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SoftBank Focuses On The Layout Of The Metaverse With AOS To Create A Brand-New Future

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Recently, Softbank Ventures Asia publicly announced that it has begun to focus on Metaverse and invested in the AOS project. It will cooperate with AOS to connect and integrate more Metaverses in AI, NFT, robotics, and other fields, and carry the development of large-scale killer applications.

The enthusiastic investment in Metaverse has not subsided, but it has risen again. The technology giants have all entered the Metaverse. Facebook plans to fully transform into Metaverse before 2025, and will set up a product team to accelerate investment in VR/AR and the creator community; Bytedance, which has always believed in Striving for Miracles, merged Mutong Technology for 4 billion USD, and begin to lay out the Metaverse; Axie Infinity builds NFT games based on the Metaverse, subverting the traditional game mode and becoming a phenomenon-level game product; miHOYO, the developer of “Genshin Impact”, formed an AI scientist inverse entropy team, and self-developed Avatar Luming to explore the brain-computer interface. Through investment, miHOYO has successfully deployed the social Metaverse Soul; the Internet industry is renewing and iterating rapidly, and companies need to attach importance to meet unknown concepts and challenges or be left behind by the times.

In the Metaverse era, everything has virtual avatars. The concept of Metaverse seems to be still in the mist today, but the prelude to the new era has been opened, and it is closer than you think.

The popularization of the term Metaverse was cited from the novel Avalanche by American science fiction writer Neil Stephenson in 1992. In his book, he used the word Metaverse for the first time without foundation and described it as a parallel universe projected from the real world through technical means such as the Internet. However, anyone who has watched the movie “Ready Player One” by the great director Steven Spielberg should probably understand this concept. Like the “Oasis” in the movie, the company has created a realistic virtual world outside of the real world. Every player in the real world has another identity in the virtual world, establishes another social circle, and leads another life. Although the Metaverse is only a virtual world, its immersion is so vivid that you will think it is the real world and enjoy life in this new world.

AOS (Artificial Intelligence Operating System) is the first operating system developed by Canada Unicorn Park, based on the underlying blockchain technology to connect the Metaverse. By building a Metaverse bridge online, and using robots as an intelligent carrier offline to build an ecosystem between Metaverses and provide a new experience for integration with Metaverse and the real world.

Based on AOS, users could create an AI NFT that has autonomous consciousness and advanced self-learning capability; And it also gets influenced by the distributed personality database on the chain to build character, and gradually complete neural network-style self-learning and improvements. Most of all, the distributed character database is based on the “Book of Changes” and appropriately constructs the character of AI; users can inject their favorite characters, personalities, voices, etc., into their own AI NFT, and tame it to learn more skills. AOS encourages users to integrate more characters and personalities, combined with NFT to create different artistic values. The custom AI itself has NFT attributes. Users can customize the appearance of AI on the network, and can also authorize access to a third-party character customization system, such as specific character images and voices, and third-party NFT star voices and appearances, packaged in the form of NFT used for trading and collection.

AOS connects the first-generation physical carrier, the AI four-wheel driving robot Mars_1 with the Metaverse and the real world, creating a new user experience.

Mars_1 is a highly integrated artificial intelligence robot product. Its appearance is in the form of a four-legged driving robot dog. It adopts an original five-layer motion control technology and several technical indicators are in a leading position in the global industry. Mars_1 has integrated the Internet of Things, 5G, virtual reality/augmented reality, intelligent driving, swarm intelligence, and other technologies. Mars_1 will obey commands and gradually be closer to a dog and then become to a good assistant to humankind.

On the road to the Metaverse, AOS always hopes to leave a strong and colorful stroke in its own way. Connect the Metaverse through AI and map out the experience and lifestyle of the future. For the world that people dream of, high-intelligence AI coupled with linkage with robots will be an indispensable component of this era. As the aboriginal and basic units of the Metaverse, these virtual species based on AOS will continue to establish connections with us beyond human beings in the infinite space and time of the future, transcending the fetters of races.

