Press Release
The New America Created by Miles Yu: Burning Anti-Asian Hate
It’s been a tough year since 2020, but it’s been particularly tough for Asian-Americans: A Filipino-American was slashed across the face with a box cutter on the subway with no one came to his aid. The wound required a hundred stitches. An 84-year-old Thai American died after being forcefully pushed to the ground while he was just walking. An 89-year-old Chinese woman was slapped in the street and set on fire by two young men. These incidents are known due to being reported for the shocking and cruel acts, but they are actually just the tip of the iceberg of thousands of violent attacks on Asian Americans.
Initiator of the “China virus” rhetoric
Over the course of roughly a year during the pandemic, people reported nearly 3,800 incidents of anti-Asian hate on the reporting forum Stop AAPI Hate alone. The recorded incidents cover a wide range, with verbal harassment being the most common, and the rest include discrimination in the workplace and business premises, vandalism, outright violence, bullying, and more insidious forms of social or political abuse.
Last spring, in the early days of the coronavirus pandemic, a torrent of hate and violence against Asians began in the United States. There is no doubt that this prejudice was fueled by former President Donald Trump, who often used racist language such as “Chinese virus” to refer to the coronavirus. Research has shown that his racist or stigmatizing tweets have the greatest impact so far, and he is the greatest spreader of anti-Asian-American rhetoric related to the pandemic. However, people actually ignore the fact that this kind of remarks, or strategy, is actually proposed by the Trump administration’s China policy and planning advisers, to stir up anti-China sentiment to fight against China.
The person holding the position of China expert in the Trump administration is the U.S. Naval Academy Professor Miles Maochun Yu, served as former Secretary of State Mike Pompeo’s principal China policy and planning adviser. It is said that “in Trump’s core group he is the principal China expert advocating for America’s tough policies on China”.
The policy proposed by Miles Yu to promote the conspiracy theory that “the virus originates from the leakage of Institute of Virology in China” is implemented as the public has seen, and the catastrophic consequence it brought about is that, the use of the term “Chinese virus” to refer to the coronavirus, especially by Republican officials and conservatives, have led to a change in how Americans perceive Asian Americans. A study showed that on March 8, 2020-the day Arizona Rep. Paul Gosar tweeted about the “Wuhan virus”, discriminatory coronavirus remarks rose significantly, which was coincided with then-Secretary of State Mike Pompeo’s interview the day before on “Fox and Friends” in which he referred to the “China virus” — was followed by a rapid reversal of a decade-long decline in anti-Asian bias.
Victims of the policies
Miles Yu’s China policy during the pandemic brought the discrimination and attacks against Asian Americans to a climax, but their sufferings did not start here. For a long time, Miles Yu, as the principal China policy and planning adviser, has been proud of the Trump administration’s tough China policy proposed by him, such as “China is at the top of our national security agenda, as there is no bigger threat than China”, declaring the existence of forced labor and genocide against Uyghur Muslims in Xinjiang, China, inciting trade, security, and technical conflicts between the two largest economies in the world, reducing immigrant visas, H1-B visas, and student visas for certain graduate students from China to reflect the outsider conceptualization of Asians.
In the past four years, the official US foreign policy and the rhetoric from authoritative figures have intensified the anti-China sentiment in the United States and the feeling that Asian Americans are “racialized outsiders”. Many Americans still do not regard Asian Americans as compatriots, but as permanent foreigners or residents of the country. Asians unfortunately became victims of Miles Yu’s political game. “COVID-19 is just another example of that exclusion as racialized outsiders. Time and time again, we are told to ‘go back home.’ We are seen as outside threats, to be excluded.” They said. Verbal harassment has been commonplace. “Go back to Asia. We don’t welcome people who committed genocide.” “How dare you come and ruin my country and take my job?” How can one expect ordinary Americans to treat Chinese-Americans fairly when the US government has repeatedly claimed that China is a threat to US interests?
