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UniArt’s impossible art formula gallery bring bottom-up NFT appreciation with vote mining on 30th Sep

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Preamble

Recently, “Loot” has been spreading virally throughout the crypto community. Industry key opinion leaders (KOLs), founders of quality projects, and investment institutions all pay close attention to the emerging “bottom-up” concept, and more community members are excited about it.

Despite the term bottom-up only recently coming into the limelight, in essence, the philosophy may be at the root of the entire crypto economy. Bitcoin, for example, breaks the rules of centralized government-issued fiat currency by enabling anyone that follows its PoW consensus algorithm to produce a new currency. On the other hand, Ether allows developers to build arbitrary dApps on top of it without permission, and its prosperity hinges on the frequency of this.

These two patriarchs of the crypto economy have opened up a bottom-up path outside the centralized internet. The bottom here can be anyone. The top is no longer governments or corporations but now code, algorithms, data, and consensus mechanisms. Loot is the first bottom-up non-fungible token (NFT), possessing similar intrinsic characteristics at the root of its explosion.

The most widespread application of NFT is currently in the art sector. Crypto community practitioners are working to bring NFT into the traditional art marketplace. To accomplish this, NFT must have general acceptance and market consensus, not just within a niche group of artists and appreciators. Take the most common financial application of collateralized lending, for example; a starving artist, globally unknown pledges his minted NFT to you, the potential lender. They claim it is worth US$10,000 and want to borrow against this collateralized value. Naturally, you are hesitant, unsure of its market value, and even if a current buyer is willing to purchase it at that price, you are still uncertain about its future value. In short, there is not enough market consensus for that NFT. However, let’s use CryptoPunk or BAYC as collateral in this example. Results would be the opposite because each of these digital assets already has widespread market consensus, having been classified as antiques in the NFT community. Therefore, the fair market valuation of NFT is critical to achieving market consensus in the financial sector. Exploring a suitable value solution for NFT is beneficial in a financial application, which opens up various other possibilities for NFT, leading to the further development of the whole crypto community.

UniArts aims to uncover NFT fair market valuation through its customized bottom-up Nominated Proof-of-Stake (NPoS) economic model, aspiring decentralized incubation of creators and their works. In this paper, the core concept of UniArts will be comprehensively explained using this bottom-up concept as the source idea.

Bottom-up NFT Fair Market Valuation

The term bottom-up can be understood differently in different contexts; building on top of a foundation is not a required characteristic. In the context of UniArts, bottom (in a non-pejorative sense) can be understood as what people define together and top as the fair value of NFT. This bottom-up approach is contrasted with more traditional top-down valuation, which was determined mainly by centralized auction houses or prominent collectors. Less renowned artists rarely gained any attention, and in the rare chance they did, their work would often be considered nearly worthless. Such an approach does nothing to showcase potentially exceptional pieces for the mere reason they are unknown, and they remain misunderstood by the public.

In the UniArts network, $UART holders are deemed “nominators,” pledging their tokens as “votes” for an NFT they admire. The more votes an NFT receives, the more people approve of it, and the higher the consensus level. When people are required to invest in their decisions, they become much more selective. Since there is value in $UART, the votes that an NFT receives indicate its fair market value. In the early stages of UniArts’ development, the small user base may not be sufficient to tie the word fair to an NFTs value, but as the network expands, it will become more and more convincing. This process can be referred to as the “flywheel effect.”

Appreciate to Earn

“Appreciate To Earn” is a new concept and a subset of “Play To Earn,” in that merely appreciating an NFT is akin to the process of playing. Axie Infinity, a chain game that has been popular in the crypto community for a while now, relied on this “Play To Earn” concept as the fuel to expand its user base. From this vetted example, we know that it is a viable business model.

UniArt’s Nominators pledge $UART and select an NFT they appreciate to earn more $UART, including a base pledge bonus and a block bonus for top-ranked NFTs. In this process, the word appreciate corresponds to the nominator, and the word earn corresponds to the earned $UART. In Axie Infinity, players buy a pet “Axie” as an entry ticket to the game and earn revenue in-game from this Axie. In UniArts, $UART is the entry ticket into the network.