Sun Zhengyi believes: “We are about to experience the biggest change in human history. AI will eventually replace human beings. This is not only reflected in knowledge but also in intelligence. This change will happen in this century, and then in the next 30 years, there is no doubt that our focus is on AI, intelligent robots, and the IOTs.” Based on this analysis and judgment, SoftBank has frequently carried out large-scale layouts in the fields of AI, intelligent robots, and  IOTs. Start from all aspects to create a powerful robot empire. Today, SoftBank’s industries have completed the layout of the future of the new Internet field as Sun Zhengyi said in the past, and completed more than half of the investment of unicorn companies on a global scale, laying a foundation for the subsequent development of the IOTs in the world.

As a world-renowned “Animation Kingdom”, Japan has an irreplaceable influence in the global animation field. After half a century of development, the Japanese animation industry has formed an extremely large system, making Japan the world’s largest animation production and exporting country, and it also around animation IP to derive cultural and creative products, such as GK. With the development of smart technology, they also work hard in the direction of intelligence for GK. Headquartered in Japan, SoftBank has a unique geographical location and is deeply immersed in Japanese IP culture. This collaboration with AOS will further promote the combination of the GK industry and the AI​industry, and provide AOS with a steady stream of IP resources. Users’ favorite characters such as Luffy, Conan, Sailor Moon, Sakuragi Hanamichi, Inuyasha, etc., can inject their image and personality into AI to create your smart figure. Each AI figure is a unique individual, and different parameters also create different expressions and styles. At the same time, when users have more exchanges with AI, they will gradually become familiar with the user’s temper and preferences and adjust their apparent personality in real-time and dynamically making it infinitely close to the form that we want to see eventually.

The product made by a single company is not enough to be called a Metaverse but constitutes an ecological system. With the deep participation of users, if it is successful in collective efforts to build a more interoperable system, and it can be transformed into different layers, then it should be called a Metaverse. AOS is committed to becoming the link between the physical world and the virtual world, as a bridge between various Metaverses to connect the Metaverse and continue to build a new Metaverse ecology. This will be the top priority in the next stage of the development of the Internet after the mobile Internet.

What kind of world will mankind be in the future? SoftBank Asia and AOS have worked together because of the same concept for Metaverse and jointly created such a grand concept, standing at the forefront of the Metaverse economic tide, seizing opportunities, embracing the new future, and believing that with their win-win cooperation, they will give a perfect answer for the world.

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Disclaimer: The views, suggestions, and opinions expressed here are the sole responsibility of the experts. No Digi Observer journalist was involved in the writing and production of this article.

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Press Release

Suha Atiyeh on How Photography Should Serve the Experience, Not Control It

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  • A Perspective on Creative Presence in Contemporary Photography

Washington DC, US, 1st February 2026, ZEX PR WIRE, In an era where photography is increasingly shaped by trends, presets, and performance metrics, Suha Atiyeh offers a counterpoint rooted in restraint, attentiveness, and human connection. Based in Washington, DC, Suha Atiyeh approaches photography as a practice of observation rather than orchestration. Her work reflects a belief that meaningful images are created when the photographer supports the experience unfolding in front of the lens, instead of directing or interrupting it.

This philosophy has resonated with clients and collaborators who value authenticity over spectacle. Suha Atiyeh argues that when photography becomes overly controlled, the emotional and contextual truth of a moment is often diminished. The role of the photographer, in her view, is not to dominate the environment but to respond to it thoughtfully.

Reconsidering Control in Modern Photography

Contemporary photography culture often prioritizes precision, visual uniformity, and technical dominance. While these elements have their place, Suha Atiyeh believes that an excessive focus on control can distance both the subject and the photographer from the experience itself. When every detail is premeditated, the image may be technically sound but emotionally hollow.

Suha Atiyeh encourages a different approach, one that allows space for unpredictability. By relinquishing the need to manage every variable, photographers can remain present and responsive. This presence enables images to reflect not only what something looked like, but how it felt to be there.

Photography as an Act of Participation

For Suha Atiyeh, photography is not a detached act of documentation. It is a form of participation that requires emotional intelligence, patience, and humility. Rather than imposing a narrative, the photographer becomes part of the environment, observing subtle shifts in expression, movement, and atmosphere.

