Press Release
The Openland blockchain project is changing the history of human collection

NFT has been hugely popular this year with the popularity of digital cryptocurrencies such as Bitcoin and Ethernet. NFT is a digital asset designed to track the ownership of specific virtual items, such as works of art or sports trading cards, using blockchain technology.
The total value of NFT transactions tripled to $250 million last year according to data. In the past month alone, NFT’s total sales exceeded $220 million.
The size of the market continues to explode.
There have been many star projects have achieved good performance in the NFT track. The TVK project is a cross-platform ecosystem based on blockchain, focused on sharing and trading with digital collections. The Flow project is more focused on games. The project aims to power next-generation applications, games, and digital assets. Another star project is Chiliz, or CHZ, which is a platform that welcomes both loyal fans of a single team and ordinary sports fans around the world.
No matter TVK, or Flow, CHZ, these star projects show a strong IP attribute from a comprehensive point of view of the above three. As the NFT track, which is based on the advantage of non-homogeneous tokens, it is these differentiated IP that make its projects have the tension to stick to its users, not only using brand-new tokens, but also making it a social currency between users.
IP is the only way for NFT track project.
The dispute between copyright and IP is also pervasive in China. Whether it’s a show, an online celebrity or a startup story, it essentially incubates an IP that can spread widely and have a specific scene. By the same token, the threshold for each user to learn and use is higher if the projects incubated by blockchain technology cannot be IP-oriented.
The NFT track is the golden track of IP. The value of IP itself will also bring greater value to the NFT track. Similar to the content of high-quality IP documentaries, Netflix’s brand awareness has really flown up on the Internet.
So what other IP can be mined? Stamps are an excellent option.
Austria Post has issued a variety of colorful and innovative series of special stamps in recent years, from tight dresses, embroidery and printed leather pants to ceramics, glass, meteor dust or sparkling Swarovski crystals. Now, Austria Post has launched a brand that combines the analog and digital world: encrypted digital stamps.
Croatia Post chose to issue encrypted digital stamps on the occasion of the 180th anniversary of the issue of the world’s first stamp, “Black Penny”, to express the meaning of inheritance. Croatia Post issued a stamp sheetlet entitled “Stamp Day-Croatia Digital encrypted Stamps” on September 9, 2020. The main picture is the means of transport and QR code, with a face value of 50 Croatian Khouna, which is jointly designed by IvanaVučić and Tomislav-Jurica Kaćunić .
Collecting stamps is almost a hobby engraved in human genes in fact. The world’s first stamp appeared in the UK, designed by William Wayne and featuring a profile portrait of Queen Victoria. The face value is 1p, and black, which is commonly known as “black penny”. It was officially put into use on May 6, 1840, with 11 editions and 72 million copies issued. Stamp collecting almost came into being with the emergence of stamps, and the International Philatelic Federation was born in 1926.
Stamps have been issued for more than 130 years since 1878 in China (the fourth year of Guang Xu of the Qing Dynasty). The China Philatelic Company was established in 1955 and the China National Stamp Corporation was established in 1979 after the founding of New China. The philatelic market is becoming more and more prosperous. Stamp collecting has become the most influential and involved collection activity in the world. Collecting stamps, the Chinese market is also of great value. For example, whether it is the Olympic Games or the fight against the epidemic, China will issue specific commemorative stamps, which in itself is a wake-up call to stamp collecting.
There are many commercial marketing activities similar to stamp collecting that have achieved good results. For example, IP, which collects Shuihu cards, has brought hot sales of small raccoon dry and crispy noodles.
However, the market of traditional stamps is limited. I addition, there are many problems, such as difficult to preserve, inconvenient to trade and so on. However, on the NFT track, these problems are being overcome one by one. The characteristics of stamps are born to blend perfectly with NFT. NFT can indicate its identity information by building a corresponding asset, which has a variety of attribute parameters and is unique, indivisible, and inseparable to some extent. NFT, which pursues non-homogeneous tokens and art collection value, will have broader commercial prospects with the blessing of stamps.
