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UniArt’s impossible art formula gallery bring bottom-up NFT appreciation with vote mining on 30th Sep

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Preamble

Recently, “Loot” has been spreading virally throughout the crypto community. Industry key opinion leaders (KOLs), founders of quality projects, and investment institutions all pay close attention to the emerging “bottom-up” concept, and more community members are excited about it.

Despite the term bottom-up only recently coming into the limelight, in essence, the philosophy may be at the root of the entire crypto economy. Bitcoin, for example, breaks the rules of centralized government-issued fiat currency by enabling anyone that follows its PoW consensus algorithm to produce a new currency. On the other hand, Ether allows developers to build arbitrary dApps on top of it without permission, and its prosperity hinges on the frequency of this.

These two patriarchs of the crypto economy have opened up a bottom-up path outside the centralized internet. The bottom here can be anyone. The top is no longer governments or corporations but now code, algorithms, data, and consensus mechanisms. Loot is the first bottom-up non-fungible token (NFT), possessing similar intrinsic characteristics at the root of its explosion.

The most widespread application of NFT is currently in the art sector. Crypto community practitioners are working to bring NFT into the traditional art marketplace. To accomplish this, NFT must have general acceptance and market consensus, not just within a niche group of artists and appreciators. Take the most common financial application of collateralized lending, for example; a starving artist, globally unknown pledges his minted NFT to you, the potential lender. They claim it is worth US$10,000 and want to borrow against this collateralized value. Naturally, you are hesitant, unsure of its market value, and even if a current buyer is willing to purchase it at that price, you are still uncertain about its future value. In short, there is not enough market consensus for that NFT. However, let’s use CryptoPunk or BAYC as collateral in this example. Results would be the opposite because each of these digital assets already has widespread market consensus, having been classified as antiques in the NFT community. Therefore, the fair market valuation of NFT is critical to achieving market consensus in the financial sector. Exploring a suitable value solution for NFT is beneficial in a financial application, which opens up various other possibilities for NFT, leading to the further development of the whole crypto community.

UniArts aims to uncover NFT fair market valuation through its customized bottom-up Nominated Proof-of-Stake (NPoS) economic model, aspiring decentralized incubation of creators and their works. In this paper, the core concept of UniArts will be comprehensively explained using this bottom-up concept as the source idea.

Bottom-up NFT Fair Market Valuation

The term bottom-up can be understood differently in different contexts; building on top of a foundation is not a required characteristic. In the context of UniArts, bottom (in a non-pejorative sense) can be understood as what people define together and top as the fair value of NFT. This bottom-up approach is contrasted with more traditional top-down valuation, which was determined mainly by centralized auction houses or prominent collectors. Less renowned artists rarely gained any attention, and in the rare chance they did, their work would often be considered nearly worthless. Such an approach does nothing to showcase potentially exceptional pieces for the mere reason they are unknown, and they remain misunderstood by the public.

In the UniArts network, $UART holders are deemed “nominators,” pledging their tokens as “votes” for an NFT they admire. The more votes an NFT receives, the more people approve of it, and the higher the consensus level. When people are required to invest in their decisions, they become much more selective. Since there is value in $UART, the votes that an NFT receives indicate its fair market value. In the early stages of UniArts’ development, the small user base may not be sufficient to tie the word fair to an NFTs value, but as the network expands, it will become more and more convincing. This process can be referred to as the “flywheel effect.”

Appreciate to Earn

“Appreciate To Earn” is a new concept and a subset of “Play To Earn,” in that merely appreciating an NFT is akin to the process of playing. Axie Infinity, a chain game that has been popular in the crypto community for a while now, relied on this “Play To Earn” concept as the fuel to expand its user base. From this vetted example, we know that it is a viable business model.

UniArt’s Nominators pledge $UART and select an NFT they appreciate to earn more $UART, including a base pledge bonus and a block bonus for top-ranked NFTs. In this process, the word appreciate corresponds to the nominator, and the word earn corresponds to the earned $UART. In Axie Infinity, players buy a pet “Axie” as an entry ticket to the game and earn revenue in-game from this Axie. In UniArts, $UART is the entry ticket into the network.

Play to Earn can be viewed as a modern concept to attract new users. Traditional game companies pay third-party advertising companies to attract new users, but these users do not receive any income. Blockchain games use tokens to incentivize new users, which is a disguised way of attracting traffic; an alternative form of advertising, where the fees paid to advertising companies are instead attributed to the user. If this alternative form of advertising is integrated into a chain game’s economic model, one can only expect explosive organic user growth. Similarly, the Appreciate to Earn concept will cause natural growth of UniArt’s user base, eventually to the point where fair valuation is achieved.  