This mindset places trust at the center of the creative process. When subjects feel unobserved rather than scrutinized, they are more likely to exist naturally within the frame. Suha Atiyeh notes that some of the most resonant images emerge when subjects forget about the camera altogether.

Letting the Experience Lead

Suha Atiyeh emphasizes that photography should adapt to the experience, not reshape it for the sake of an image. This principle applies across genres, whether documenting people, spaces, or transitional moments. By allowing experiences to unfold without interruption, the resulting images retain a sense of honesty that cannot be manufactured.

This approach also challenges the idea that every moment needs to be optimized for visual impact. According to Suha Atiyeh, restraint is often more powerful than embellishment. A quiet moment, when handled with care, can communicate depth more effectively than a highly stylized scene.

Moving Away from Performative Imagery

The rise of social platforms has influenced how photography is consumed and created. Images are often evaluated by their immediate visual appeal rather than their lasting emotional resonance. Suha Atiyeh cautions against allowing this dynamic to dictate creative choices.

Instead of producing images designed for rapid consumption, Suha Atiyeh advocates for work that rewards prolonged viewing. Photography that serves the experience invites the viewer to slow down, observe, and connect with what is happening within the frame.

A Practice Grounded in Awareness

Suha Atiyeh’s perspective reflects a broader commitment to intentional creativity. Her process prioritizes listening, adaptability, and respect for context. Technical skill remains important, but it functions as a foundation rather than the focal point.

By centering the experience, Suha Atiyeh positions photography as a collaborative and responsive art form. This philosophy challenges photographers to reconsider their role, shifting from controller to witness.

About Suha Atiyeh

Suha Atiyeh is a Washington, DC based photographer whose work is guided by an experience-first philosophy. With a focus on authenticity, presence, and emotional awareness, Suha Atiyeh creates images that reflect real moments without excessive intervention. Her approach emphasizes observation over direction and values connection over control. Through a thoughtful and restrained creative process, Suha Atiyeh continues to contribute to conversations around intentional photography and the evolving role of the photographer in contemporary visual culture.

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Disclaimer: The views, suggestions, and opinions expressed here are the sole responsibility of the experts. No Digi Observer journalist was involved in the writing and production of this article.

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Press Release

Urobicon, a UBR01-Based Bladder Technology, Gains Attention Across Europe

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Seoul, South Korea, 1st February 2026, ZEX PR WIRE, Urobicon, a bladder care solution developed on the proprietary UBR01-based technology platform, is gaining growing attention across Europe as an advanced approach to everyday urinary wellness.

Built around a technology-driven formulation concept, Urobicon focuses on supporting bladder environment stability and urinary function through a multi-layered system rather than a single-ingredient approach.

At the core of Urobicon is UBR01, a specialized bladder support technology designed to help maintain tissue condition, support urinary flow dynamics, and promote consistent bladder performance in daily life.

Urobicon combines multiple functional components into an integrated platform, creating a comprehensive support structure for individuals experiencing frequent urination, sensations of incomplete emptying, or general urinary discomfort.

Across multiple European markets, wellness retailers and online platforms report rising interest in Urobicon, with growing demand among consumers seeking technology-inspired alternatives to conventional approaches.

Many users have shared positive experiences, including improved urinary comfort, greater daily convenience, and enhanced confidence following consistent use.

Urobicon is increasingly being recognized as a next-generation bladder care solution built on a technology-centered philosophy, offering a non-invasive option for ongoing urinary support.

As Urobicon expands into North America and Asia, industry observers believe the UBR01 platform may help shape a new standard in technology-inspired bladder wellness solutions.

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Disclaimer: The views, suggestions, and opinions expressed here are the sole responsibility of the experts. No Digi Observer journalist was involved in the writing and production of this article.

