Press Release
The Openland blockchain project is changing the history of human collection

NFT has been hugely popular this year with the popularity of digital cryptocurrencies such as Bitcoin and Ethernet. NFT is a digital asset designed to track the ownership of specific virtual items, such as works of art or sports trading cards, using blockchain technology.
The total value of NFT transactions tripled to $250 million last year according to data. In the past month alone, NFT’s total sales exceeded $220 million.
The size of the market continues to explode.
There have been many star projects have achieved good performance in the NFT track. The TVK project is a cross-platform ecosystem based on blockchain, focused on sharing and trading with digital collections. The Flow project is more focused on games. The project aims to power next-generation applications, games, and digital assets. Another star project is Chiliz, or CHZ, which is a platform that welcomes both loyal fans of a single team and ordinary sports fans around the world.
No matter TVK, or Flow, CHZ, these star projects show a strong IP attribute from a comprehensive point of view of the above three. As the NFT track, which is based on the advantage of non-homogeneous tokens, it is these differentiated IP that make its projects have the tension to stick to its users, not only using brand-new tokens, but also making it a social currency between users.
IP is the only way for NFT track project.
The dispute between copyright and IP is also pervasive in China. Whether it’s a show, an online celebrity or a startup story, it essentially incubates an IP that can spread widely and have a specific scene. By the same token, the threshold for each user to learn and use is higher if the projects incubated by blockchain technology cannot be IP-oriented.
The NFT track is the golden track of IP. The value of IP itself will also bring greater value to the NFT track. Similar to the content of high-quality IP documentaries, Netflix’s brand awareness has really flown up on the Internet.
So what other IP can be mined? Stamps are an excellent option.
Austria Post has issued a variety of colorful and innovative series of special stamps in recent years, from tight dresses, embroidery and printed leather pants to ceramics, glass, meteor dust or sparkling Swarovski crystals. Now, Austria Post has launched a brand that combines the analog and digital world: encrypted digital stamps.
Croatia Post chose to issue encrypted digital stamps on the occasion of the 180th anniversary of the issue of the world’s first stamp, “Black Penny”, to express the meaning of inheritance. Croatia Post issued a stamp sheetlet entitled “Stamp Day-Croatia Digital encrypted Stamps” on September 9, 2020. The main picture is the means of transport and QR code, with a face value of 50 Croatian Khouna, which is jointly designed by IvanaVučić and Tomislav-Jurica Kaćunić .
Collecting stamps is almost a hobby engraved in human genes in fact. The world’s first stamp appeared in the UK, designed by William Wayne and featuring a profile portrait of Queen Victoria. The face value is 1p, and black, which is commonly known as “black penny”. It was officially put into use on May 6, 1840, with 11 editions and 72 million copies issued. Stamp collecting almost came into being with the emergence of stamps, and the International Philatelic Federation was born in 1926.
Stamps have been issued for more than 130 years since 1878 in China (the fourth year of Guang Xu of the Qing Dynasty). The China Philatelic Company was established in 1955 and the China National Stamp Corporation was established in 1979 after the founding of New China. The philatelic market is becoming more and more prosperous. Stamp collecting has become the most influential and involved collection activity in the world. Collecting stamps, the Chinese market is also of great value. For example, whether it is the Olympic Games or the fight against the epidemic, China will issue specific commemorative stamps, which in itself is a wake-up call to stamp collecting.
There are many commercial marketing activities similar to stamp collecting that have achieved good results. For example, IP, which collects Shuihu cards, has brought hot sales of small raccoon dry and crispy noodles.
However, the market of traditional stamps is limited. I addition, there are many problems, such as difficult to preserve, inconvenient to trade and so on. However, on the NFT track, these problems are being overcome one by one. The characteristics of stamps are born to blend perfectly with NFT. NFT can indicate its identity information by building a corresponding asset, which has a variety of attribute parameters and is unique, indivisible, and inseparable to some extent. NFT, which pursues non-homogeneous tokens and art collection value, will have broader commercial prospects with the blessing of stamps.
The openland project is the IP that focuses on stamps + NFT at present. Openland issued the first set of blockchain technology commemorative stamps as part of the physical mapping project at the NFT track. Stamps issued according to the set will have a unique identification code to generate a NFT that automatically maps erc721. The mapped NFT will become the NFT identity authentication of the public chain of the project, and will have the opportunity to enjoy certain rights and interests in the subsequent ecological construction, such as node rights, mining rights and so on.
The NFT mining mode will be launched after the launch of the openland project, which can be divided into two types: NFT pledge mining and social mining. At the same time, the openland project will also have in-depth cooperation with other DeFi projects in the future according to insider sources.
The goal of openland based on NFT technology is to realize digitalization with existing physical stamps, establish official credibility, guide the virtuous circle of stamp market, push up the overall price of stamps and drive the issuance of physical stamps; The digitization of stamp issuance, that is, no longer issuing physical stamps, issuing digital stamps directly on the chain; and forming the postal block chain stamp trading platform under the permission of national policies and laws and regulations.
It can be said that openland will certainly change the way people collect stamps and leave a great deal of ink in the history of stamp collecting. It is obviously knocking on the door of the history of human collection.
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Disclaimer: The views, suggestions, and opinions expressed here are the sole responsibility of the experts. No Digi Observer journalist was involved in the writing and production of this article.
Press Release
UniOne Global Industry Summit and the First Leadership Training Conference have been successfully concluded
China,Hong Kong,Dec.20th.Responding to the Era of Global Uncertainty with Industrial Consensus and Organizational Capacity

