Press Release
OmArt : Infinite Rolling Auction enhances NFT Price Discovery Efficiency
NFT and crypto art are a typical bottom-up development path, which successfully lowered the threshold of art and expanded the audience in a sense. It also brought “ownership” and “finance” to the artwork as the content side. The unique attributes of NFT have become an excellent carrier for the existence of artworks that are just needed to confirm the right.

However, there are many challenges in the current NFT market. The current poor liquidity of NFTs has led to a price discovery low efficiency. In addition, non-mainstream art forms dominate in the current crypto art circle, which affects the overall content quality, and mainstream artists will hesitate to participate in it. OmArt has born to cope up with the above challenges.
What is OmArt
OmArt is an ERC20 NFT platform based on original oNFT and infinite scrolling auctions modes, it can provide innovative NFT + oNFT product system:
- NFT
The platform supports the creation and trading of NFT. NFT created on other platforms such as Opensea can be listed on OmArt, and NFT created on OmArt can also be listed on OpenSea. OmArt will first and foremost integrate into the current mainstream crypto art play.
2. oNFT
oNFT is an original NFT of artworks, whose ownership cannot be acquired by the current owner.
3. An Infinite Rolling Auction Illustration
An infinite rolling auction means that oNFT will be automatically auctioned by the platform. The price of each round will be determined by OmArt platform according to a uniform pricing curve. When the latest sale price or auction cycle of oNFT exceeds a certain value, the current owner of the NFT can initiate a privatization and convert oNFT Remint into a standard agreement NFT by paying a certain premium over the latest sale price (tentatively 30%).
Team with Enriched Resources
The team has a wealth of offline space, internationally renowned artists, and art works resources, and has more than 100 art partners with experience in international exhibitions. In addition, there are more than 50,000 contracted artists who can be active on the OmArt platform.
OmArt’s CEO, Michael Chi is an associate professor of visual communication, an international curator, and the rotating chairman of the Association of Chinese Artist in American Academia. He was recognized by “Chinese Magazine” as one of the 10 recipients of the “Young Chinese of Excellence Award” at the magazine’s 40-year anniversary ceremony in 2018.
As a bridge between art and the crypto world, OmArt brings good works of art into the encrypted world by holding offline art exhibitions and auctions in conjunction with the online NFT platform, keeping the quality of OmArt content at the top level in the industry.
OmArt’s Mutually Successful Business Model
The platform provides efficient price discovery path for artworks/artists through oNFT infinite rolling auction mechanism.
- Users will also be able to enjoy more NFT art and participate in the auction and get corresponding economic rewards.
- oNFT will then be privatized and become the standard protocol NFT, rewarding the world of mainstream cryptography art industry.
- Artists can also publish NFT directly, free to define the price and royalty of NFT.
- As for OmArt platform, the platform value will continue to grow as it obtains high-quality content and users of different portraits. The platform will continue to retain platform earnings into users and artistic content to make the platform continue to grow.
Development Plan
OmArt will officially launch version 1.0 on July 26 this year, which is, an online NFT market platform that can issue and trade the standard ERC721 NFT, and will hold an immersive meta-universe art technology exhibition with the theme “IM META” on July 30. at Shanghai Plaza. 138 Huaihai Middle Road, where social, entertainment, shopping and living revolve around art horizon. It is where ideas, trends and lifestyles collide out to form new ideas and new inspirations.

A total of 55 works will be presented on the OmArt digital trading platform with NFT works. Artists include holographic special effects scenes for the sci-fi movie “Creation-Speed of Light” and the future multi-dimensional human-computer interaction interface designed for Tom Cruise’s sci-fi blockbuster “Oblivion”, the great designer GMUNK, new media Designer Joshua Davis, motion graphics artist Jonathan Winbush, famous graffiti artist Gemma O’Brien, etc. The curator of this exhibition, Scarlett Lin, is an artist and the founder of Linspace.
Version 2.0 of the OmArt platform is planned to be launched in Sep, 2021, when oNFT assets and the core innovative gameplay “Infinite Rolling Auction” will be officially launched.
Visit the OmArt website omart.io to learn more!
Telegram Group: t.me/OmartOfficial_NFT
Twitter: twitter.com/OmArt_NFT
About Author
Disclaimer: The views, suggestions, and opinions expressed here are the sole responsibility of the experts. No Digi Observer journalist was involved in the writing and production of this article.
Press Release
Jaime Bejar on Building Automated Revenue Streams in a World That Never Sleeps
Los Angeles, CA, 2nd Febraury 2026, ZEX PR WIRE, In a global economy that operates around the clock, traditional business models are struggling to keep pace. Markets move at all hours, customers expect instant fulfillment, and competition no longer sleeps. For entrepreneur and systems architect Jaime Bejar, this nonstop reality is not a challenge to endure, but an opportunity to design smarter, automated revenue streams that work continuously without demanding constant human presence.