The openland project is the IP that focuses on stamps + NFT at present. Openland issued the first set of blockchain technology commemorative stamps as part of the physical mapping project at the NFT track. Stamps issued according to the set will have a unique identification code to generate a NFT that automatically maps erc721. The mapped NFT will become the NFT identity authentication of the public chain of the project, and will have the opportunity to enjoy certain rights and interests in the subsequent ecological construction, such as node rights, mining rights and so on.
The NFT mining mode will be launched after the launch of the openland project, which can be divided into two types: NFT pledge mining and social mining. At the same time, the openland project will also have in-depth cooperation with other DeFi projects in the future according to insider sources.
The goal of openland based on NFT technology is to realize digitalization with existing physical stamps, establish official credibility, guide the virtuous circle of stamp market, push up the overall price of stamps and drive the issuance of physical stamps; The digitization of stamp issuance, that is, no longer issuing physical stamps, issuing digital stamps directly on the chain; and forming the postal block chain stamp trading platform under the permission of national policies and laws and regulations.
It can be said that openland will certainly change the way people collect stamps and leave a great deal of ink in the history of stamp collecting. It is obviously knocking on the door of the history of human collection.
About Author
Disclaimer: The views, suggestions, and opinions expressed here are the sole responsibility of the experts. No Digi Observer journalist was involved in the writing and production of this article.
Press Release
Jaime Bejar on Building Automated Revenue Streams in a World That Never Sleeps
Los Angeles, CA, 2nd Febraury 2026, ZEX PR WIRE, In a global economy that operates around the clock, traditional business models are struggling to keep pace. Markets move at all hours, customers expect instant fulfillment, and competition no longer sleeps. For entrepreneur and systems architect Jaime Bejar, this nonstop reality is not a challenge to endure, but an opportunity to design smarter, automated revenue streams that work continuously without demanding constant human presence.
As the Founder and CEO of Cashflow Creators and Online Empire University, Bejar has positioned himself at the forefront of automated e-commerce and digital business education. His work centers on one core belief: in a world that never sleeps, businesses must be built on systems, not sacrifice.
From Searching for Direction to Designing Systems
Born to immigrant parents, Jaime Bejar’s early life was shaped by discipline, resilience, and a deep appreciation for hard work. Despite his intelligence, Bejar describes himself as an average student who spent years feeling disconnected from traditional career paths. Like many aspiring entrepreneurs, he searched for clarity in a system that often rewards conformity over creativity.
That clarity arrived in his late twenties, when he discovered entrepreneurship as a vehicle not only for financial stability, but for autonomy and purpose. What began as a desire to escape paycheck dependency quickly evolved into a broader mission: to build scalable, system-driven businesses capable of generating income without constant owner involvement.
“I realized that freedom doesn’t come from working harder,” Bejar explains. “It comes from building systems that work even when you step away.”
Redefining What Automation Really Means
Today, Jaime Bejar is widely recognized for his ability to design automated e-commerce ecosystems that generate consistent cash flow while minimizing daily operational demands. Unlike surface-level automation tools that focus only on software, Bejar’s approach is holistic. Automation, in his view, includes logistics, people, decision-making frameworks, and performance accountability.
Through Cashflow Creators, Bejar delivers end-to-end operational solutions that remove complexity from scaling digital businesses. These services include product sourcing and wholesaling, logistics coordination, vendor acquisition, outsourced labor management, distribution center oversight, and virtual agency leadership.
Each component is engineered to integrate seamlessly into a structured framework, allowing businesses to grow without chaos. The goal is not just revenue, but stability and sustainability.
“Automation isn’t about eliminating people,” Bejar notes. “It’s about putting the right people in the right roles and allowing systems to support them.”
Building Businesses That Run Around the Clock
In an always-on economy, e-commerce businesses face pressure to perform 24/7. Customer expectations, supply chain demands, and global competition leave little room for error. Bejar’s systems are designed to meet this reality head-on.
By combining process documentation, delegation, and performance tracking, his frameworks allow businesses to operate continuously while owners focus on strategy rather than execution. Automated revenue streams, as Bejar defines them, are not passive shortcuts. They are the result of intentional design and disciplined structure.
This philosophy has enabled entrepreneurs working with Cashflow Creators to scale efficiently without burning out, proving that growth does not require personal exhaustion.
