Richmond, Virginia, 14th January 2026, ZEX PR WIRE, Jens Mauthe, an amateur analog photographer based in Richmond, Virginia, has released a new photo series rooted in visual repetition and slow observational change. The work, available now through his online archive, continues his commitment to mechanical cameras, darkroom printing, and full workflow transparency. Each image is shot, developed, printed, and documented by hand using film-only techniques.

The new series focuses on recurring architectural surfaces and objects photographed over weeks and months under shifting light conditions. Radiators, wall seams, window trim, and stairwell edges appear across multiple frames. Mauthe returned to the same Richmond buildings with the same equipment, often framing the same subject from nearly identical angles. The intent was not novelty, but subtle variation and control.

Mauthe shot on both 35mm and medium format black and white film using fully manual cameras. No digital backup or metering tools were used. Each exposure was manually calculated and recorded in a field notebook. He used only three film stocks across the entire project and limited his development process to two known developer types to reduce uncontrolled variables.

“The goal was to see what changed—light, surface, tone—when everything else stayed the same,” Mauthe explained. “I didn’t want better shots. I wanted more understanding of how film reacts to minor shifts.”

After development, each roll was contact printed in the darkroom to review exposure and composition. Select frames moved to enlargement, where Mauthe applied his usual structured printing sequence: test strips to evaluate base exposure, then a progression of contrast filters, followed by fine-tuning dodging and burning. Every adjustment was written down and linked to each negative.

Only one finished print per frame was archived. Multiple work prints were created, tested, and discarded along the way. Mauthe used fiber-based baryta paper for the entire project, choosing a neutral tone stock for its dry-down stability and surface feel. Final prints were washed, flattened, and stored in archival sleeves. The finished versions were then scanned for inclusion in the online archive.

The result is a set of visually quiet but technically rigorous photographs. Each image appears simple—often an empty wall or structural joint—but layered with slow craft. Shadows bend differently depending on season. Texture sharpens or dulls depending on contrast adjustments. The final work reflects weeks of attention per image.

Mauthe’s website now includes the full project, with contact sheets, developer logs, camera records, and detailed print notes. Viewers can trace the full process for each photograph from camera settings through darkroom manipulation. No parts are withheld or cleaned up for presentation. Failed negatives and printing errors remain part of the archive.

“I’m not interested in showing perfect work,” Mauthe said. “This isn’t about a highlight reel. It’s a study. The idea is that someone could follow the records and replicate every step if they wanted to.”

The new work stays local. All photographs were taken within a three-mile radius in Richmond, often within walking distance of Mauthe’s home. Locations include stairwells, school basements, vacant commercial interiors, and transitional hallways. The repetition of place reinforces the project’s technical intent: isolate controllable variables and observe material change.

This approach reflects Mauthe’s larger philosophy about analog photography. He treats the process as a discipline—measured, repeatable, and slow. His tools remain minimal. No camera swaps mid-project. No lens experiments. No film pushed or pulled. The camera becomes secondary to the print.

Photography remains a private pursuit. Mauthe does not sell his work or exhibit it commercially. The archive serves as a personal log made public. Each series adds to the broader documentation of his analog practice, which now spans multiple years and hundreds of rolls.

The new series will be followed by additional photo essays in 2026. Each future addition will continue in the same structure: capture, record, develop, print, publish. For Mauthe, the outcome is not a single striking image, but a long record of craft executed consistently.

Richmond, Virginia, 14th January 2026, ZEX PR WIRE, Film photographer Jens Mauthe has released a new photo essay focused on low-light interiors and signs of physical wear in overlooked Richmond structures. The project, shot entirely on black and white film and hand-printed in a home darkroom, continues Mauthe’s disciplined analog workflow and expands his public archive of process-based photography.

This series highlights how film renders subtle tonal shifts in dimly lit spaces. Mauthe photographed corners, baseboards, scuffed floors, and ambient surfaces where daylight barely reached. Many scenes are lit only by bounce light or window edge glow. To manage this, Mauthe selected slower films known for their latitude and shadow detail, pushed one stop only when necessary, and carefully controlled development to avoid contrast spikes.

He used manual 35mm and medium format cameras. Exposure was often metered by hand using incident readings or estimated from experience. Each frame was logged with notes on light angle, time of day, shutter speed, aperture, and any exposure compensation.