Play to Earn can be viewed as a modern concept to attract new users. Traditional game companies pay third-party advertising companies to attract new users, but these users do not receive any income. Blockchain games use tokens to incentivize new users, which is a disguised way of attracting traffic; an alternative form of advertising, where the fees paid to advertising companies are instead attributed to the user. If this alternative form of advertising is integrated into a chain game’s economic model, one can only expect explosive organic user growth. Similarly, the Appreciate to Earn concept will cause natural growth of UniArt’s user base, eventually to the point where fair valuation is achieved.  

Multi-Chain NFT Gallery “Impossible Art Formula”

UniArts is native to Polkadot, and one of its strategic plans is to spread the NFT gallery to more popular blockchains, the first stop being Polygon. Mechanically, the gallery will be similar to the NPoS economic model but not identical.

  • Six NFTs will be presented in each issuance, and users can pledge $UART or $WETH to vote on their favorite NFT.
  • There are a total of 3 revenue pools, including a casting pool, a general pool, and a bonus pool. The bonus pool added to the gallery is unique in comparison to the NPoS model mentioned above. The casting pool is a pool in which $UART is minted into an NFT based on the percentage of votes received by the NFT. The general pool allocates rewards based on the proportion of user votes to the total number of votes in the corresponding NFT.
  • At the end of each voting period, NFT owners have the option to participate in the next three-day auction. The bonus pool is allocated to the corresponding NFT according to the ratio of the price sold in the auction to the sum of all prices traded in the auction for that period. This pool is then allocated to users that voted in the general pool, as mentioned in (2).
  • Specific details can be found in the following chart:

UARTs tokens are capped at 200 million, with 10% held by the team and released after 3 years, 12% by early stage investors, 10% by the treasury, and the rest by NFT vote mining, “Appreciate To Earn”.

“Impossible Art Formula” demonstrates the lack of a perfect solution in art valuation as everyone has their unique preferences. Let’s solve this by using $UART to appoint the “Hamlet” we fancy.

Concluding Remarks

UniArts has customized the NPoS economic model for NFT with an Appreciate To Earn mechanism based on the bottom-up source concept, which helps NFT discover its fair value. This value discovery fills an essential gap in applying NFT to traditional art and financial systems, paving a new path in crypto circles.

The impossible art formula is accessible now and will be online on 30th Sep.

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Disclaimer: The views, suggestions, and opinions expressed here are the sole responsibility of the experts. No Digi Observer journalist was involved in the writing and production of this article.

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Press Release

Design Without Borders: How VakkerLight Is Redefining Global Access to High-End Lighting

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Chicago, IL, 15th April 2026, ZEX PR WIRE — There was a time when great design was tied to geography.

If you wanted access to high-end lighting, you went where it lived, Milan, Paris, New York. You worked with local showrooms, relied on trade connections, and navigated long lead times to bring those pieces into your space.

That model no longer holds.

Today, design moves globally, instantly. And companies like VakkerLight are helping redefine what it means to access, produce, and deliver high-end lighting in a connected world.

The End of Geographic Exclusivity

The internet didn’t just change how products are sold, it changed who has access to them.

Design that was once limited to architects and industry insiders is now available to homeowners, small business owners, and independent designers around the world. Inspiration travels faster. Expectations rise.

But access alone isn’t enough. The real challenge is delivering that level of design quality consistently, across borders, without compromising on materials, craftsmanship, or experience.

This is where companies like VakkerLight are setting a new standard.

Global Sourcing, Unified Vision

Modern lighting production is inherently global. Materials, components, and expertise come from different regions, each contributing something specific to the final product.

The challenge is not sourcing, it’s coherence.

Without a strong design vision and tight operational control, globally sourced products can feel fragmented. Inconsistent finishes, mismatched components, and uneven quality are common pitfalls.