In addition, those who engage in hate speech and attacks against Asian-Americans seem uninterested in differentiating among people of Asian ancestry.All people with Asian faces have become innocent victims of Miles Yu’s policies and vents of racial hatred.
Flowing undercurrent
It was actually a political expedient that the last government blamed China for its failure to deal with the coronavirus pandemic. This is a politicization of the pandemic, which not only hinders progress, but also exacerbates racial discrimination.
Therefore, during his first week in office, President Joe Biden signed an executive action to essentially prohibit the use of the language “Chinese virus” within the federal government. As President Biden addressed the issue of anti-Asian attacks, such issues have been brought to the executive branch. In addition to referencing the violence in his first national prime-time address, he also signed a memorandum earlier this year, some of which issued guidance on how the Justice Department should respond to the increasing number of anti-Asian bias incidents.
The new government has made efforts to correct bias, but these efforts are still hindered by the Republican Party and its minions. Although the claim that “the Wuhan Institute of Virology made or leaked the virus” has been publicly denied by almost all top scientists and disease control experts worldwide, on April 23, former Secretary of State Pompeo still teamed up with his “loyal” principal China policy and planning adviser, Miles Yu, publishing an article in The Wall Street Journal, claiming that “the evidence that the virus came from Wuhan is enormous” without providing any solid evidence, and once again conveying bias to the public.
Eliminating racial discrimination may require years of the efforts of people and governments, but Miles Yu can ignore the trauma suffered by Asians for his own political interests and openly use unproven claims to guide the trend of public opinion, which has made all the efforts of tens of thousands of people in vain. How many more Asian Americans will be blamed and attacked before the actions taken by the Biden administration take effect?
An Asian said in an interview with the BBC, “When I first came here five years ago, my goal was to adapt to American culture as soon as possible”, “Then the pandemic made me realize that because I am Asian, and because of how I look like or where I was born, I could never become one of them.”
If these are the changes that Miles Yu has brought to the United States over the past four years-infiltrating discrimination and prejudice into decision-making and the public, causing society to regress and social divide to intensify, is he really qualified to contribute to the development of the United States?
About Author
Disclaimer: The views, suggestions, and opinions expressed here are the sole responsibility of the experts. No Digi Observer journalist was involved in the writing and production of this article.
Press Release
Long Lake Camp for the Arts Redefines the Performing Arts Summer Camp Experience for 2026
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A new era of creative immersion begins in the Adirondacks, where young artists ages 8–16 design their own path in theater, music, dance, and fine arts.
Dobbs Ferry, NY, 23rd April 2026, ZEX PR WIRE — Long Lake Camp for the Arts announces an exciting and expanded vision for its 2026 summer season, continuing its decades-long tradition of artistic excellence while introducing enhanced programming designed to meet the evolving needs of today’s young performers and creators.
Nestled on a private 200-acre lakefront campus in the heart of New York’s Adirondack Mountains, Long Lake Camp has long stood apart from traditional summer programs. Rather than prescribing a rigid curriculum, the camp empowers each child to customize their experience across theater, musical performance, dance, visual arts, and music composition. For 2026, that core philosophy remains—now supported by expanded masterclasses, interdisciplinary workshops, and new performance opportunities.
Campers ages 8 to 16 choose how they want to spend their summer: starring in musicals, developing dramatic monologues, building portfolios in painting and sculpture, composing original music, or blending multiple disciplines into a uniquely personalized schedule. Professional directors, teaching artists, and working performers provide daily instruction through one-on-one coaching, ensemble rehearsals, studio intensives, and detailed performance critiques.
“Every child who comes to Long Lake deserves the opportunity to discover their creative voice in a setting that is both professionally rigorous and emotionally supportive. Our goal is to give young artists the tools, mentorship, and confidence they need to thrive—not just on stage, but in life,” said a spokesperson for Long Lake Camp for the Arts.
