.
Oliver Weber, the Austrian jewelry brand founded in 1994, supported the event with elegant gifts prepared for the guests, reflecting the brand’s signature craftsmanship and use of premium European crystals. Lidia Weber, Founder of Oliver Weber, also joined the зкщоусе and addressed the audience with a few words of welcome.
Selecting the Participants
Another important part of preparing an international fashion project is the selection of participants. 12|11 PRO works with independent professionals from the fashion, beauty and modeling industries who contribute their expertise during the selection process. The project’s expert committee included Inesa Tyshchenko, Kateryna Dudka, Yana Kucherenko, Olimjon Salmon and Valeriia Serebriakova.The committee participated in reviewing designers, models and beauty professionals, helping the production team select participants for the event.
Looking Ahead
The September 30 program brought together different countries, teams and fashion organizations under one roof. For the participating designers, it was an opportunity to present their work in Paris during one of the busiest periods of the international fashion calendar. For the organizers, it was an opportunity to develop new partnerships and bring together fashion professionals from different markets. With Paris Fashion Week now over, the teams are already looking ahead to the next season. For 12|11 PRO and FDLA, the September collaboration marked the beginning of a new professional relationship and opened the door to future international projects.
Media Contact
Organization: Fashion Drive LLC
Contact Person: Valentina Varnavskaia
Website: https://fmensfw.com/
Email: Send Email
Contact Number: +17273368994
Address: 1612 9Th St W
Address 2: 1612 9Th St W
City: Palmetto
State: Florida
Country: United States
Release id: 50179
View source version on King Newswire:
One Runway, Many Cultures: Fashion Takes Center Stage in Paris
About Author
Disclaimer: The views, suggestions, and opinions expressed here are the sole responsibility of the experts. No Digi Observer journalist was involved in the writing and production of this article.
Press Release
Why Listening to the Whole Story Matters More Than a Diagnosis
Bryn Mawr, Pennsylvania, 22nd October 2026, ZEX PR WIRE, Amy MacIntyre, a psychiatrist in Bryn Mawr, Pennsylvania, explains how understanding individual circumstances shapes better care.
What does it mean to listen to the whole story?
“I try to consider the whole story and situation,” MacIntyre says. Listening to the whole story means taking time to understand the experiences and circumstances someone brings with them. It means asking questions that go beyond symptoms and recognizing that a person’s background, relationships, and daily life all play a role in their wellbeing.
Many people feel rushed or unheard in healthcare settings. When a provider listens to the full context, patients feel respected and understood. That foundation makes treatment more effective.
How do individual circumstances change the approach to care?
“People bring different experiences and circumstances with them, and I think it is important to remember that,” MacIntyre explains. Two people with similar symptoms may need very different approaches based on their family situation, work stress, cultural background, or support system.
Understanding these differences helps shape a treatment plan that fits the person’s real life. A prescription or recommendation that works well for one individual may not be practical or helpful for another.
What role does community play in mental health?
“The relationships with people and the community are something I value very highly,” MacIntyre says. Strong community connections provide support, reduce isolation, and create a sense of belonging. These relationships can be protective during difficult times.
A psychiatrist who is part of the community for the long term builds trust and sees how families and individuals grow and change. That continuity matters. People feel more comfortable seeking help when they know the provider understands the local context and cares about the people who live there.
What has remained consistent over 20 years of practice?
“I started this practice in 2006 to help people in the community thoughtfully and compassionately. That commitment has remained important to me throughout the years,” MacIntyre notes. The focus on compassionate, evidence-based care has stayed central even as treatments and understanding have evolved.
Consistency in values creates a stable foundation for the people seeking care. They know what to expect and can trust that the same principles guide every interaction.
How can you tell if a provider is really listening?
A provider who is listening will ask follow-up questions, reflect back what you have said, and show genuine interest in your concerns. They will not rush to a conclusion or interrupt. They will make space for you to share what matters most to you.