In the context of ongoing reshaping of the global industrial structure and accelerated evolution of organizational forms, truly valuable conferences have long moved beyond mere information display or short-term incentives, instead focusing on strategic direction-setting, system development, and consensus-building.
The UniOne Global Industry Summit and the inaugural Leadership Training Program represent a systematic and in-depth dialogue centered on this core objective.
During the opening session, UniLabs ‘Chief Consultant delivered a keynote address, providing a systematic analysis of UniOne’s current development stage from the perspectives of global industrial cycles, organizational evolution, and long-termism. The speech not only reviewed the evolving trends in the global economy and industrial structure but also highlighted UniOne’s strategic path and core decisions within this cycle, establishing a clear and robust strategic foundation for the entire conference.

During the session, the co-founder of Uni Labs delivered a keynote presentation on UNIONE’s industrial strategy and development roadmap. The presentation provided a comprehensive overview of UniOne’s industrial framework, core business focus, and phased objectives. It not only covered the current priority sectors but also outlined the development pace and priorities for the coming period, enabling attendees to grasp UniOne’s long-term strategic vision holistically rather than focusing narrowly on individual businesses or short-term opportunities.
On the topic of industrial layout, the conference elaborated in depth on UniOne’s holistic ecosystem framework and development strategy, emphasizing diversified collaboration over singular reliance. Through clear industrial division of labor and collaborative mechanisms, it aims to build a systemic ecosystem with risk resilience and continuous evolution capabilities. This discussion not only addresses the question of’ what to do, ‘but also reveals the fundamental rationale behind’ why to do it.’
The conference’s economic model discussions focused on the long-term rationality of value creation and distribution mechanisms, systematically analyzing the interplay between participant roles, incentive structures, and ecosystem stability. Through rational and transparent analysis, it emphasized that sustainable development must be grounded in tangible value and clear rules, rather than relying on short-term emotions or external stimuli. This section provided participants with a critical framework to understand the overall functioning of the ecosystem.
The meeting expanded its focus to innovation and foundational capacity building, with in-depth discussions on innovation incubation, technical support, and organizational empowerment. Through a systematic analysis of the innovation ecosystem, it was emphasized that UniOne prioritizes not only business expansion but also the continuous development of core competencies and talent systems, ensuring stable support for the long-term sustainability of its ecosystem.
The conference will shift its focus from “individual capabilities” to “organizational synergy” in leadership and organizational development, emphasizing that leadership is fundamentally about building trust, fostering consensus, and continuously amplifying team effectiveness. Through sharing real-world cases and practical experiences, it explores how to build teams with execution, cohesion, and long-term resilience within multicultural and complex organizational structures.
The conference transcended isolated discussions of specific topics, instead weaving together industrial, model, organizational, and leadership dimensions to forge a cohesive cognitive framework. This approach enabled participants to gain a higher-dimensional understanding of their roles and future trajectories.