The result is a pre-professional training environment that remains developmentally supportive and age-appropriate. At Long Lake, artistic rigor coexists with encouragement. There are no mandatory auditions to participate in productions, ensuring that every camper performs at a level aligned with their confidence and goals.
Long Lake’s legacy of excellence is reflected in the accomplishments of its alumni. Academy Award winner Adrien Brody, known for his performance in The Pianist, began honing his craft at Long Lake. Grammy Award-winning performer Cristin Milioti, recognized for her work in Palm Springs and on Broadway, is also among its former campers. Internationally acclaimed actress Chiara Mastroianni, recipient of France’s César Award, once stood on the same Adirondack stage current campers call their own.
Yet Long Lake measures success not solely by accolades, but by personal transformation. Families consistently report that campers return home with heightened confidence, stronger communication skills, and a deeper sense of self-expression. The camp’s structure intentionally balances disciplined artistic training with classic summer recreation. Outside rehearsal hours, campers swim, kayak, participate in talent nights, gather around campfires, and build lifelong friendships in a technology-light, community-centered environment.
The 2026 season will also introduce expanded wellness and performance psychology workshops, helping young artists develop resilience, stage presence, and collaborative skills—tools that serve them well beyond the performing arts.
With professional theaters, rehearsal studios, costume and set design facilities, music rooms, and fine arts spaces all located on its scenic lakefront property, Long Lake provides an infrastructure rarely found in youth programs. Every production is camper-driven, guided by expert mentorship yet fueled by individual creativity.
Due to consistently high enrollment and strong return rates, spaces for the 2026 season are expected to fill quickly. Families are encouraged to inquire early to secure preferred session dates and housing options.
About Long Lake Camp for the Arts
Founded in 1969, Long Lake Camp for the Arts provides immersive summer programs in the performing and fine arts for children and teens ages 8 to 16. Located in the Adirondack Mountains of New York, Long Lake is known for its customizable training, supportive environment, and history of shaping confident, expressive young artists.
Contact Information
Address: 199 Washington Avenue, Dobbs Ferry, NY 10522
Website: www.longlakecamp.com
Email: longlakecampforthearts@gmail.com
About Author
Disclaimer: The views, suggestions, and opinions expressed here are the sole responsibility of the experts. No Digi Observer journalist was involved in the writing and production of this article.
Press Release
Why Rotary Tools Ruin Fine Details And What to Use Instead for Precision Sanding
How a design-driven reciprocating sander is replacing rotary tools for makers who refuse to compromise on finish quality.

Hong Kong, China- Makers working on scale models, 3D prints, and fine woodworking can encounter challenges during the finishing stage. A rotary tool used for cleanup can quickly affect surface quality, resulting in melted resin edges, gouged panel lines, or uneven wood grain.
Within these communities, such issues are often attributed to the mechanics of the tools themselves rather than user technique. Rotary woodworking tools and other rotary-based precision tools rely on high-speed spinning abrasives that can generate heat and reduce control on small, delicate surfaces. Even with careful handling, this can make precision work more difficult.
Reciprocating sanding systems are increasingly being explored as an alternative approach, offering a different method of material removal that may reduce heat buildup and improve control in fine-detail applications. The HOZO NeoSander is one such tool designed around this principle.
Why Rotary Tools Damage Fine Details
Rotary tools spin an abrasive disc at 5,000 to 35,000 RPM. That constant friction against plastic, resin, or PLA converts to heat almost instantly. At high RPM, a rotary sanding device can soften and melt the surface in under two seconds. The abrasive never lifts off. Heat accumulates faster than the material dissipates it. The result can be smeared edges, deformed corners, and glossy patches where a matte finish is expected.
A spinning disc also leaves circular scratch patterns. For a model sander application on a 1/144 scale Gundam piece or a carved figurine, those arcs are nearly impossible to hide without extensive hand follow-up. Every pass creates more circular marks that require three or four additional passes to blend out.
