Press Release
Platon: To create a new digital civilization by Protecting CryptoArts
CryptoArts, a new favorite in the digital age
Recently, a NFT painting of digital artist Beeple was sold for $69.34 million, setting a record price for cryptoart. Earlier, Dorsey, the CEO of twitter, transferred his first tweet as a NFT, with the price of about $2.9 million. The birth of these high-priced works of art has pushed the cryptoart into the artistic field，which has been changing people’s traditional cognition and empirical judgement of art. So what is NFT? Is NFT valuable?
NFT (non-homogeneous token) is also a kind of cryptocurrency asset, which relying on the blockchain network behind it. The holding information of these assets can be recorded in the blockchain. Different from bitcoin and Ethereum, each NFT is unique, so it is not for exchange, like basic commodity purchase or other basic transactions money. However, because of that NFT assets can’t be copied, works of art or collections can be transferred on the blockchain network as the unique cryptocurrency asset. For example, if you successfully register as a password artist on the NFT trading platform, your uploaded works of art can also become a NFT asset. The process of becoming a NFT can be regarded as “coinage”, and then by aggregating into blocks to become the unique token asset on the blockchain.
All along, the biggest attribute of art is uniqueness and irreplaceable, which coincides with the essence of NFT. In the traditional art market, artworks are repeatedly sold at high prices, which is unmatched by any other industry. At present, cryptoart is the most powerful growth area in the digital collection market.
Perfect combination of encryption technology and artistic value
Although NFT assets are unique and irreplaceable, and can exist in different forms and contents, their essence is still token. Token itself has no intrinsic value. Only when it is placed on the value system of the real world, can it be endowed with specific meanings.
When we buy a NFT, it actually means that we buy a “digital certificate” representing the ownership and authenticity, that is, we get a unique password generated by blockchain technology. For example, if you buy a painting in the art field, what others see is only a copy of the digital picture, while the buyer has the only original copy of the whole network. This work has been authenticated by blockchain technology, and has a digital signature that cannot be copied, so that buyers can confirm the uniqueness of their collection. The underlying logic is the consensus mechanism based on the network computing power of blockchain. For the cryptoart, this network flow based consensus is important. Through effective mechanisms to improve consensus, let more people know about the works, and by exposure and auction, or artists’ appearance on public media, can achieve “value-capture”, thus increasing the collection value and transaction price of works.
In this process, encryption and privacy protection technology play a key role. For a cryptoart, the owner should have both the ownership and the right to use. Currently, we only protects the ownership, but fails to protect the right to use. If the owner of a work puts a cryptoart on display in the gallery, the owner can get a share of the income from the exhibition, and only with the authorization of the owner, can the art work be fully displayed. Only in this way can the right to use of cryptoart be more effectively protected, which is what PlatOn’s privacy computing has been working for.
The privacy token contract of PlatOn can achieve the purpose of hiding identity through zero knowledge proof algorithm. Zero knowledge proof is to make the verifier believe that one has some knowledge or ability without providing any useful information to others, so as to protect the cryptoart. In addition, digital assets need to be taxed in the future, which also involves the trade of ownership. Token’s Rosetta privacy AI framework improves the efficiency of MPC (multi-party secure computing) and provides strong support for digital asset trading.
Platon’s Alaya scheme, Protecting the cryptoart
As a global blockchain leader, PlatOn, with its rich experience in the field of privacy protection, can help the digital identification and asset digitization of traditional works of art and even real estate, and help traditional assets become indelible and unchangeable . PlatOn launched the meta network Alaya scheme on October 24 last year. The scheme is based on distributed storage system, with globally distributed nodes, and is linked in the form of NFT. It supports the subsequent change of ownership of digital assets through cooperative transfer, so as to protect cryptoart and built a new digital civilization.
In addition, in the main network release of PlatOn is launched in last month, NFT transfer is also used for voting on the chain, and NFT badges in the main network community will be sent to all voting participants. It can be seen that PlatOn’s exploration on NFT privacy protection has been in the field including the cryptoart, community souvenirs, voting and so on, which will light the dawn of new digital civilization.
About Author
Disclaimer: The views, suggestions, and opinions expressed here are the sole responsibility of the experts. No Digi Observer journalist was involved in the writing and production of this article.
Press Release
Mongolia Arc PV Revealed Captivating Consorts and Third Cast, story moves from Persia to Mongolia
Third Cast Reveal; Misaki Kuno, Ayaka Asai, and Mayumi Shintani―But Who is the First Empress Boraqchin?