Multi-Chain NFT Gallery “Impossible Art Formula”

UniArts is native to Polkadot, and one of its strategic plans is to spread the NFT gallery to more popular blockchains, the first stop being Polygon. Mechanically, the gallery will be similar to the NPoS economic model but not identical.

  • Six NFTs will be presented in each issuance, and users can pledge $UART or $WETH to vote on their favorite NFT.
  • There are a total of 3 revenue pools, including a casting pool, a general pool, and a bonus pool. The bonus pool added to the gallery is unique in comparison to the NPoS model mentioned above. The casting pool is a pool in which $UART is minted into an NFT based on the percentage of votes received by the NFT. The general pool allocates rewards based on the proportion of user votes to the total number of votes in the corresponding NFT.
  • At the end of each voting period, NFT owners have the option to participate in the next three-day auction. The bonus pool is allocated to the corresponding NFT according to the ratio of the price sold in the auction to the sum of all prices traded in the auction for that period. This pool is then allocated to users that voted in the general pool, as mentioned in (2).
  • Specific details can be found in the following chart:

UARTs tokens are capped at 200 million, with 10% held by the team and released after 3 years, 12% by early stage investors, 10% by the treasury, and the rest by NFT vote mining, “Appreciate To Earn”.

“Impossible Art Formula” demonstrates the lack of a perfect solution in art valuation as everyone has their unique preferences. Let’s solve this by using $UART to appoint the “Hamlet” we fancy.

Concluding Remarks

UniArts has customized the NPoS economic model for NFT with an Appreciate To Earn mechanism based on the bottom-up source concept, which helps NFT discover its fair value. This value discovery fills an essential gap in applying NFT to traditional art and financial systems, paving a new path in crypto circles.

The impossible art formula is accessible now and will be online on 30th Sep.

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Disclaimer: The views, suggestions, and opinions expressed here are the sole responsibility of the experts. No Digi Observer journalist was involved in the writing and production of this article.

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Press Release

Pulitzer-Nominated Lauren Coyle Rosen Unveils a Creative Triple Crown

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The genre-blending album “Twilight Streams” arrives alongside two major books, spotlighting the author and artist’s fusion of music, mythology, and feminist thought.

United States, 31st Dec 2025 – Pulitzer-nominated author, cultural anthropologist, and singer-composer Lauren Coyle Rosen is entering a striking new creative chapter with the announcement of her seventh music album, Twilight Streams, alongside two major forthcoming books—including a highly anticipated collaboration with folk-rock legend Ani DiFranco.

Based in Washington, D.C., and Philadelphia, Coyle Rosen will release Twilight Streams on Jan. 31, 2026. The album weaves together synth and chamber pop, hypnotic rhythmic textures, and her signature ethereal vocals, all anchored by poetic, spiritually infused lyrics.

“For Twilight Streams, I expanded far beyond my usual realm of familiarity and comfort—both in sound and language,” Coyle Rosen said. “As I composed the songs, I visualized and even embodied some of the most profound spiritual lessons and wisdom I’ve encountered in my life. I hope the sonic tonic conveys the powers, contradictions, and unyielding truths at play in many theaters of human experience.”

The new album arrives on the heels of an extraordinarily prolific period that saw Coyle Rosen release her first six albums in 2025, cementing her reputation as an artist unafraid of bold creative momentum.

Twilight Streams also follows her recent announcement of another major literary work, Goddess—a sweeping global history of goddesses that examines their cultural centrality as well as their systematic erasures. The book will be published by Holt.

In addition, Coyle Rosen is preparing for the March 3, 2026 release of The Spirit of Ani: Reflections on Spirituality, Feminism, Music, and Freedom, a book she coauthored with DiFranco. The title is now available for preorder through Amazon and other major booksellers. Signed copies and limited-run prints of DiFranco’s painting Spirit Becomes Flesh are available through the book’s publisher, Akashic Books.

“The collaborative book I wrote with the singer-songwriter Ani DiFranco, as well as the collaborative spiritual biography I wrote with composer Hannibal Lokumbe, helped inspire my turn toward trusting my own creative flow in music,” Coyle Rosen said. “It’s amazing how fast composing can go when I get out of my own way and trust my intuition.”

Twilight Streams will be available on all major streaming platforms and through laurencoylerosenmusic.com. Coyle Rosen’s music can also be found on Spotify, Apple Music, YouTube, and other digital platforms. More information about her writing, art, and upcoming releases is available at laurencoylerosen.com.