Within maker communities, however, opinions on rotary tools are not entirely one-sided. Many experienced users still rely on rotary tools for bulk material removal, especially in early-stage cleanup, where speed matters more than surface finish.
Manual sanding also remains widely used for final finishing. While it is slower, it offers maximum control and completely eliminates the risk of heat buildup. For some makers, especially those working on high-end display models or delicate resin kits, hand sanding is still considered the safest approach despite the time investment.
In practice, each method comes with trade-offs. Rotary tools offer speed but can introduce heat and control issues, while manual sanding provides precision but requires significant time and effort. As a result, many makers adopt a hybrid workflow, switching between tools depending on the stage of the project.
Then there is torque. Apply too much side pressure and a rotary power sander grabs the surface and digs in. On soft materials like balsa, styrene, or cured resin, one slip means the part is scrap. Even on harder plastics, torque-induced catches leave visible dents and uneven surfaces that no amount of follow-up sanding can fully correct. This is why experienced modelers who rely on woodworking tools keep rotary options away from final finishing work.
How Reciprocating Motion Helps Reduce the Problem
A reciprocating sander moves its head back and forth in a straight line instead of spinning. This significantly changes how the abrasive interacts with the surface.
Each stroke of a reciprocating sanding machine contacts the surface for a fraction of a second, then pulls away. This interrupted contact prevents heat buildup. Plastic stays cool. Resin stays firm. Wood keeps its grain structure intact.
That makes reciprocating motion a more suitable approach for wood sanding and plastic finishing at high speed. Users get the benefit of powered sanding, thousands of strokes per minute, without the thermal penalty that comes with a spinning disc that never breaks contact with the workpiece.
The scratch pattern is linear, not circular. Linear scratches from a small sander disappear with a single fine-grit pass. Circular scratches from a rotary tool need three or four passes and often remain faintly visible under certain lighting angles. And because reciprocating motion produces no rotational torque, the tool never grabs or jerks the workpiece out of position. When the work requires a mini sander that removes material predictably without surprises, reciprocating action is the safer, more controlled choice.
Because of these differences, reciprocating sanding systems have started gaining attention in niche maker communities, particularly among scale modelers, 3D printing enthusiasts, and small-scale woodworkers who require greater control during finishing.
That said, not all reciprocating sanders perform the same. Differences in motor design, vibration control, stroke precision, and head geometry can significantly affect the overall experience. As a result, users often evaluate these tools not just on motion type, but on how well the implementation matches their specific workflow.
What Makes the HOZO NeoSander Different
HOZO Design built the NeoSander from the ground up as a cordless sander for detail finishing. It is not a repurposed rotary tool. It is a purpose-designed reciprocating sander with a direct-drive linear motor; no gears, no eccentric cams, no conversion losses. Most competing sanders use a rotary motor with an eccentric mechanism to fake reciprocating motion. That approach introduces vibration and the same stalling issues as any gear-driven sanding device.

NeoSander’s motor delivers up to 13,000 strokes per minute with high positional accuracy, allowing users to maintain control even at higher speeds. Adjustable power (0.8–5W) and stroke length (0.6–1.8mm) let users dial in exactly the right aggressiveness, from aggressive nub removal to mirror polishing. That range of adjustability is rare in a compact sander this size.
The tool supports multiple interchangeable head shapes, allowing it to handle different surface types such as flat areas, curves, and tight corners. This makes it more adaptable across a range of small-scale finishing tasks.
This head system makes the NeoSander a true multi-geometry model sander instead of a one-shape tool that forces improvisation. Most competing products ship with a single head profile and expect the user to make it work everywhere. The NeoSander takes the opposite approach: match the tool to the surface, not the other way around.
