Press Release
The 25-30 side chain of CTC Civil travel service chain is officially on the chain
On December 23, Daniel Smith, CEO of Singapore Done Fund Management Institution and CEO of CTC, reached a strategic consensus with the heads of the six new side chains after in-depth communication and discussion for many times, and announced that the six side chains of CTC Global Cultural Travel Chain (VEA, LMA, HVA, MCO, WAS and VNC) were officially linked up. Due to the impact of the global COVID-19 epidemic, the strategic press conference that was scheduled to be held in Singapore was not held as scheduled. This multi-party strategic cooperation was finally reached in the form of electronic agreement.
Singapore Done the fund management organ CEO, the chief executive of CTC, Daniel Smith, for six side chain fixed anchor (Vienna, Austria, Lima, Peru, Havana, Cuba, Mexico City, Warsaw, Poland, Venice, Italy), the characteristics of human geography environment and beautiful landscape, said after the outbreak must personally go to feel the unique local customs. It is reported that six new side chain operation centers are set up in the business centers of six cities, and reached strategic consensus with the famous local travel companies.
Vienna, on the Danube river in northeastern Austria, is known as the “capital of music” in the world. Stopping on this city street full of musical notes is always a romantic scene, which makes people easily fall in love unawares, just like the nature of romance in Vienna. Most of Vienna’s tourist attractions are open all year round, such as The Schonbrunn Palace, hofburg Palace, Belfort Palace and the Vienna Museum, of which the Schonbrunn Palace is a UNESCO World Heritage Site.
Lima is the capital of Peru and the largest economic and cultural center in the country. It is located on the coastal irrigation oasis. In Lima is always most of the colonial period, South America is the most important political and commercial centers of power, therefore retained a large number of colonial buildings, such as large monasteries catacombs Francis, the central plaza, SAN street plaza and the buildings also earned Lima, scientific and cultural organization UNESCO awarded the “world cultural heritage” of reputation.
Located on the northwest coast of The Island of Cuba, Havana is the capital of the Republic of Cuba. It is located in the tropics, with a mild climate and pleasant seasons. It is known as the “Pearl of the Caribbean”, with many ancient churches, castles, squares, museums, monuments, parks, libraries and so on. The port city of distinctive and lasting appeal, classical and modern, the new world and old world, white and black, high culture and the lowbrow, all elements full of collision, there are telltale signs here, all seemingly independent individuals, together in the sunshine and the vibrant tropical port harmonious unify.
Mexico City is not only the capital of Mexico, but also the largest city in Mexico. Architectural buildings, historical sites, museums, palaces, monuments, shopping malls, government buildings, everything in Mexico City. The water garden on the Hochmirco Canal is the city’s largest tourist attraction, as well as landmark buildings such as the El Angel Daily Independent newspaper and the Angel of Independence Victory Column. Mexico City is the headquarters of many large media companies and Spanish newspapers. About 20% of the Mexican population lives in Mexico City, so this city is also known as the city that never sleeps.
Warsaw is the capital of the Republic of Poland, and the famous Warsaw Convention was signed here. Today, Warsaw still maintains the layout of the old and new cities. Various historical monuments and places of interest are mostly concentrated in the old city, attracting a large number of tourists from abroad every year. The Old Town is located on the west bank of the Vistula River. It is a cluster of majestic and majestic red spire buildings in the Middle Ages. The famous ancient buildings include the former Royal Palace known as the “Polish National Cultural Monument” and the most beautiful and magnificent Baroque building in Warsaw. Base Palace, Lazienki Palace, an outstanding representative of Polish classical architecture, etc.
Venice is the capital of the Veneto region in northern Italy, a world-famous historical and cultural city, and the birthplace of the Venetian school of painting. Its architecture, paintings, sculptures, operas, etc. have an extremely important position and influence in the world. The water city of Venice is the essence of the Renaissance, and it is also the only city in the world without cars. God shed tears here, but made it more crystal clear and tender, just like a romantic dream floating on the blue waves, enjoying “because of water There is the reputation of life, beautiful because of water, and prosperity because of water, and the reputation of “water city”.
In the context of the global epidemic situation is not optimistic and the economy is complex and changeable, the tourism industry is still an industry with stable market demand and a good development momentum in recent years. It has exceeded the global economic average growth rate for 7 consecutive years and has become the fastest growing industry one. With the integration of the global tourism industry and digitalization, the future will gradually achieve leapfrog development, bringing new horizons to the holiday economy and new development opportunities for the digital cultural tourism industry.
The so-called hero sees the same. The heads of CTC and the six new side chains agreed that the future development trend of the cultural and tourism industry will be to integrate blockchain technology into it, which is the need for the in-depth development of the integration of culture and tourism in the new economic environment. By building a new industrial ecological application system through blockchain technology, the cultural tourism industry will accelerate the circulation of assets, empower the growth of the digital economy, and promote the sustainable development of the cultural tourism industry’s digitization, capitalization, and ecologicalization.