VakkerLight addresses this by maintaining a centralized design philosophy while coordinating a global supply network. The result is lighting that feels cohesive and intentional, regardless of where its components originate.

Logistics as a Design Discipline

Shipping a lighting fixture is not simple. Fixtures are fragile, often complex, and require careful handling from factory to final installation.

Delays, damage, and miscommunication can quickly erode the value of even the best-designed product.

This is why logistics has become an extension of design itself. The experience of receiving and installing a fixture is part of how the product is perceived.

VakkerLight supports its global reach with regional warehousing and streamlined distribution systems, ensuring that products arrive efficiently and reliably, a critical factor for both residential customers and large-scale commercial projects.

Serving Both Individuals and Industry

One of the defining characteristics of modern lighting brands is their ability to serve multiple audiences simultaneously.

A homeowner selecting a single pendant for a dining room has different needs than a developer sourcing hundreds of fixtures for a hotel or multi-unit project. Yet both expect the same level of quality, consistency, and service.

VakkerLight operates across this spectrum, offering scalable solutions that meet the demands of individual buyers while supporting the complexity of professional design and construction projects.

Consistency at Scale

Scaling design is difficult.

As companies grow, maintaining quality becomes more challenging. Production increases, supply chains expand, and the margin for error widens.

The brands that succeed are those that build systems capable of maintaining consistency, not just in the product itself, but in the entire customer experience.

For VakkerLight, this means integrating design, manufacturing, and logistics into a cohesive operation where each stage reinforces the next.

A New Global Design Economy

We are entering a phase where design is no longer defined by location, but by access, execution, and reliability.

Consumers expect to discover a product online, understand its quality, and receive it without friction, regardless of where they are. Designers expect partners who can deliver custom or large-scale solutions across borders without compromising timelines.

This is the new standard.

VakkerLight is part of a growing group of companies meeting that expectation, combining global reach with design integrity to make high-end lighting more accessible than ever before.

Where It’s Going

The future of lighting is not just about better products. It’s about better systems.

Systems that connect design to manufacturing. Manufacturing to logistics. Logistics to customer experience.

As these systems become more refined, the gap between local and global design will continue to shrink. What will matter is not where a product comes from, but how well it is conceived, made, and delivered.

In that landscape, companies like VakkerLight are not just participating, they are helping define what comes next.

To learn more visit: https://vakkerlight.com/pages/contact-us

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Press Release

WanliFlooring Develops Integrated Flooring Solutions for Residential and Commercial Projects

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China, 15th Apr 2026 – As material choices in residential and commercial construction continue to diversify, demand for environmentally responsible and high-performance building materials is steadily increasing. Against this backdrop, Shandong Wanli Decorative Materials Co., Ltd., a China SPC flooring supplier and manufacturer based in Liaocheng, Shandong Province, China, has expanded its presence in the global flooring materials sector through ongoing development in production capacity and manufacturing processes.

Company Overview
Core Business and Industry Positioning
Shandong Wanli Decorative Materials Co., Ltd. focuses on the production and distribution of environmentally conscious flooring materials. Its primary product portfolio includes SPC (stone plastic composite) flooring, LVT (luxury vinyl tile) flooring, and laminate flooring, complemented by a full range of flooring accessories.