The UniOne Global Industry Summit and the inaugural Leadership Training Program wasn’t a one-time conclusion presentation, but rather a collaborative exploration of long-term value.
It does not convey the path to quick success, but how to build the ability and consensus of certainty in the uncertain times.
This is the core and the most long-term value of the conference.
Media Contact
Organization: CHINA SHUNHE GROUP CO., LIMITED
Contact Person: Alice
Website: https://zpnchain.io/
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Address:RM 21 UNIT A 11/F TIN WUI IND BLDG NO 3 HING WONG ST TUEN MUN NT HONG KONG
Country:China
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The post UniOne Global Industry Summit and the First Leadership Training Conference have been successfully concluded appeared first on King Newswire. This content is provided by a third-party source.. King Newswire makes no warranties or representations in connection with it. King Newswire is a press release distribution agency and does not endorse or verify the claims made in this release. If you have any complaints or copyright concerns related to this article, please contact the company listed in the ‘Media Contact’ section
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Press Release
Luis D’Oleo Jr Funnywing Earns National and International Mainstream Media Recognition for Acclaimed Short Film Dreams
Rising filmmaker, content creator, and entrepreneur Luis D’Oleo, professionally known as Funnywing, is gaining significant national and international mainstream media recognition for his powerful short film, Dreams.

Menifee, CA, United States, 20th Dec 2025 – Rising filmmaker, content creator, and entrepreneur Luis D’Oleo, professionally known as Funnywing, is gaining significant national and international mainstream media recognition for his powerful short film, Dreams. The project’s growing visibility across major media platforms has positioned Luis as one of Chicago’s fastest-emerging creative voices and a rising force in modern storytelling.

Whatch the firm here https://www.instagram.com/reel/DBW0zgePMrl/?utm_source=ig_web_copy_link
Blending authentic storytelling, emotional depth, and real-world inspiration, Dreams reflects Luis D’Oleo’s unique ability to turn life’s challenges into cinematic motivation. Media outlets have praised the film for its relatable message, raw honesty, and compelling narrative—hallmarks of the Funnywing creative brand.
Dreams isn’t just a film—it’s a reminder that every story matters,” said D’Oleo. “This project was created for those who have been knocked down but refuse to stay there. Receiving recognition from major media outlets proves that passion, purpose, and persistence always rise. My mission is to inspire people to chase their dreams with confidence, courage, and relentless determination.”
As his influence continues to expand across filmmaking, digital content, and entrepreneurship, Luis D’Oleo consistently pushes creative boundaries while motivating audiences worldwide. His work seamlessly blends humor, heart, and hustle, a combination that resonates strongly with today’s next-generation creators and dreamers.
With Dreams marking a pivotal moment in his career, Luis D’Oleo is rapidly establishing himself as a compelling new voice in contemporary cinema. His journey is only beginning—and this film signals the launch of a remarkable rise on the national and global stage.