Education as a Catalyst for Scale
Complementing the operational arm of his work, Bejar founded Online Empire University, an educational platform dedicated to teaching entrepreneurs how to build, optimize, and scale online businesses. The program offers mentorship, strategic guidance, and proven frameworks drawn directly from real-world implementation.
Rather than focusing on hype or overnight success, Online Empire University emphasizes process mastery, mindset development, and long-term thinking. Students learn how to evaluate opportunities, build teams, and implement systems that align with their personal definitions of success.
Bejar believes education is essential for sustainable growth. “Without understanding systems, entrepreneurs end up trapped in their own businesses,” he says. “Education gives them the tools to build with intention.”
Leading Through Delegation and Specialization
At the core of Bejar’s success is his leadership philosophy. As the head of a global team of more than 100 professionals, he emphasizes delegation, specialization, and accountability. Each team member operates within clearly defined roles, supported by systems that track performance and ensure consistency.
This structure allows businesses to scale while maintaining quality and reliability. More importantly, it reinforces Bejar’s belief that leadership is not about control, but about empowerment.
“True leadership creates space for others to perform at their best,” he explains. “Systems make that possible.”
Redefining Wealth in the Digital Age
For Jaime Bejar, success is not measured solely in revenue. He defines wealth as a balance of financial freedom, time flexibility, and meaningful impact. Automated revenue streams are valuable not because they generate income, but because they allow entrepreneurs to reclaim time and live with intention.
This mindset resonates deeply with modern business owners who are reevaluating traditional definitions of success. In an era of constant connectivity, Bejar’s message offers a compelling alternative: build businesses that support life, not consume it.
A Vision for the Future of E-Commerce
As digital markets continue to evolve, Bejar sees automation becoming less of an advantage and more of a necessity. However, he cautions against shallow implementations that overlook human systems and strategic oversight.
The future of e-commerce, in his view, belongs to entrepreneurs who embrace structure, discipline, and long-term thinking. Those who invest in systems today will be best positioned to thrive in a world that never slows down.
Conclusion
Jaime Bejar’s journey from searching for direction to building automated revenue ecosystems reflects the power of perseverance, vision, and intentional design. Through Cashflow Creators and Online Empire University, he is helping redefine what entrepreneurship looks like in a 24/7 global economy.
In a world that never sleeps, Bejar proves that success does not come from constant hustle. It comes from building systems that work continuously, sustainably, and in alignment with a life well lived.
About Jaime Bejar
Jaime Bejar is a dynamic entrepreneur, systems architect, and the Founder and CEO of Cashflow Creators and Online Empire University, two fast-growing companies at the forefront of automated e-commerce and digital business education. Born to immigrant parents, Bejar’s early life was shaped by resilience, discipline, and a strong work ethic. Although intelligent, he describes himself as an average student who spent years searching for direction and purpose outside traditional career paths.
That clarity arrived in his late twenties when he discovered entrepreneurship. What began as a pursuit of financial stability quickly evolved into a mission to build scalable, system-driven businesses that prioritize freedom, sustainability, and long-term impact. Today, Jaime Bejar is widely recognized for his ability to design automated e-commerce ecosystems that generate consistent cash flow without requiring constant owner involvement.
For more information about Jaime Bejar, Cashflow Creators, or Online Empire University:
Contact
Jaime Bejar
Founder/CEO, Cashflow Creators
Email: admin@dinheirollc.com
Website: https://cashflowscreators.com/
About Author
Disclaimer: The views, suggestions, and opinions expressed here are the sole responsibility of the experts. No Digi Observer journalist was involved in the writing and production of this article.
Press Release
What Luxury Means Now and Why Most People Are Getting It Wrong, According to Helen Yi
Chicago, IL, 2nd February 2026, ZEX PR WIRE, Luxury has never been louder. Logos dominate feeds. “Exclusivity” is marketed at scale. Trends rise and fall at algorithmic speed. And yet, according to Chicago-based tastemaker Helen Yi, true luxury has become harder to find precisely because it is being confused with visibility.
“We’ve mistaken access for understanding,” Yi says. “Luxury isn’t about owning something rare. It’s about knowing why something matters.”