As a comprehensive decorative materials manufacturer, the company operates integrated production facilities designed to support large-scale manufacturing and stable supply. It currently maintains 10 production lines and is planning to expand to 20 lines following the completion of a new manufacturing facility. Its products are distributed across multiple international markets, supporting a range of residential, commercial, and project-based applications.
Company History
The company has been active in the flooring industry for approximately two decades. It began operations in 2006 as a laminate flooring workshop and has since expanded into a broader manufacturing platform.
In 2011, Chiping Xinfeng Wood Co., Ltd. was established to expand engineered flooring capacity.
In 2018, Shandong Wanli Decorative Materials Co., Ltd. was formally established to focus on SPC flooring production, alongside Liaocheng Desco Decorative Materials Co., Ltd., which manages international trade operations.
In 2022, Shandong Wanli New Materials Co., Ltd. was established in Jinan, Shandong Province, China, to further support global market expansion.
In 2023, the company introduced LVT flooring products, completing a more comprehensive product portfolio.
In 2024, extrusion equipment for SPC flooring was upgraded to improve production efficiency.
In 2025, large-format engineered flooring press equipment was added to expand product specifications.
In 2026, the addition of 10 new production lines is expected to significantly increase manufacturing capacity.
Through ongoing upgrades in production technology and capacity, the company continues to expand its ability to supply flooring materials across multiple categories.
Core Products
SPC Flooring
SPC (stone plastic composite) flooring is manufactured using natural calcium carbonate and PVC through high-pressure extrusion processes. The material is characterized by water resistance, dimensional stability, and resistance to wear and impact. It is commonly used in residential, commercial, and project-based environments.
Dry Back LVT Flooring
LVT flooring, also referred to as luxury vinyl plank (LVP) or luxury vinyl flooring (LVF), is a resilient flooring material constructed with a PVC base layer, a printed design layer, and a wear-resistant surface. It offers a range of visual finishes, including wood and stone textures, and supports installation methods such as glue-down (dry back) and click systems. It is widely used in residential and commercial interiors.
Laminate Flooring
Laminate flooring is composed of multiple layers, including a wear layer, decorative layer, high-density fiberboard (HDF) core, and a balancing layer. It is designed to provide durability, surface resistance, and a wide range of visual patterns, making it suitable for both residential and commercial applications.
Floor Accessories and Installation Systems
The company also supplies installation-related products, including sealants, moisture barriers, trims, baseboards, underlayments, and maintenance products. These components are intended to support installation efficiency and long-term product performance.

Industry Position
Integrated Manufacturing Structure
The company operates as a direct manufacturer integrating production and sales functions. This structure enables greater control over production timelines, customization processes, and supply chain coordination.
Customization Capabilities
OEM and ODM services are available across product design, manufacturing, packaging, and delivery. These services are designed to accommodate varying technical and market requirements.
Manufacturing Capabilities
Production System
The company currently operates 10 production lines, including:
3 laminate flooring production lines
6 SPC flooring production lines
1 LVT flooring production line
Following planned expansion, total capacity is expected to reach 20 production lines, supporting increased output and broader product availability.

Quality Management
Operations are aligned with ISO9001 quality management standards, ISO14001 environmental management standards, and CE certification requirements. A standardized quality control system is applied across raw material sourcing, production processes, and final product inspection to support product consistency and compliance.
Application Value
Durability and Stability
Material selection and manufacturing processes are designed to maintain structural stability under varying environmental conditions. Production tolerances are controlled within defined limits, and quality inspection procedures are applied throughout the manufacturing process.
Installation and Maintenance
SPC and laminate flooring products utilize click-lock installation systems, supporting simplified assembly. Damaged sections can be replaced individually without removing the entire floor. Dry back LVT flooring requires adhesive installation and is typically handled by experienced installers.

Application Versatility
The product range is suitable for residential spaces such as bedrooms and living rooms, as well as high-traffic commercial environments including retail, education, and public facilities. Product specifications can be adapted based on usage requirements.
Design and Surface Finishes
The flooring products are available in a range of surface designs, including wood, stone, and textile-inspired finishes. Surface treatments such as embossed-in-register (EIR), matte finishes, and textured effects are used to enhance visual depth and material appearance.
Summary
Shandong Wanli Decorative Materials Co., Ltd. is a flooring manufacturer integrating research and development, production, and sales. Its product portfolio includes SPC flooring, LVT flooring, laminate flooring, and related accessories.
With an established production system, standardized quality management, and flexible customization capabilities, the company supplies flooring materials to international markets across multiple application scenarios. Future development plans include continued expansion of production capacity and further participation in global markets.
Contact Information
Contact: Joy Tian
Website: www.wanliflooring.com