Tokyo, Japan, 9th Jul 2026 – CyberAgent, Inc announces the TV anime Jaadugar: A Witch in Mongolia (Japanese title: Tenmaku no Ja’dugar) had already been attracting attention both domestically and internationally prior to its broadcast even before its world premiere in Japan, including being officially selected for the TV Films Competition Category at the Annecy International Animation Film Festival in France. In addition, with the first special one-hour broadcast of Episodes 1 and 2 in Japan on Saturday, July 4th, the series trended immediately and dominated users’ timelines with an overwhelming wave of fan enthusiasm.
A newly released PV marks the grand opening of the “Mongolia Arc,” spotlighting the captivating royal consorts who will grace the screen next. As the story shifts from Persia to Mongolia, character and cast details for the empire’s captivating royal consorts have been unveiled. Anticipation is skyrocketing to see how these women’s hidden motives will intertwine with Sitara’s fate as they defy their destinies.
Written by Tomato Soup, the original manga, A Witch’s Life in Mongol, is serialized in Japan on AKITASHOTEN’s Souffle and is a historical court drama set in the 13th-century Mongol Empire. It depicts the story of Sitara, a young girl who strives to survive a harsh fate by using knowledge as her weapon, and Toregene, a royal consort harboring a deep-seated hatred for the empire. Bound by a shared desire for revenge, the two women unite to defy their destinies.
The series has drawn significant attention, securing 1st place in Takarajimasha’s Kono manga ga sugoi! 2023 (Women’s Category) and placed in the Manga Taisho for two consecutive years (2023 and 2024). The original manga A Witch’s Life in Mongol was selected for the Grand Prize in the Comic Division at the 55th Japan Cartoonists Association Awards.
Animation production is handled by Science SARU, the studio behind many well-known anime works.
TV Anime “A Witch’s Life in Mongol“: “Mongolia” Arc PV Revealed!
The newly unveiled “Mongolia Arc” PV provides a thrilling preview of the turbulent story ahead, teasing a world of intense strategy and ambition as Sitara journeys from Persia to Mongolia. The PV highlights the first introduction of the empire’s captivating consorts. Their intense and calculating expressions leave a lasting impression, leaving audiences on the edge of their seats to see how their secret agendas will clash with Sitara and how she will use her intellect to stand her ground within this formidable empire.
However, it leaves the casting of First Empress Boraqchin as a mystery.
“Mongolia Arc” PV: https://youtu.be/-FWyTtrubTo
The Third Cast: Misaki Kuno, Ayaka Asai, and Mayumi Shintani! Character Details and Cast Comments Revealed!
The information for the third cast and characters are announced; Misaki Kuno will voice Sorghaghtani, the intelligent primary consort of the Fourth Prince, Tolui. Ayaka Asai will voice Moge, the fourth consort of the Mongol Emperor Ogedei. Mayumi Shintani will voice Kirgistani, the third consort of the Mongol Emperor Ogedei.
Sorghaghtani (CV: Misaki Kuno)
Tolui’s wife. She believes that “the world is wider than the steppe,” and is searching for “Elements,” a text containing knowledge from the West. She also possesses great insight, recognizing the danger that comes with imbalances in military strength and authority.
Moge (CV: Ayaka Asai)
Ogedei’s fourth wife, who deeply adores Boraqchin. While she proclaims that she “isn’t very smart,” she has an innocent and honest personality.
Kirgistani (CV: Mayumi Shintani)
Ogedei’s third wife. Incredibly emotional, she is very sweet towards Ogedei but makes no effort to hide her feelings of rivalry towards the other wives. Her drastic mood swings often lead her to lose composure and cause a scene when something goes awry.
Boraqchin
Ogedei’s first wife and Empress (the Great Khatun). Always calm, composed, and dignified, she is a woman of unfathomable depth. Believing that “in politics, it is crucial to pull strings beneath the surface,” she secretly devises strategies, deeply concerned about the empire’s future and the imbalance of power.
Overview
Story
A young girl and an empress.
Bound by a shared desire for revenge, the two will shake the mightiest empire the world has ever known.
After losing her mother and being torn far from her homeland, a young girl named Sitara is taken in by Fatima, a kind-hearted lady from a family of scholars.
“If you study and become wise, no matter what trouble befalls you, you’ll know the best way forward.”
Deeply moved by the words of Fatima’s son, Muhammad, Sitara comes to understand the possibilities and importance of knowledge and begins to deepen her education.
She dreams that one day, she might catch up with Muhammad, who has set off on a journey in pursuit of wisdom…
Meanwhile, under the reign of Emperor Genghis Khan, the mighty Mongol Empire continues its unstoppable march, conquering nation after nation and expanding its influence across the world. Before long, the tides of history reach the city where Sitara lives.
After losing everything to Tolui, the empire’s Fourth Prince, and being taken captive, Sitara resolves to use the only thing she has left, her intellect, to infiltrate the royal court and bring down the empire from within.