You should leave the appointment feeling heard, even if the path forward is still unclear. Feeling understood is a crucial first step in any treatment relationship.
If you do nothing else
Write down the full story before your next healthcare appointment, including what is happening in your life outside of symptoms.
- Choose a provider who asks about your daily circumstances, not just your diagnosis.
- Ask your provider how your individual situation might affect the recommended treatment.
- Build or strengthen at least one relationship in your local community this month.
- Notice whether you feel heard in your healthcare appointments, and speak up if you do not.
- Look for providers who have long-term roots in your community.
- Remember that your experiences and circumstances matter and deserve to be understood.
Share this Q&A with someone who is looking for a healthcare provider who values listening and understanding individual circumstances.
About Amy MacIntyre
Amy MacIntyre is a psychiatrist based in Bryn Mawr, Pennsylvania. She established her private practice in the Main Line area of the Philadelphia suburbs in 2006, providing compassionate, thoughtful, evidence-based psychiatric care. With over 20 years of experience, she focuses on listening carefully, treating people with respect, and understanding the individual circumstances that shape each person’s life. Her work emphasizes the importance of community relationships and meaningful connection in healthcare.
About Author
Disclaimer: The views, suggestions, and opinions expressed here are the sole responsibility of the experts. No Digi Observer journalist was involved in the writing and production of this article.
Press Release
Kevin Trudeau: What Actually Counts as a Successful Day
Chicago, Illinois, 22nd October 2026, ZEX PR WIRE, In a short Q&A, author and entrepreneur Kevin Trudeau explains how he decides whether a day counted, long before any big result shows up.
Why This Question Keeps Coming Up
People ask Kevin Trudeau some version of the same question all the time: how do you know if you’re actually succeeding, or just busy?
He gets asked this by people building a business, writing a book, or trying to change a habit that has not stuck before. Most of them are waiting for a single moment, a launch, a sale, a number on a page, to tell them they made it. Trudeau says that moment rarely arrives on schedule, and treating it as the only proof of progress is a way to feel like a failure for months at a time.
Below, he answers a few questions on how he actually measures a day.
The Q&A
Q: What does a successful day look like for you?
A: It is not a day where something big happened. It is a day where I moved closer to something I care about, even by a small amount. If I wrote two pages, made one phone call that mattered, or fixed one thing that was broken in how I was working, that is a successful day. The scale of the result is not the point. The direction is.
Q: Isn’t that a low bar?
A: It is a different bar, not a lower one. A high bar that you only clear once a year does not help you get through the other three hundred and sixty-four days. A bar you can clear daily keeps you in the game long enough to get to the big result. Most people quit not because they lack ability, but because they measured themselves against the finish line every single day and felt like they were losing.
Q: How do you tell the difference between real progress and just staying busy?
A: Ask what the activity was actually for. Busy work feels productive because it fills the hours. Real progress moves you toward something specific you have already named. If you cannot say what a task was supposed to accomplish, it probably was not progress. That is a question worth asking at the end of every day, not just the start.
Q: What role does being coachable play in this?
A: A large one. If you think you already know how to do the thing you are trying to do, you stop paying attention to the people who have already done it. I still look for people who have results I do not have yet and ask them how they got there. The day you decide you are done learning is the day your progress slows down, even if you do not notice it right away.
Q: Does this way of thinking change as the goal gets bigger?
A: No, and that is the point. Whether the goal is small or huge, the daily question is the same: did I move the needle today, even a little. A big dream is just a long string of small days stacked on top of each other. People overestimate what a single day can do and underestimate what a thousand of them can do.
What He Tells People to Do With This
Trudeau tells people to stop waiting for proof that only shows up at the end. Pick one thing each day that moves you toward the result you want, do it, and count that as a win. Repeat it enough times, and the big day everyone is waiting for tends to arrive on its own.