Media Contact

Organization: Shandong Wanli Decoration Materials Co., Ltd

Contact Person: Joy Tian

Website: https://wanliflooring.com/

Email: Send Email

Country:China

Release id:43972

The post WanliFlooring Develops Integrated Flooring Solutions for Residential and Commercial Projects appeared first on King Newswire. This content is provided by a third-party source.. King Newswire makes no warranties or representations in connection with it. King Newswire is a press release distribution agency and does not endorse or verify the claims made in this release. If you have any complaints or copyright concerns related to this article, please contact the company listed in the ‘Media Contact’ section

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Press Release

West Red Lake Gold Drills 904 Complex Hitting 215.26 grams per tonne Gold over 5.35 Metres

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We plan to keep two drills turning in the 904 Complex for the remainder of 2026, providing continuous news flow and updates as they become available

Canada, 15th Apr 2026– Global Stocks News – Sponsored content disseminated on behalf of West Red Lake Gold. On April 13, 2026, West Red Lake Gold Mines (TSXV: WRLG) (OTCQB: WRLGF) announced drill results from the Austin 904 Complex at its Madsen Mine Project in Ontario, Canada.

Situated at the bottom of Main Austin, starting at approximately 650 metres depth, the 904 Complex is a high-grade panel of mineralization, about 200 square metres, the equivalent of seven regulation NFL football fields.

This area has seen very little mining historically, leaving the main mineralized zone mostly intact. That is expected to allow for larger stopes and more efficient development and extraction from this high-grade area.

“The 904 Complex in lower Austin is steadily growing into a very important part of the future at Madsen,” stated Will Robinson, VP of Exploration in the April 13, 2026 press release. “Having only just gained access to this area for drilling in late 2025, the results received to date are highly encouraging.

“For historic comparison,” continued Robinson, “The High-Grade Zone discovery by Goldcorp Inc. in Red Lake was initially established on nine holes with a weighted average grade of 311 grams per tonne gold, uncapped, over 2.3 metres[1] – we already have multiple results received to date out of 904 that exceed these grades and thicknesses.”

Previously released 904 highlights include 11.2 metres @ 26.16 g/t gold, 3.55 metres @ 37.87 g/t gold, 7.8 Metres @ 139.45 g/t gold, 7.7 metres @ 18.31 g/t gold, 8.7 metres @ 74.70 g/t gold, 4.3 metres @ 30.16 g/t gold.

Also, 4.75 metres @ 219.73 g/t gold, 2.5 metres @ 133.13 g/t gold, 3 metres @ 148.36 g/t gold, 5 metres @ 36.06 g/t gold, 3.15 metres @ 41.90 g/t gold.

In the video below, Robinson breaks down the significance of the April 13, 2026 904 Complex drill results.

“I want to provide a little bit of background information on the news we just put out today,” stated Robinson in the YouTube explainer video. “We’re announcing some very exciting drill results from the Lower Austin area, and a new area that we’ve been defining, called the 904 Complex.”

“These results come from our definition drilling programs that are ongoing at Madsen. The holes were drilled from the 13 level in the Madsen Mine, which is at approximately 650 meters depth. The deposit was mined, historically, down to around 1,300 meters depth.”

“We find ourselves at about the halfway point,” continued Robinson. “We’re starting to tap into some high tonnage, less remnant areas of the mine. That’s one of the things about the 904 Complex that is so important. It’s essentially a 200 by 200-metre panel of gold mineralization that remains mostly intact.”

FIGURE 5. Long Section showing drill highlights from current press release in Austin 904 Complex with (grade x thickness) at ≥ 25 (g/t Au x m). Interval length denotes downhole core length. True thickness has not been calculated, but is expected to be ≥ 70% of downhole length based on intercept angles observed in the drill core.[2]

[2] Mineral resources are estimated at a cut-off grade of 3.38 g/t Au and a gold price of US1,800/oz. Please refer to the technical report entitled “NI 43-101 Technical Report and Prefeasibility Study for the Madsen Mine, Ontario, Canada”, prepared by SRK Consulting (Canada) Inc. and dated January 7, 2025 (the “Madsen Report”). A full copy of the Madsen Report is available on the Company’s website and on SEDAR+ at www.sedarplus.ca.