With more than two decades shaping fashion retail, museum collaborations, and cultural spaces, Yi has become a trusted voice for consumers and industry professionals navigating an increasingly saturated marketplace. Her perspective challenges the prevailing narrative that luxury is synonymous with wealth, status, or brand recognition. Instead, she argues that modern luxury is rooted in discernment.
From Consumption to Comprehension
Yi’s authority comes not from trend forecasting, but from sustained engagement with craft, culture, and context. Her career has spanned independent retail, institutional partnerships, and creative consulting, giving her a wide-angle view of how luxury is perceived and misunderstood.
“The biggest shift I’ve seen is that people are buying faster but seeing less,” she says. “Luxury today requires slowing down.”
For Yi, the modern consumer is not lacking access to beautiful objects. They are lacking frameworks for evaluation. Social media has collapsed hierarchy, placing couture, fast fashion, and archival design on the same visual plane. Without education, she argues, taste becomes reactive rather than intentional.
This is where Yi positions luxury not as a product category, but as a learned skill.
Taste as Education
One of Yi’s most consistent themes is the idea that taste is not innate. It is developed through exposure, curiosity, and critical engagement.
“People assume taste is instinctual,” she says. “It’s not. It’s built. And like any form of literacy, it improves with practice.”
Her own visual education began early, shaped by Chicago’s architecture, public art, and museums. That foundation taught her to see connections across disciplines, an approach that still informs her work today. Fashion, in her view, cannot be separated from art, design, or history.
This interdisciplinary fluency allows Yi to evaluate luxury beyond surface appeal. She looks for coherence, restraint, and intention. Does a piece demonstrate mastery of material? Does it communicate a clear point of view? Does it evolve rather than repeat?
“These questions matter more than price,” she explains.
Craft Over Hype
Yi is outspoken about the industry’s reliance on hype cycles, which she sees as fundamentally incompatible with luxury.
“Hype is about immediacy,” she says. “Craft is about time.”
For Yi, craftsmanship is not simply a marker of quality. It is evidence of discipline, patience, and respect for process. She gravitates toward houses and designers who invest in material intelligence and construction rather than spectacle.
This emphasis on craft aligns with a broader shift among discerning consumers, who are increasingly skeptical of performative luxury. Yi believes this recalibration is long overdue.
“True luxury doesn’t need to announce itself,” she says. “It reveals itself slowly.”
Vision Over Branding
Another cornerstone of Yi’s philosophy is her rejection of branding as a proxy for meaning. While she acknowledges the role brands play in shaping culture, she cautions against allowing recognition to replace evaluation.
“A brand is a container,” Yi explains. “Vision is the content.”
She encourages consumers to interrogate what a brand is actually saying through its work. Is there continuity from season to season? Is there a clear creative direction? Is the brand responding thoughtfully to cultural shifts, or simply reacting to market pressure?
This analytical approach reframes luxury as an active relationship rather than a passive acquisition. It requires consumers to engage, question, and refine their preferences.
“Luxury demands participation,” Yi says. “Not just purchasing.”
Luxury as Discernment, Not Wealth
Perhaps Yi’s most resonant argument is her insistence that luxury is not inherently tied to wealth.
“Money gives you access,” she says. “It doesn’t give you taste.”
She points out that some of the most compelling expressions of luxury are modest in scale but rich in intention. A well-made garment worn for years. An interior designed around light and proportion rather than trend. An object chosen for its story rather than its resale value.
This perspective resonates with consumers increasingly fatigued by excess. Yi believes the future of luxury belongs to those who prioritize longevity and meaning over accumulation.
“Luxury is choosing fewer things, but choosing them well,” she says.
A Thought Leader for a Shifting Industry
Yi’s influence extends beyond individual consumers. Her insights are increasingly sought after by brands and institutions grappling with how to maintain relevance without sacrificing integrity.
She advises against chasing younger demographics through mimicry or dilution. Instead, she advocates for clarity of vision and respect for audience intelligence.
“People can tell when they’re being sold to,” Yi says. “They respond when they’re being invited into a conversation.”
This philosophy has guided her work across retail, museum spaces, and creative consulting, where she emphasizes coherence over novelty and substance over scale.
Redefining Luxury for What Comes Next
As the luxury industry faces mounting pressure to justify its value beyond price and prestige, Yi’s voice feels particularly timely. She offers a reframing that is both critical and optimistic.