ABOUT THE ARTIST: Lauren Coyle Rosen is an award-winning, Pulitzer Prize–nominated author, singer-songwriter, artist, and cultural anthropologist. She has published twelve books—including four works of nonfiction—and is currently completing Goddess: A History (Henry Holt, forthcoming). Her nonfiction titles include The Spirit of Ani (coauthored with Ani DiFranco), Hannibal Lokumbe, Law in Light, and Fires of Gold. As a musician, she has released five acclaimed albums blending synth dream pop, spiritual jazz, and chamber sounds, available on all major streaming platforms. A former Princeton University professor and current Harvard University fellow, she lives in Washington, D.C., and Philadelphia with her husband, Jeffrey Rosen.
 

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Organization: Spotlight Media Pros

Contact Person: Lauren Coyle Rosen

Website: https://laurencoylerosen.com/

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Country:United States

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The post Pulitzer-Nominated Lauren Coyle Rosen Unveils a Creative Triple Crown appeared first on King Newswire. This content is provided by a third-party source.. King Newswire makes no warranties or representations in connection with it. King Newswire is a press release distribution agency and does not endorse or verify the claims made in this release. If you have any complaints or copyright concerns related to this article, please contact the company listed in the ‘Media Contact’ section

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Bold Branding Meets Premium Quality as BigAssCoffeeCompany.com Delivers Artisan Blends with Attitude to Coffee Lovers

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BigAssCoffeeCompany.com launches with a mission to serve coffee lovers who want exceptional flavor without pretentious marketing. The company offers artisan blends and branded merchandise through a streamlined e-commerce platform featuring fast automated fulfillment and direct shipping nationwide.

United States, 31st Dec 2025 – Big Ass Coffee Company is making its mark on the American coffee scene with an offering that combines artisan-quality blends, premium branded gear, and a brand personality that refuses to blend into the background. The company’s newly launched e-commerce platform serves coffee enthusiasts across the United States who have grown tired of choosing between overpriced specialty brands wrapped in pretentious marketing and mass-market options that sacrifice quality for convenience.

The brand name itself signals the company’s approach: unapologetic, memorable, and designed to appeal to customers who value authenticity over polish. In a market where many coffee companies rely on imagery of mountain villages, hand-drawn logos, and flowery descriptions of tasting notes, Big Ass Coffee Company speaks plainly and confidently. This positioning resonates particularly well with younger consumers and professionals who respond to brands that communicate like real people rather than marketing departments.

However, the bold branding is backed by genuine substance. The artisan blends available through the platform are developed with careful attention to sourcing, roasting, and flavor profile development. Each offering is designed to deliver a distinctive and satisfying experience that justifies its position in the premium segment without requiring customers to decode elaborate tasting notes or understand obscure origin details. The coffee speaks for itself through quality that is immediately apparent in the cup.

The company’s target audience represents a significant and growing segment of the coffee market. These consumers have been educated by the specialty coffee movement and now expect higher quality than traditional commercial brands offer. Simultaneously, they have become accustomed to the convenience and speed of modern e-commerce and expect seamless online purchasing experiences. They want coffee delivered to their doors quickly and reliably, and they prefer brands that feel genuine rather than manufactured.

Big Ass Coffee Company addresses these preferences through both product and operations. The automated fulfillment system ensures orders are processed and shipped rapidly without the delays common in businesses managing traditional inventory systems. This speed is particularly important for coffee, where freshness directly impacts quality. Customers receive products quickly enough that flavor remains at peak levels, providing an experience comparable to purchasing directly from local roasters without requiring in-person shopping.

The merchandise collection extends brand engagement beyond the coffee itself. Apparel and accessories allow customers to express affinity for the brand in their daily lives while generating additional revenue that supports overall business viability. The gear is designed with the same quality standards and brand consistency as the coffee products, ensuring customers feel good about their purchases whether they are brewing a morning cup or wearing branded apparel.

The direct-to-consumer model creates advantages beyond operational efficiency. It enables the company to build direct relationships with customers, gather feedback without intermediaries, and adapt offerings based on actual purchasing behavior and preferences. This connection informs product development, marketing strategies, and customer service improvements in ways that would be impossible through wholesale or retail partnerships.

From a market perspective, Big Ass Coffee Company enters during favorable conditions for online coffee retail. Consumer comfort with food and beverage e-commerce has increased dramatically, and the subscription and direct-shipping models have become mainstream rather than novel. However, market maturity also means increased competition, making differentiation essential. The company’s combination of quality products, operational efficiency, and distinctive branding creates a competitive position that addresses multiple customer priorities simultaneously.

The inventory-free fulfillment approach provides financial and operational flexibility that supports sustainable growth. Without capital tied up in stored inventory or risk exposure from unsold stock, the company can invest resources in customer acquisition, product development, and brand building. This lean operational model is particularly advantageous during the early growth phase when cash flow management is critical.