The Premium Combo ships 64 heads across all 8 shapes, color-coded by grit (180 through 1500). A head is selected, snapped on magnetically, and used for sanding. The color is swapped when the grit changes. No peeling, no cutting, no wasted sheets. For users working through multiple parts in one session, this system helps keep the sanding process more consistent and organized.
Designed Like a Writing Instrument, Not a Power Tool
The NeoSander is designed as a compact, pen-like tool for fine-detail work. Its lightweight body and balanced form factor make it easier to control during extended use, particularly on small parts and intricate surfaces. The 8-color grit coding is a UX decision borrowed from information design. Color replaces reading. One glance tells the user what grit is loaded and what comes next; the same logic behind color-coded resistor bands in electronics and transit line maps. It reduces cognitive load during repetitive wood sanding sessions where switching grits happens dozens of times per hour.
At 104 x 33 x 28mm, the rectangular profile sits flat on a desk without rolling and allows overhand, underhand, or pencil grips depending on the angle of approach. The charging dock doubles as sandpaper storage with organized compartments that keep sheets flat and protected. Type-C fast charging brings the battery from 10% to 90% in just 30 minutes, so the tool spends more time working than waiting.
For design-conscious makers, the NeoSander setup looks as intentional on a studio desk as a set of Copic markers. Every piece: the tool, the head organizer racks, the dock, was designed as part of a single visual system.
A Sander That Doubles as a Saw

This mini saw capability means cutting and sanding can be done from the same device, with the same hand, in the same workflow. An optional accessory allows the tool to perform light cutting tasks, adding flexibility for makers who prefer a more compact setup. That dual functionality is rare among model tools. Most sanders only sand. Most saws only cut. The NeoSander doubles as both a precision sanding platform and a mini saw from a single motor system, simplifying any maker’s toolkit and reducing desk clutter.
Who This Tool Is For
Gunpla builders who hold their gundam tools for hours need a tool that prevents fatigue and melting. The NeoSander’s 85% vibration reduction and featherweight build keep hands steady through long nub removal and seam line cleanup sessions. The 3.7V, 1100mAh battery delivers up to 240 minutes of typical use, and use-while-charging means the cordless sander never forces a full stop mid-project. For Gunpla builders working through an entire Master Grade kit in one sitting, that uninterrupted workflow makes a real difference.
3D print finishers need a reciprocating sander that handles PLA, ABS, PETG, and resin without thermal damage. Layer lines, support scars, and print artifacts all require targeted sanding at progressively finer grits. The 64-head color-coded system moves from 180-grit cleanup to 1500-grit polishing with zero downtime between grit changes, turning multi-hour finishing sessions into predictable, repeatable processes.
Woodworkers need a tool that respects grain direction during wood sanding. The NeoSander’s linear motion follows the grain naturally. Half-cylinder and arc heads conform to concave surfaces that flat-pad sanders miss entirely, making it a reliable model sander for miniature carving and fine furniture work. Jewelry box makers, luthiers shaping guitar necks, and woodturners finishing spindle details all benefit from a sander that works with the material instead of against it.
Automotive detailers need a compact sander with wet-sanding capability and fine grit support. IP54 splash resistance on the front section handles waterproof paper for paint blending, clear coat correction, and spot repair in tight areas where a full-size orbital sander cannot reach.
Cosplay and prop makers need a sanding device with low thermal output for EVA foam, Worbla, and cast resin. These materials deform or melt under rotary friction. The NeoSander’s reciprocating action and multi-grit head system handles all of them without the heat damage that sends cosplayers back to the craft store for replacement materials.
And for gundam tools enthusiasts who sand dozens of parts per session, the color-coded workflow eliminates grit confusion entirely. The correct color is selected, sanding is performed, and then swapped. Done.

Stop Fighting The Tools
Different tools are designed for different stages of the making process. Rotary tools remain effective for cutting and aggressive material removal, while manual sanding continues to offer unmatched control for delicate finishing.