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Disclaimer: The views, suggestions, and opinions expressed here are the sole responsibility of the experts. No Digi Observer journalist was involved in the writing and production of this article.
United States, 1st Jan 2026, – As digital tools continue to evolve, the relationship between people and technology is becoming increasingly complex. Devices are more powerful and interconnected at an unprecedented scale, yet countless users report growing challenges around distraction, fragmented attention, and digital environments that feel difficult to manage. Efficiency has improved, but clarity and focus have become harder to maintain.
Technology brand MOKiN is rooted in its own origins.
The company starts from the desk: a space where modern work, creativity, and decision-making converge. In its early days, MOKiN focused on a practical and widely shared problem: overcrowded desks, insufficient ports, tangled cables, and inefficient workflows caused by fragmented device connections. Early MOKiN products, including hubs and docking stations, were designed to restore order to everyday workspaces by simplifying connections, reducing visual clutter, and helping users regain control over their working environment. 
As work patterns evolved and technology became more deeply embedded in daily life, MOKiN extended this philosophy beyond the desk. Chargers were developed to deliver stable, dependable energy without interruption, while power banks enabled continuity from workspace to commute. Together, these products formed a seamless flow, supporting transitions between locations, tasks, and moments without adding friction or complexity.
However, as digital ecosystems expanded, MOKiN observed that efficiency alone was no longer enough. While streamlined connections and reliable power focused on functional challenges, users increasingly faced a different kind of friction: cognitive overload, constant context switching, and tools that demanded attention rather than supporting it.
In response, the brand began to shift its perspective: from optimizing performance to understanding behavior. For MOKiN, modern technology must do more than boost productivity; it must recognize how people think, focus, and move between tasks across devices and environments. In this context, understanding becomes a functional capability: shaping how tools interact with users rather than simply how they operate.
This evolution reflects MOKiN’s broader commitment to human-centered design of technology. The brand emphasizes that effective technology must listen, anticipate common pain points, and adapt naturally to real-world usage behaviors. By reducing friction and simplifying interaction, digital tools can support smoother workflows, clearer thinking, and more balanced experiences in increasingly dense digital environments.
MOKiN also highlights the growing influence technology has on modern lifestyles: from how ideas are captured to how attention is sustained throughout the day. When products are designed with empathy and insight into these interactions, technology can contribute not only to productivity but also to continuity, calm, and a more intuitive relationship between people and their devices.
Looking ahead, MOKiN reaffirms its commitment to building technology guided by empathy, professionalism, and a strong sense of responsibility toward users. The brand’s direction signals an ongoing transition: from tools that merely enable efficiency to systems that foster more considerate and human-aligned collaboration between people and technology.
As digital ecosystems continue to expand, MOKiN envisions user awareness, calm, and human-centered thinking not as optional values, but as essential foundations for the next stage of technological progress. In this vision, technology works with people, not against them.
Media Contact
Organization: Xulian Technology
Contact
Person: Media Relations
Website:
https://mokinglobal.com/
Email:
mokin@mokinofficial.com
Contact Number: 8618810868909
Country:United States
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Russia, 1st Jan 2026 – Brigitte Bardot remains one of the most enduring cultural figures of the 20th century – not only for her film work, but for the way her image reshaped ideas of femininity, autonomy, and visual power. Long after her most iconic performances, Bardot’s presence continues to circulate across fashion, photography, and contemporary art, functioning less as nostalgia and more as a living visual language.
That language has recently resurfaced in a contemporary context through the work of artist JP.Simon, whose Brigitte Bardot–inspired collection draws on the graphic repetition and bold iconography associated with Andy Warhol. Rather than revisiting Bardot as a cinematic figure, the project reframes her as a cultural symbol – one capable of being reinterpreted through modern artistic systems. The collection was featured in Irrationalist, a magazine known for examining cultural icons through a conceptual and contemporary lens.
JP.Simon’s work sits within a broader trend in visual culture: the reexamination of feminine archetypes not as historical artifacts, but as ongoing forces. His practice extends beyond the Bardot series into a larger body of work — including more than 150 paintings – that explores themes of power, beauty, and resistance through recurring female imagery.
A parallel exploration of feminine iconography can be found in the work of actress and filmmaker Gia Skova, whose comic book universe Lucinda has attracted attention for its unconventional approach to female heroism. Unlike traditional franchise protagonists, Lucinda is constructed less as a narrative explanation and more as a visual and symbolic presence – autonomous, uncompromising, and resistant to simplification.
Industry observers have noted that characters like Lucinda reflect a broader shift in contemporary storytelling, particularly in film, comics, and transmedia IP, where presence and memorability increasingly outweigh traditional character exposition. In this sense, the lineage from figures such as Bardot to modern creations is not one of imitation, but of continuity – a shared emphasis on immediacy, visual authority, and cultural imprint.
Both Bardot and Lucinda operate through a similar mechanism of recognition. Their impact is not driven by overt sexuality or spectacle, but by a form of screen and visual presence that lingers. It is an effect that resists explanation yet remains instantly legible – a quality often cited by critics as one of the most difficult to manufacture within contemporary entertainment industries.