Big Ass Coffee Company represents a new generation of direct-to-consumer brands that understand quality and personality are not mutually exclusive. The company delivers genuinely premium products while communicating in ways that feel accessible and authentic. For coffee lovers seeking alternatives to both boring mainstream brands and overly serious specialty options, the company offers a refreshing choice that does not compromise on what matters most: the coffee itself.

CONTACT: https://www.BigAssCoffeeCompany.com
https://Facebook.com/BigAssCoffeeCompany

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Organization: Big Ass Coffee Company

Contact Person: John Watson

Website: https://www.BigAssCoffeeCompany.com

Email: Send Email

Country:United States

Release id:39735

The post Bold Branding Meets Premium Quality as BigAssCoffeeCompany.com Delivers Artisan Blends with Attitude to Coffee Lovers appeared first on King Newswire. This content is provided by a third-party source.. King Newswire makes no warranties or representations in connection with it. King Newswire is a press release distribution agency and does not endorse or verify the claims made in this release. If you have any complaints or copyright concerns related to this article, please contact the company listed in the ‘Media Contact’ section

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Green on the Left, Foregate on the Right ―When the Echo of an Era Meets the Future

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ForeGate officially announces that Michael Owen, the 2001 Ballon D’Orr winner and an English football legend, has joined the platform as its Global Brand Ambassador. As a new-generation prediction market, ForeGate is committed to empowering broader participation in trends and a deeper understanding of the future through collective intelligence and structured judgement mechanisms. Owen’s appointment is widely seen as a profound convergence between football’s golden era and forward-looking decision-making.

In the grand history of world football, Michael Owen is a name that cannot be overlooked. With pure explosive speed, he tore through defences, and with youthful fearlessness, he lit up countless stadiums. On the pitch, his runs came to symbolize speed and hope―embodying an era’s imagination of the future.

Yet time never stands still. As the touchlines of the pitch slowly fade behind him, a new direction begins to unfold ahead. Today, the former “Boy Wonder” has embarked on a new journey―one that reflects not only a personal choice, but also the shifting tides of an era.

Beyond the Pitch, a New Path Toward the Future

Football gifted Owen not only extraordinary talent, but also an uncommon clarity of insight. From a single run to a decisive strike, from team coordination to tactical awareness, the essence of football lies in continuously anticipating an ever-shifting future. He conquered the world with speed, but what truly made him a legend was his ability to read the game―his decisions made in moments of chaos.

 

And so, when Owen encountered Foregate, he understood it faster than anyone else.

This is a platform where anyone can engage with the future through judgement and intelligence. A new gateway that brings “prediction” from the pitch into the real world. An ecosystem where insight is no longer constrained by time, and the future no longer feels distant.

Beyond the green field, Owen remains the “Boy Who Chased the Wind.” At Foregate, he has found a new direction in which to run.

 

Prediction: Another Way of Seeing the World’s Direction

Across the globe, prediction markets are emerging as a new driving force of innovation.

Foregate is not just a simple prediction tool; it is a piece of “future infrastructure” built on collective intelligence, transparent information, and open participation. It enables people to form sharper, more accurate perspectives on the future―across sports, finance, politics, technology, and broader social issues―through judgement and insight.

If running on the football pitch is the art of speed, then prediction on Foregate is the art of insight.

 

The two share the same underlying spirit: identifying opportunity, seizing initiative, and shaping the future. Here, prediction is not merely a feature. It is a new logic for understanding the world: the future is not something to wait for, but something to take part in.

 

VIDEO:https://youtu.be/m8l_28LaxKg

 

When a Legend Meets a New Frontier — The Echo of an Era Owen’s arrival at Foregate marks a handshake between two eras. In the age of football, he chased the wind with his legs.

In the digital age, he chases it with insight.

He believes the future belongs to those with courage, that judgement can change outcomes, and that everyone has the right to leave their mark on where the world is heading.

The green pitch lies to the left―his glorious past. Foregate stands to the right―his chosen future.

The legend continues forward, and the direction of the next wind belongs to everyone.

Media Contact

Organization: ForeGate

Contact Person: Naoko

Website: https://www.foregate.com/

Email: Send Email

Country:Samoa

Release id:39739

The post Green on the Left, Foregate on the Right ―When the Echo of an Era Meets the Future appeared first on King Newswire. This content is provided by a third-party source.. King Newswire makes no warranties or representations in connection with it. King Newswire is a press release distribution agency and does not endorse or verify the claims made in this release. If you have any complaints or copyright concerns related to this article, please contact the company listed in the ‘Media Contact’ section

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Disclaimer: The views, suggestions, and opinions expressed here are the sole responsibility of the experts. No Digi Observer journalist was involved in the writing and production of this article.

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