After development, Mauthe contact printed every roll to evaluate tonal range. Work prints followed, often in sets of three to five per image, with variations in contrast grade and exposure time. Burning and dodging were kept minimal, allowing the film and subject to lead. Only one final print per negative was selected and scanned for archival use.

This essay builds on his earlier themes of repetition and locality. All photographs were taken in two buildings over several weeks. Locations include unused stairwells, unlit corridors, and utility spaces with worn finishes. Mauthe revisited scenes repeatedly to photograph under varying weather and time-of-day conditions.

“I’m interested in where light barely lands,” he said. “That edge where things are almost invisible but still recordable on film.”

The final prints reveal worn surfaces—peeling paint, cracked tile, dust-covered vents—with quiet detail. Composition avoids strong diagonals or dramatic framing. Instead, images present straightforward views, cropped to emphasize symmetry or subtle imbalance. The goal was clarity and restraint.

The complete series appears now on Mauthe’s website. Visitors can review exposure notes, contact sheets, developer and dilution logs, and darkroom prints. Each step remains visible. No staging, no retouching. Only film, chemistry, and paper.

Mauthe uses the same archival workflow for every project. Film is stored in labeled sleeves with processing info. Final prints are dried flat, corner-tagged, and stored in acid-free boxes. He scans only finished prints, never negatives, maintaining print-first priority.

No gear changed during the project. Mauthe used one 50mm lens and one 80mm lens. He chose neutral-tone fiber paper for all prints and printed with a single enlarger and timer. By keeping variables limited, he isolated differences caused by light, surface, and exposure alone.

This photo essay is not for sale or gallery exhibition. It exists as a finished phase of Mauthe’s personal analog practice. The archive functions as a logbook, not a portfolio. It shows what film looks like when used carefully, repeatedly, and without external pressure.

Future essays will continue with the same format: one subject, one process, one method. For Mauthe, photography is not a product. It is a record of consistent choices, executed by hand, over time.

Al’s Outdoor Needs has declared comprehensive tree care services for the Atlanta Metropolitan Area. Residents can now get trimming, cutting, and removal services in one call.

Greensboro, GA 30642, United States, 14th Jan 2026 – Residents in the Atlanta Metropolitan area have been expressing their struggle and inconvenience when it comes to hiring a tree service company. They often have to hire multiple companies for different tasks. This makes scheduling a big problem, increases the cost, and makes ensuring quality difficult, too. Al’s Outdoor Needs, being a local company, addressed this gap and arranged for complete tree service. They have gathered experienced arborists, trained field crews, and modern equipment to efficiently trim and safely remove trees. 

Al’s Outdoor Needs has confirmed that they will perform an on-site inspection and issue a no-obligation estimate so that tree owners know the scope of work beforehand. It reduces any confusion and ensures no later disputes. Along with trimming and removal, the company also offers stump grinding and debris hauling services. Additionally, the team also promises to help with permit management and provide reports and documents to help with insurance claims. Also, they totally avoid subcontracting services to maintain a high standard of service. 

More information available at https://alsoutdoorneedstreeservice.com/

“When we say we offer full-service, we mean it. There are no hidden conditions or standard exclusions. We don’t pressure our customers to take unnecessary services either. Every project starts with a clear, written estimate and explanation of what needs to be done and why. Our goal is to make tree services more convenient than ever in this area,” shares one of their senior members. He also added that while their full-service is an added benefit, customers can also hire them for specific services. Residents have already started to appreciate such flexibility. 

To extend further convenience for homeowners, Al’s Outdoor Needs also mentioned that they will collaborate with local utility providers, especially when working near power lines. Every service comes with effective follow-ups and post-service maintenance. Overall, this announcement proves to be a big step towards making tree care services more accessible and affordable in the area. 

About Al’s Outdoor Needs 

Al’s Outdoor Needs has been serving Greensboro, Atlanta, and nearby areas since 2006. They have been a leading company with a strong reputation. Their services include everything from regular trimming to annual inspection and complete removal.

Media Contact

Organization: Al’s Outdoor Needs

Contact Person: Albino Diaz

Website: https://alsoutdoorneedstreeservice.com/

Email: Send Email

Contact Number: +16788785498

Address:5140 Veazey Rd

City: Greensboro

State: GA 30642

Country:United States

Release id:40128

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