About Kevin Trudeau
Kevin Trudeau is an author and entrepreneur based in Schaumburg, Illinois. He wrote the New York Times bestselling book Natural Cures “They” Don’t Want You To Know About and the book Your Wish is Your Command: How to Manifest Your Desires. He started the American Memory Institute, which sold the Mega Memory course, and founded the Global Information Network, along with NaturalCures.com and The World’s Best Nutritionals and Organics.
About Author
Disclaimer: The views, suggestions, and opinions expressed here are the sole responsibility of the experts. No Digi Observer journalist was involved in the writing and production of this article.
Press Release
Travis Bright’s Outlook for Home Building: Less Guesswork, More Coordination
Greenville, NC, October 23rd, 2026, ZEX PR WIRE, Travis Bright, a Greenville, NC builder with a background in heating and air, lays out what he expects to change in residential construction over the next year.
Trades Get Pulled in Earlier
Travis Bright has spent his career on both sides of a single-family build: the general contracting side and the mechanical side, after graduating ahead of his class at Pitt Community College in heating and air. That mix shapes how he reads the year ahead.
“The biggest shift I expect is timing,” Bright says. “Right now a lot of builders still bring in HVAC and electrical crews after the framing is settled. I think more of that conversation moves earlier, before walls are even up. It saves rework, and it saves money.”
Bright has said before that his own HVAC background changed how he schedules a job. He expects more builders without that background to start asking their mechanical subs for input sooner, simply because the cost of guessing wrong has gotten harder to absorb.
Wiring for Security and Smart Systems Becomes Standard, Not Extra
Bright works directly with indoor and outdoor wiring for electronics and security systems on the homes he builds. He expects that kind of wiring to stop being treated as an upgrade and start being treated as part of the base plan.
“A few years ago, security wiring and smart home wiring were things a homeowner added after move-in, or paid extra for during the build,” he says. “I think that keeps shifting. More buyers expect it already roughed in, the same way they expect enough outlets in a kitchen.”
For builders, that means running conduit and low-voltage wire at the framing stage instead of retrofitting later. Bright says the builders who plan for it from the start will spend less time and money than the ones who treat it as an afterthought.
Scheduling Gets Tighter, Not Looser
Bright does not expect the coming year to make scheduling easier. If anything, he expects the opposite: more pressure to hold a tight sequence, with less room for the kind of slack that used to absorb delays.
“A build schedule only works if the trades hit their windows,” he says. “When one trade slips, everyone behind them slips too. I think the builders who do well this year are the ones who build in real checkpoints, not just a start date and an end date.”
He also expects more attention paid to who shows up when, not just what gets built. A crew that understands how its work affects the next crew in line saves time across the whole project, he says, even if that is not where people usually look for efficiency.
What This Means for Someone Planning a Build
For a family planning a single-family home, Bright says the practical takeaway is to ask a builder how early the mechanical trades get involved, not just who they are.
“If a builder can tell you when HVAC and electrical get brought into the conversation, and it’s early, that tells you something about how the whole job will run,” he says. “If the answer is ‘after framing,’ that’s worth asking more about.”
He expects buyers to get more comfortable asking those kinds of sequencing questions over the next year, the same way they already ask about materials and finishes.
A Builder Who Reads the Job From Both Sides
Bright says his outlook is shaped less by predicting the market and more by watching how a job actually runs on site, where mechanical work and general construction either support each other or get in each other’s way.
“I’m not guessing at trends from an office,” he says. “I’m watching what slows a crew down or speeds one up, and expecting more builders to pay attention to the same things.”
About Travis Bright
Travis Bright is a construction professional based in Greenville, NC, working in construction management for single-family homes. He holds a college degree in construction management and a heating and air credential from Pitt Community College, where he graduated ahead of his class. His background spans residential construction and indoor and outdoor wiring for electronics and security systems. Bright has volunteered with Habitat for Humanity and is the father of two children, a boy and a girl.
About Author
Disclaimer: The views, suggestions, and opinions expressed here are the sole responsibility of the experts. No Digi Observer journalist was involved in the writing and production of this article.
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