Luxury, she argues, still matters. But only when it evolves.
“It’s not about rejecting beauty or excellence,” Yi says. “It’s about redefining what those things mean.”
For the modern consumer, that means developing discernment, investing in education, and resisting the impulse to equate visibility with value. For the industry, it means returning to fundamentals: craft, vision, and cultural relevance.
In an era of endless choice, Helen Yi offers something increasingly rare. Clarity.
“Luxury isn’t about having more,” she says. “It’s about seeing better.”
And that, she believes, changes everything.
About Author
Disclaimer: The views, suggestions, and opinions expressed here are the sole responsibility of the experts. No Digi Observer journalist was involved in the writing and production of this article.
Press Release
Luxury Isn’t Bought, It’s Curated: Helen Yi on Style, Memory, and the Art of Living
Chicago, IL, 2nd February 2026, ZEX PR WIRE, For Helen Yi, luxury begins long before a purchase is made. It starts with a way of seeing; shaped by art, architecture, travel, and lived experience. Her work across fashion, interiors, and cultural retail reflects a sensibility that is polished yet instinctive, timeless yet responsive.
Yi’s personal style has remained consistent since her early years. Elegant, assured, and quietly confident, it evolves not through trend but through context. She brings a classic foundation into dialogue with the present, allowing subtle shifts to create relevance without compromise.
Her impact on Chicago’s fashion scene began with her Wicker Park boutique, an influential space that introduced emerging designers and reframed luxury as thoughtful, personal, and culturally engaged. It was a place where style felt intentional rather than performative.
That point of view carried naturally into her role leading retail strategy at the Museum of Contemporary Art Chicago (MCA).
“I’ve always been interested in how ideas become part of daily life,” Yi says. “When art enters that space, it changes how people relate to it.”
At the MCA, Yi helped transform museum retail into a creative extension of the exhibitions themselves, most notably through the celebrated Virgil Abloh: Figures of Speech project.
A Style That Evolves, Not Replaces
Although Yi’s aesthetic remains grounded in classic proportions and refined silhouettes, she welcomes edge. Her look shifts with the cultural moment – absorbing energy, attitude, and contrast while remaining unmistakably her own.
She gravitates toward bold, dramatic elements softened by restraint. It is this balance of strength tempered by elegance that gives her style its quiet power.
Design as a Way of Living
Yi approaches life with the same curatorial eye she brings to design.
Travel is essential. New countries introduce her to different foods, architectures, and ways of moving through the world. “It’s humbling,” she reflects. “There are endless ways to live beautifully.” These experiences deepen empathy and expand perspective.
Though deeply rooted in city life, Yi finds peace in nature. Living part-time in Utah offers wide skies, mountain views, hiking trails, and snow-covered slopes as an antidote to urban density and a source of daily awe.
Music remains an undercurrent. Raised in Chicago’s 1990s punk and alternative scene at venues like The Metro and Lounge Ax, Yi absorbed its edge while maintaining her own sense of polish. The contrast is refined but fearless and still defines her approach.
Objects, for Yi, hold stories. Her vintage gold Rolex Oyster Perpetual was a wedding gift from her father to her mother, later transformed without hesitation by her mother herself. She altered the band, added gold, made it chunkier and more bold – likely devaluing the watch by traditional standards.
“I love everything it represents,” Yi says. “It’s fearless. It breaks the rules. It’s completely personal.”
The watch is as much an heirloom as it is a philosophy passed down. Her mother—one of Yi’s earliest and most enduring style influences – understood that true elegance allows for instinct, individuality, and the confidence to make something your own.
A Personal Definition of Luxury
As Yi continues her work across fashion, art, and interiors, her philosophy remains clear: luxury is not about accumulation, but intention.
Her spaces feel lived-in. Her style feels assured. Her influence feels lasting because it is rooted in authenticity.
In an era obsessed with visibility, Helen Yi offers something rarer: luxury as meaning, memory, and perspective.
Contact
Helen Yi
Chicago, IL
Email: yi@helenyi.com
About Author
Disclaimer: The views, suggestions, and opinions expressed here are the sole responsibility of the experts. No Digi Observer journalist was involved in the writing and production of this article.
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