About Luis D’Oleo Funnywing
Luis D’Oleo is a Chicago-based filmmaker, content creator, and entrepreneur known professionally as Funnywing. He produces motivational, comedic, and cinematic content designed to inspire individuals to pursue their dreams. His short film Dreams has earned both national and international mainstream media recognition.
Media Contact
Instagram: @funnywing_oficial: https://www.instagram.com/reel/DBW0zgePMrl/?utm_source=ig_web_copy_link
Media Contact
Organization: Deoleo Public Relations Firm
Contact Person: Tony Deoleo
Website: https://deoleopublicrelationsfirm.godaddysites.com/?sfnsn=mo
Email: Send Email
Contact Number: +18184581974
Address:30450 Haun Road, Suite #1003 Menifee, CA 92584
City: Menifee
State: CA
Country:United States
Release id:39359
The post Luis D’Oleo Jr Funnywing Earns National and International Mainstream Media Recognition for Acclaimed Short Film Dreams appeared first on King Newswire. This content is provided by a third-party source.. King Newswire makes no warranties or representations in connection with it. King Newswire is a press release distribution agency and does not endorse or verify the claims made in this release. If you have any complaints or copyright concerns related to this article, please contact the company listed in the ‘Media Contact’ section
About Author
Disclaimer: The views, suggestions, and opinions expressed here are the sole responsibility of the experts. No Digi Observer journalist was involved in the writing and production of this article.
Press Release
Jonathan Franklin of Georgetown University Highlights How Coverage Itself Shapes Missing Persons Cases
Washington, D.C, 20th December 2025, ZEX PR WIRE, Jonathan Franklin has reported many high-profile national stories, but one beat continues to shape his thinking: how media attention—or the lack of it—affects the outcome of missing persons cases. In his work for NPR, Franklin has drawn a clear line between editorial decisions made in newsrooms and real-world consequences for families, communities, and the public’s understanding of urgency.
Franklin, who holds a master’s degree in journalism from Georgetown University, believes one of the most underreported facts in American media is this: coverage itself is an intervention. “There’s this quiet assumption that journalism is observational. In missing persons stories, that’s never been true,” he said.
His reporting doesn’t claim to solve cases. It doesn’t make promises. What it does is document the structural gaps that determine who get covered, when, and for how long. For families who have lost someone, that timing matters. “When attention comes early, systems move faster,” Franklin said. “When it doesn’t, families are left trying to create urgency themselves.”
Patterns in Coverage, Patterns in Silence
Franklin’s reporting on missing persons cases surfaced repeated disparities in how race, gender, and perceived social status affect media treatment. His work incorporated both individual family accounts and systemic analysis, drawing on datasets that showed a consistent trend: missing persons of color receive far less media attention, even when their circumstances are similar to widely covered cases.
This dynamic, sometimes referred to as “Missing White Woman Syndrome,” was coined by journalist Gwen Ifill to describe the disproportionate media interest in young, white, middle-class women. Franklin’s work approached that phrase not as a slogan but as a hypothesis—one that he put to the test using editorial history, family interviews, and statistical context.
One key subject in his reporting was the launch of the “Are You Press Worthy?” tool by Columbia Journalism Review and TBWAChiatDay New York. This public-facing algorithm allowed people to estimate their likelihood of media coverage if they were to go missing, based on factors like age, race, and gender. Franklin covered the tool not for novelty, but for what it revealed: that journalists already knew how bias worked in theory, yet few were changing their practices in response.
Working the Gap Between Journalism and Justice
While Franklin is not an activist, his reporting has helped bridge conversations between journalists and advocates. He has covered the work of the Black and Missing Foundation and independent projects like Our Black Girls, which document missing persons stories that traditional outlets often ignore.
Instead of turning his reporting into a callout, Franklin focuses on systems. He gives newsroom leaders space to talk through editorial logic, hesitation, and resourcing issues. At the same time, he reports on the silence experienced by families who don’t receive coverage until public pressure builds—or never receive it at all.
“There’s no need to sensationalize what’s already painful,” Franklin said. “Families don’t want pity. They want momentum.”
That balance—between institutional critique and human context—is what distinguishes his work. Colleagues note that Franklin is comfortable sitting with discomfort. His stories don’t close with false resolution. They end where the story, for the family, is still ongoing.
How Journalism Shapes Outcomes
Franklin’s training at Georgetown emphasized structural thinking and accountability. Combined with field reporting experience at WUSA9 and NPR, he brings both a theoretical and practical lens to media responsibility. In his view, the idea that coverage is neutral no longer holds.
“If media attention correlates with better outcomes, then ignoring someone is not a neutral act. It’s a decision with consequences,” he said.
Franklin’s stories are now being used in classrooms, journalism workshops, and internal newsroom sessions about equitable coverage. But he resists any label that places him above the work. He sees his role as iterative. “There’s always someone we missed. The goal isn’t perfection. It’s consistency,” he said.
A Voice Built on Verification, Not Volume
Unlike social media campaigns that chase virality, Franklin’s work stays grounded in verified facts, ethical sourcing, and follow-through. He prefers to let families speak directly when possible. He also resists flattening complex stories into singular narratives of hope or tragedy.
He holds undergraduate degrees from Wofford College in English, Digital Media, and African and African American Studies. That academic background shaped his ability to frame race and justice not as themes, but as ongoing conditions that influence how stories are told and received.
His recent reporting continues to revisit the question: what happens when the public never hears your name? It’s not only about missing persons, but he also says. It’s about visibility as currency. “Attention isn’t the solution,” Franklin said. “But the absence of it is a barrier from the start.”
Looking Ahead
Jonathan Franklin remains committed to reporting stories that explore how institutions respond to crisis. Missing persons cases are one example. His broader work includes coverage of the COVID-19 pandemic’s racial disparities, public protests, court decisions, and elections. But missing persons reporting, he says, always brings him back to the core question of journalism itself: what does it mean to be seen?
For Franklin, that question is not rhetorical. It’s the difference between silence and action.
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Disclaimer: The views, suggestions, and opinions expressed here are the sole responsibility of the experts. No Digi Observer journalist was involved in the writing and production of this article.
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