Though a flame of revenge burns within her heart, Sitara outwardly devotes herself to serving the empire. One day, she has a fateful encounter with Toregene, the sixth wife of the Third Prince, Ogedei. Haunted by a tragic past of her own, Toregene too carries a deep hatred for the empire within her heart.
Sitara and Toregene, two women who were never meant to meet. The moment they join hands, the wheels of fate begin to turn.
Broadcast Info
Broadcasting every Saturday at 11:30 pm JST on TV Asahi Networks and streaming from 1:00 am JST the next day on various platforms worldwide.
Opening Theme Song
SEKAI NO OWARI “Stella”
Ending Theme Song
QUEEN BEE “STAR”
Follow Social Media
Official Website: http://anime-jaadugar.com/
Official X (Japanese): @anime_jaadugar (https://x.com/anime_jaadugar)
Official X (Global): @Jaadugar_global (https://x.com/Jaadugar_global)
Media Contact
Organization: CyberAgent, Inc.
Contact Person: CyberAgent, Inc. Press Contact
Website: https://caanime.cyberagent.co.jp/en/
Email: Send Email
Address:40-1 Udagawacho, Abema Towers, Shibuya City, Tokyo
City: Tokyo
Country:Japan
Release id:46919
The post Mongolia Arc PV Revealed Captivating Consorts and Third Cast, story moves from Persia to Mongolia appeared first on King Newswire. This content is provided by a third-party source.. King Newswire makes no warranties or representations in connection with it. King Newswire is a press release distribution agency and does not endorse or verify the claims made in this release. If you have any complaints or copyright concerns related to this article, please contact the company listed in the ‘Media Contact’ section
About Author
Disclaimer: The views, suggestions, and opinions expressed here are the sole responsibility of the experts. No Digi Observer journalist was involved in the writing and production of this article.
Randvaal Meyerton, Gauteng, South Africa, 9th Jul 2026 — Coffee Journal, an independent South African specialty coffee publication, has published a new feature examining the Fabiani Cafe charity pop up at Sandton City in Johannesburg. The article documents how the temporary cafe combines retail, coffee culture and community impact, with proceeds directed to SOZO Foundation and FoodForward SA while the activation runs from June 30 through July 13, 2026.
The newly published Fabiani Cafe charity pop up at Sandton City article reports that the concept brings a full cafe experience into one of Johannesburg’s best-known retail destinations while centering a charitable model rather than a standard commercial rollout. According to Coffee Journal’s on-site coverage, the space serves an exclusive Fabiani Signature Blend roasted by Cedar Coffee Roasters, features food collaborations for the Sandton edition, and channels all revenue from coffee, merchandise and related sales toward partner organizations focused on youth opportunity and food security.
Coffee Journal’s reporting notes that the activation is staffed by graduates of the SOZO Foundation barista training program, giving young South Africans an opportunity to work in a live, high-traffic retail environment. That emphasis on employability aligns with SOZO Foundation’s stated mission of creating pathways to youth employment through education, skills training, entrepreneurship and social enterprise. By connecting a public-facing cafe operation to practical barista experience, the story highlights how coffee can serve as a working platform for skills development as well as hospitality.
The feature also places the cafe within a broader community-impact context by documenting Fabiani’s partnership with FoodForward SA. Coffee Journal reports that the initiative links everyday purchases to support for a food redistribution network that serves vulnerable communities across South Africa. External event coverage cited in the article frames the Sandton City run within Mandela Month and describes the activation as a corporate social investment effort built around opportunity, employment pathways and community resilience rather than a conventional product promotion.
In addition to the social-impact angle, the article gives readers a close look at the hospitality and coffee details shaping the experience on site. Coffee Journal describes the Fabiani Signature Blend as an exclusive collaboration with Cedar Coffee Roasters and notes that the Sandton edition includes handcrafted panzerotti from Chef Corvin Pietersen of Broodkop and artisanal pastries from Sofia El Baz of Daily Indulgence. The feature also records that the Sandton activation follows a previous Fabiani Cafe edition at the V&A Waterfront in 2025, suggesting the concept is evolving from a short-lived activation into a repeatable format with recognizable design and charitable intent.
For Coffee Journal, the story also reflects the editorial direction of a South African specialty coffee publication launched in 2026 to document roasters, brewing, water quality and coffee culture across the country. The publisher’s coverage aims to connect product, place and people in ways that are useful to both coffee enthusiasts and industry observers. By pairing first-hand reporting with specific sourcing, the Fabiani feature expands that mission into lifestyle retail and community-driven hospitality, showing how coffee storytelling can sit at the intersection of design, training, local food collaboration and public-interest impact.