“Most of the mining that we do at Madsen occurs in proximity to remnant workings and historic development,” stated Robinson in the explainer video. “Having access to a large area of un-mined mineralization will benefit us greatly. We’ve only drilled 30 meters down into the 904 complex panel. We still have roughly 170 meters of vertical extent to continue defining this high potential area.”

“We plan to keep two drills turning in the 904 Complex for the remainder of 2026, providing continuous news flow and updates as they become available,” concluded Robinson.

Exploding global debt is threatening the stability of fiat currency. Gold, unlike cash, can not be generated through government policy or financial engineering. A weakened US dollar is bullish for gold.

“The country with the largest debt—$39 trillion and counting—is the United States,” writes WRLG founding strategic investor Frank Giustra on March 23, 2026. “Interest on that debt now exceeds defense spending.”

“With over $10 trillion in U.S. debt maturing in the next 12 months and the 10-year yield approaching 4.5%, the massive $1 trillion in interest costs the U.S. absorbed last year are set to climb even higher.”

“I am quite certain that the price of gold, as measured in fiat currency, can only rise dramatically in years to come,” added Giustra.

2025 was a “ramp-up year” that saw the Madsen Mine pour 20,147 ounces of gold, sold at an average price of US$3,650 per ounce, yielding total gold sales revenue of US$73 million (C$99 million).

WRLG declared commercial production at the mine on January 1, 2026. Since then, production has continued, and the price of gold has increased from US$4,330 per ounce to US$4,750 per ounce.

The technical information presented in this news release has been reviewed and approved by Will Robinson, P.Geo., Vice President of Exploration for West Red Lake Gold and the Qualified Person for exploration at the West Red Lake Project, as defined by NI 43-101. Mr. Robinson is not independent of WRLG.

Contact: guy.bennett@globalstocksnews.com 

Disclaimer: West Red Lake Gold paid Global Stocks News (GSN) $1,750 for the research, writing and dissemination of this content. 

Full Disclaimer: GSN researches and fact-checks diligently, but we cannot ensure our publications are free from error. Investing in publicly traded stocks is speculative and carries a high degree of risk. GSN publications may contain forward-looking statements such as “project,” “anticipate,” “expect,” which are based on reasonable expectations, but these statements are imperfect predictors of future events. When compensation has been paid to GSN, the amount and nature of the compensation will be disclosed clearly. 

References: 

The Madsen Mine deposit presently hosts a National Instrument 43-101 – Standards of Disclosure for Mineral Projects (“NI 43-101”) Indicated resource of 1.65 million ounces (“Moz”) of gold grading 7.4 g/t Au within 6.9 Mt, and an Inferred resource of 0.37 Moz of gold grading 6.3 g/t Au within 1.8 Mt. Mineral resources are estimated at a cut-off grade of 3.38 g/t Au and a gold price of US$1,800/oz. A full copy of the Madsen Report is available on the Company’s website and on SEDAR+ at www.sedarplus.ca.

Media Contact

Organization: Global Stocks News

Contact Person: guy.bennett@globalstocksnews.com

Website: https://www.globalstocksnews.com

Email: Send Email

Country:Canada

Release id:44068

The post West Red Lake Gold Drills 904 Complex Hitting 215.26 grams per tonne Gold over 5.35 Metres appeared first on King Newswire. This content is provided by a third-party source.. King Newswire makes no warranties or representations in connection with it. King Newswire is a press release distribution agency and does not endorse or verify the claims made in this release. If you have any complaints or copyright concerns related to this article, please contact the company listed in the ‘Media Contact’ section

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