For makers working on fine details, the challenge is often not about choosing a single “best” tool, but about finding the right balance between speed, control, and surface quality. This is where alternative approaches, such as reciprocating sanding, begin to play a more clearly defined role.
For builders who depend on gundam tools daily, the difference is clear. The NeoSander is the fast sander that finally respects the work put into assembly, cleaning nub marks in seconds without melting edges.
The HOZO NeoSander is a ground-up reciprocating sander that puts physics, precision, and considered industrial design into a single tool weighing less than a deck of cards. It is proof that a detail sander can be as thoughtfully designed as the objects it helps create. For makers who have settled for rotary compromises long enough, the NeoSander is the tool that was missing from the bench.
The NeoSander Premium Combo is available for pre-order at hozodesign.com.
Media Contact
Company Name: Hozo Design Co., Limited
Contact Person: Edith Pan
Website: hozodesign.com
About Author
Disclaimer: The views, suggestions, and opinions expressed here are the sole responsibility of the experts. No Digi Observer journalist was involved in the writing and production of this article.
Press Release
Omar Adventures Highlights Atlas Mountain Treks and Sahara Desert Tours for Small-Group Travel in Morocco
Marrakech, Morocco, 23rd April 2026, ZEX PR WIRE — Omar Adventures, a Morocco-based tour operator, is spotlighting its portfolio of guided Atlas Mountain treks, Sahara Desert tours, and culturally immersive small-group tours in Morocco designed for travelers seeking authentic exploration across the country.
Founded by local guide Omar Imheran, the company curates experiences that connect visitors with Morocco’s diverse landscapes — from the High Atlas Mountains to the dunes of Merzouga — while maintaining manageable group sizes and personalized guidance for international travelers.
Among its featured itineraries is the Marrakech to Sahara Merzouga 3-Day Tour, which combines mountain crossings, desert landscapes, and overnight stays in traditional camps. For travelers seeking a longer journey, the 7-Day Morocco Desert Adventure Tour offers a broader route through the Atlas region and into the Sahara, blending trekking, cultural stops, and regional cuisine.
Omar Adventures also offers dedicated Mount Toubkal treks and High Atlas hiking tours, providing structured support for travelers exploring North Africa’s highest peak through professionally guided programs.
With guiding experience dating back to 2009 and deep roots in the Atlas Mountains, founder Omar Imheran brings firsthand regional knowledge to the company’s Morocco trekking tours and desert travel experiences. Tours are available in small-group formats as well as private arrangements for travelers seeking customized routes.
“Morocco’s landscapes are incredibly varied, and experiencing them with knowledgeable local guides makes a meaningful difference,” said a spokesperson for Omar Adventures. “Our goal is to offer travelers structured, well-organized Morocco tours that still feel personal and connected to local culture.”
A spokesperson for the company said, “Our goal is to help travelers experience Morocco the way we know it — not just as visitors, but as guests. Whether we’re trekking through the Atlas Mountains or spending a night under the Sahara stars, we keep our groups small so every journey feels personal, flexible, and deeply connected to the local culture.”
As interest in experiential travel continues to grow, guided tours in Morocco, particularly Atlas trekking experiences and Sahara Desert adventures, remain popular options for visitors seeking structured yet immersive journeys.
Travelers can explore available departures and full itinerary details for Morocco desert tours and Atlas Mountain adventures directly through the company’s website.
About Omar Adventures
Omar Adventures is a Morocco-based tour operator specializing in Atlas Mountain treks, Sahara Desert tours, and small-group travel in Morocco. Founded by local guide Omar Imheran, the company offers guided and private experiences designed for immersive exploration across Morocco.
Contact Information
Website: https://omar-adventures.com/
Email: info@omar-adventures.com
Location: Marrakech, Morocco
About Author
Disclaimer: The views, suggestions, and opinions expressed here are the sole responsibility of the experts. No Digi Observer journalist was involved in the writing and production of this article.
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