Readers who discover the article through syndication can continue into Coffee Journal’s broader editorial ecosystem through the site’s Johannesburg coffee roasters guide and national SA roasters directory, both of which extend the article’s relevance beyond a single activation and into ongoing discovery of South African coffee businesses. The release supports awareness for the published feature while giving media outlets, search audiences and coffee readers a timely entry point into a wider body of South African specialty coffee coverage.
Coffee Journal said the article is intended to document a moment where hospitality, philanthropy and specialty coffee intersect in a visible Johannesburg setting. With the Fabiani Cafe pop up operating for a limited period, the feature provides timely context for readers following local coffee culture, retail activations and socially oriented brand collaborations in South Africa.
Media Contact
Organization: Coffee Journal
Contact Person: Bibi Burness
Website: https://coffeejournal.co.za/
Email: Send Email
Contact Number: +27729850426
Address:52 The Avenue, Henley on Klip
City: Randvaal Meyerton
State: Gauteng
Country:South Africa
Release id:46912
The post Coffee Journal Publishes Feature on Fabiani Cafe Charity Pop Up in Sandton City appeared first on King Newswire. This content is provided by a third-party source.. King Newswire makes no warranties or representations in connection with it. King Newswire is a press release distribution agency and does not endorse or verify the claims made in this release. If you have any complaints or copyright concerns related to this article, please contact the company listed in the ‘Media Contact’ section
About Author
Disclaimer: The views, suggestions, and opinions expressed here are the sole responsibility of the experts. No Digi Observer journalist was involved in the writing and production of this article.
Press Release
Prewett Asher Says the Biggest Communication Mistake in 2027 Will Be Confusing Speed With Leadership
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Communications professional Prewett Asher of Dallas, Texas, says the strongest leaders won’t be the first to respond. They’ll be the ones who communicate with clarity, consistency, and purpose.
Texas, USA, Jul 09, 2026, ZEX PR WIRE — Every major decision today is met with immediate public reaction. For communications professional Prewett Asher, that growing pressure has created a new leadership challenge: knowing when to speak quickly and when to take the time to communicate well.
Drawing on experience in the federal government, the U.S. House of Representatives, and broadcast news, Asher believes one of the biggest communication mistakes organizations will make in 2027 is confusing speed with leadership.
“People often assume the fastest response is the strongest one,” Asher says. “In reality, speed without clarity can create confusion, damage trust, and make a difficult situation even harder to manage.”
Throughout his career, Asher has worked in roles where every public statement carried weight. At the U.S. Department of Housing and Urban Development, he helped prepare briefing materials and managed correspondence between Congress and federal agencies. As Communications Director in the U.S. House of Representatives, he developed messaging strategies, prepared members for national media appearances, and handled communications during high-pressure situations. He later expanded into broadcast journalism as a Junior Producer at News Corp, producing daily news segments from concept to air.
Those experiences taught him that effective communication starts long before a public statement is released.
“You have to understand the situation before you try to shape the conversation,” Asher says. “People deserve information they can trust, especially when the stakes are high.”
According to the 2025 Edelman Trust Barometer, 68% of people worry that business leaders, government leaders, and journalists are intentionally trying to mislead the public by saying things they know are false or exaggerated. Asher believes that growing skepticism means organizations have to earn trust through consistent actions, not just well-written statements.
“Trust isn’t built during a crisis,” he says. “It’s built every day through honest communication and consistent leadership. When difficult moments arrive, people already know whether they believe you.”
Looking ahead, Asher expects organizations to face increasing pressure to respond faster as information spreads almost instantly. While speed will always matter, he believes preparation will matter even more.
“The best communicators aren’t the ones who react first,” he says. “They’re the ones who have already built a foundation of credibility. That allows people to focus on the message instead of questioning the motive.”
He encourages leaders across government, business, and nonprofit organizations to review their communication strategies before the next major challenge arises.
“Every organization will face difficult conversations,” Asher says. “The question is whether you’ve built enough trust before that moment comes.”
About Prewett Asher
Prewett Asher is a communications professional with experience in government, media, and political strategy. His career includes roles with the U.S. Department of Housing and Urban Development, Heritage Action for America, the U.S. House of Representatives, and News Corp. Based in Dallas, Texas, he specializes in strategic communications, crisis communications, media relations, public affairs, and public policy.
About Author
Disclaimer: The views, suggestions, and opinions expressed here are the sole responsibility of the experts. No Digi Observer journalist was involved in the writing and production of this article.
Mongolia Arc PV Revealed Captivating Consorts and Third Cast, story moves from Persia to Mongolia
Coffee Journal Publishes Feature on Fabiani Cafe Charity Pop Up in Sandton City
Prewett Asher Says the Biggest Communication Mistake in 2027 Will Be Confusing Speed With Leadership
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