This concept of presence has become increasingly relevant as studios and creators search for IP that can transcend platforms. In an era of rapid content turnover, figures that function as icons rather than mere characters offer a different kind of longevity. They exist not only within stories, but within visual memory.
Irrationalist has notably featured both Brigitte Bardot and Gia Skova on separate covers, creating an unintended but telling dialogue between generations. Seen side by side within the magazine’s editorial history, the images highlight how cultural iconography evolves while retaining its core language.
For Skova, whose work spans film, comics, and visual art collaborations, the Lucinda universe represents an attempt to build an IP anchored not in trend cycles, but in archetypal continuity. While Bardot once embodied a rupture in 20th-century ideas of femininity through presence alone, contemporary creators are now translating similar codes into modern formats – graphic novels, serialized storytelling, and cross-platform franchises.
As the industry continues to reassess the value of icon-driven IP, the enduring relevance of figures like Bardot offers a reminder: icons do not disappear when their era ends. They adapt, reemerge, and find new expression through artists and creators who understand their language.
In this context, Lucinda does not function as a replacement or a comparison, but as a contemporary expression of a familiar cultural force — one that has traveled through decades of visual history and continues to shape how audiences recognize power, beauty, and autonomy on screen and beyond.
Media Contact
Organization: Gia Skova
Contact Person: Gia Skova
Website: https://www.instagram.com/giaskovareal/
Email: Send Email
Country:Russia
Release id:39768
The post Brigitte Bardot, Gia Skova, and the Timeless Power of Iconic Presence appeared first on King Newswire. This content is provided by a third-party source.. King Newswire makes no warranties or representations in connection with it. King Newswire is a press release distribution agency and does not endorse or verify the claims made in this release. If you have any complaints or copyright concerns related to this article, please contact the company listed in the ‘Media Contact’ section
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Press Release
Sid Gandotra Joins FIND Real Estate to Advance Client- Centered Brokerage Mission in NYC
New York, NY – January 1, 2026 – Sid Gandotra has joined FIND Real Estate as a Licensed Real Estate Salesperson. An innovative, agent-owned brokerage dedicated to empowering both clients and agents, FIND Real Estate is thrilled to welcome Sid to its growing New York City team.
Sid brings extensive expertise in real estate, driven by an unwavering work ethic and commitment to excellence, resulting in an exceptional track record of successful transactions. Renowned for his attentive client service, thorough market education, and skilled negotiation, Sid ensures every client feels confident and fully supported throughout the process. Navigating the complexities of the industry with strategic foresight, Sid adapts seamlessly to market shifts and resolves challenges with efficiency.
“Our mission is simple: make every step in real estate a positive one. All FIND agents complete a thorough certification program that sets them apart as trusted experts in their markets,” said Jules Borbely, Chief Operating Officer at FIND Real Estate. “Founded on the belief that real estate should be empowering for everyone involved, FIND combines innovative tools, a client-centered approach, and an agent-owned model to redefine what a modern brokerage can be. Today, we are proud to support our growing team of agents and countless clients on their journeys.”
With a deep appreciation for NYC’s architectural diversity—from historic pre-war residences to cutting-edge luxury developments—Sid delivers tailored, results-oriented strategies. He specializes in translating complex market insights into actionable recommendations, ensuring optimal outcomes for buyers and investors alike.
“I find the greatest fulfillment in guiding clients through the meaningful milestone of homeownership,” says Sid. “Joining FIND Real Estate allows me to leverage innovative tools and a collaborative culture to provide even greater value to the people I serve.”
About FIND Real Estate
FIND is an agent-owned brokerage committed to client-centered service, innovation, and agent empowerment. By putting agents first, the company creates better outcomes for clients through trusted expertise and modern resources. Learn more at https://findrealestate.com.
Media Contact
Organization: FIND Real Estate
Contact Person: Sid Gandotra
Website: https://findrealestate.com/
Email: Send Email
Contact Number: +12123006412
Address:5 West 37th Street, FL 12
City: New York
State: NY
Country:United States
Release id:39529
The post Sid Gandotra Joins FIND Real Estate to Advance Client- Centered Brokerage Mission in NYC appeared first on King Newswire. This content is provided by a third-party source.. King Newswire makes no warranties or representations in connection with it. King Newswire is a press release distribution agency and does not endorse or verify the claims made in this release. If you have any complaints or copyright concerns related to this article, please contact the company listed in the ‘Media Contact’ section
About Author
Disclaimer: The views, suggestions, and opinions expressed here are the sole responsibility of the experts. No Digi Observer journalist was involved in the writing and production of this article.
MOKiN Reframes the Role of Technology Human-Centered Design at the Core
Brigitte Bardot, Gia Skova, and the Timeless Power of Iconic Presence
Sid Gandotra Joins FIND Real Estate to Advance Client- Centered Brokerage Mission in NYC
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