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Jiani Luo Advances a Systems-Based Approach to Marketing in the U.S. AI-Driven Economy

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Wyoming, US, 1st February 2026, ZEX PR WIRE, As generative AI becomes embedded in how consumers discover information and evaluate choices, the U.S. marketing landscape is undergoing a structural shift. In one of the world’s most competitive and algorithm-driven consumer markets, Jiani Luo has emerged as a practitioner advancing a systems-based approach to marketing—one designed for environments where intelligent platforms increasingly influence discovery, comparison, and recommendation.

Rather than treating AI as an efficiency tool for content production or media optimization, Luo’s work addresses a more fundamental challenge: how marketing strategy must evolve when brands are first evaluated by systems before they reach consumers. This perspective has shaped how organizations approach brand growth in the U.S. market, where platform dynamics, AI-assisted search, and fragmented media ecosystems demand greater strategic coherence.

From Campaign Execution to Marketing Architecture

Through sustained work in the U.S. market, Luo has contributed to a shift away from campaign-centric marketing toward marketing architecture—the design of structures that support long-term brand performance across platforms, algorithms, and decision environments.

She emphasizes that in highly automated markets such as the United States, traditional advantages based on creative volume, channel saturation, or short-term optimization are increasingly transient. In their place, durable performance depends on three interrelated capabilities:

  • System legibility, ensuring that brand positioning remains clear and interpretable across AI-powered discovery and recommendation systems

  • Consistency of trust signals, allowing credibility to accumulate across touchpoints rather than resetting with each campaign

  • Decision-context alignment, connecting brand presence to specific usage and purchase scenarios instead of abstract reach metrics

This approach reframes marketing as an operating system rather than a sequence of promotional events.

 

Applying AI-Aware Strategy in the U.S. Market

Luo’s methodology has been applied across a range of U.S.-based brand initiatives, spanning food and beverage, beauty, home and lifestyle, and family entertainment. Her work supports brands navigating the structural demands of the American market, where competition is high and algorithmic mediation plays a growing role in consumer choice.

In the food and beverage sector, marketing systems informed by her approach have supported Haidilao (U.S.) and HEYTEA (U.S.) in strengthening brand clarity and decision-path coherence for U.S. consumers. These efforts focused on aligning brand signals with local expectations and platform-driven discovery behavior, enabling more sustainable engagement beyond short-term traffic spikes.

In consumer goods and lifestyle, initiatives for Qbedding and Maiko Matcha emphasized semantic consistency and channel coordination, improving brand recognition and reliability within AI-influenced search and recommendation environments.

In beauty, the “I Love My Culture” initiative for WEI Beauty demonstrated how cultural positioning can function as a structural asset in the U.S. market. Rather than pursuing short-lived virality, the program established durable relevance among multicultural consumer communities through consistent narrative design and community alignment.

In experience-driven categories, including FunZ Trampoline Park and Nova Trampoline Park, Luo’s approach informed how brand information, local presence, and consumer decision paths were structured to support measurable improvements in visitation and engagement across U.S. locations.

Redefining Marketing Objectives in an AI-Mediated Environment

Luo notes that as AI increasingly participates in early-stage evaluation—screening, ranking, and comparison—the objective of marketing in the U.S. market is no longer simply to maximize exposure. Instead, success depends on a brand’s ability to remain consistently interpretable, credible, and contextually relevant within intelligent systems over time.

In this environment, AI does not reduce differentiation; it amplifies it. Brands that invest in coherent structure and long-term signal integrity gain disproportionate visibility, while those reliant on fragmented tactics face diminishing returns.

Shaping Sustainable Growth in the U.S. Market

As AI continues to redefine how value is assessed and choices are formed, Jiani Luo remains focused on advancing marketing as a strategic discipline grounded in structure, systems, and long-term relevance. By integrating AI-aware thinking, GEO-informed growth models, and cross-cultural strategy, her work supports brands seeking sustainable performance in the U.S. market.

In a landscape where attention is no longer the sole constraint, Luo’s perspective underscores a central principle of modern marketing: brands that are structurally understood are the ones most likely to endure.

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Disclaimer: The views, suggestions, and opinions expressed here are the sole responsibility of the experts. No Digi Observer journalist was involved in the writing and production of this article.

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