As the Founder and CEO of Cashflow Creators and Online Empire University, Bejar has positioned himself at the forefront of automated e-commerce and digital business education. His work centers on one core belief: in a world that never sleeps, businesses must be built on systems, not sacrifice.
From Searching for Direction to Designing Systems
Born to immigrant parents, Jaime Bejar’s early life was shaped by discipline, resilience, and a deep appreciation for hard work. Despite his intelligence, Bejar describes himself as an average student who spent years feeling disconnected from traditional career paths. Like many aspiring entrepreneurs, he searched for clarity in a system that often rewards conformity over creativity.
That clarity arrived in his late twenties, when he discovered entrepreneurship as a vehicle not only for financial stability, but for autonomy and purpose. What began as a desire to escape paycheck dependency quickly evolved into a broader mission: to build scalable, system-driven businesses capable of generating income without constant owner involvement.
“I realized that freedom doesn’t come from working harder,” Bejar explains. “It comes from building systems that work even when you step away.”
Redefining What Automation Really Means
Today, Jaime Bejar is widely recognized for his ability to design automated e-commerce ecosystems that generate consistent cash flow while minimizing daily operational demands. Unlike surface-level automation tools that focus only on software, Bejar’s approach is holistic. Automation, in his view, includes logistics, people, decision-making frameworks, and performance accountability.
Through Cashflow Creators, Bejar delivers end-to-end operational solutions that remove complexity from scaling digital businesses. These services include product sourcing and wholesaling, logistics coordination, vendor acquisition, outsourced labor management, distribution center oversight, and virtual agency leadership.
Each component is engineered to integrate seamlessly into a structured framework, allowing businesses to grow without chaos. The goal is not just revenue, but stability and sustainability.
“Automation isn’t about eliminating people,” Bejar notes. “It’s about putting the right people in the right roles and allowing systems to support them.”
Building Businesses That Run Around the Clock
In an always-on economy, e-commerce businesses face pressure to perform 24/7. Customer expectations, supply chain demands, and global competition leave little room for error. Bejar’s systems are designed to meet this reality head-on.
By combining process documentation, delegation, and performance tracking, his frameworks allow businesses to operate continuously while owners focus on strategy rather than execution. Automated revenue streams, as Bejar defines them, are not passive shortcuts. They are the result of intentional design and disciplined structure.
This philosophy has enabled entrepreneurs working with Cashflow Creators to scale efficiently without burning out, proving that growth does not require personal exhaustion.
Education as a Catalyst for Scale
Complementing the operational arm of his work, Bejar founded Online Empire University, an educational platform dedicated to teaching entrepreneurs how to build, optimize, and scale online businesses. The program offers mentorship, strategic guidance, and proven frameworks drawn directly from real-world implementation.
Rather than focusing on hype or overnight success, Online Empire University emphasizes process mastery, mindset development, and long-term thinking. Students learn how to evaluate opportunities, build teams, and implement systems that align with their personal definitions of success.
Bejar believes education is essential for sustainable growth. “Without understanding systems, entrepreneurs end up trapped in their own businesses,” he says. “Education gives them the tools to build with intention.”
Leading Through Delegation and Specialization
At the core of Bejar’s success is his leadership philosophy. As the head of a global team of more than 100 professionals, he emphasizes delegation, specialization, and accountability. Each team member operates within clearly defined roles, supported by systems that track performance and ensure consistency.
This structure allows businesses to scale while maintaining quality and reliability. More importantly, it reinforces Bejar’s belief that leadership is not about control, but about empowerment.
“True leadership creates space for others to perform at their best,” he explains. “Systems make that possible.”
Redefining Wealth in the Digital Age
For Jaime Bejar, success is not measured solely in revenue. He defines wealth as a balance of financial freedom, time flexibility, and meaningful impact. Automated revenue streams are valuable not because they generate income, but because they allow entrepreneurs to reclaim time and live with intention.
This mindset resonates deeply with modern business owners who are reevaluating traditional definitions of success. In an era of constant connectivity, Bejar’s message offers a compelling alternative: build businesses that support life, not consume it.
A Vision for the Future of E-Commerce
As digital markets continue to evolve, Bejar sees automation becoming less of an advantage and more of a necessity. However, he cautions against shallow implementations that overlook human systems and strategic oversight.
The future of e-commerce, in his view, belongs to entrepreneurs who embrace structure, discipline, and long-term thinking. Those who invest in systems today will be best positioned to thrive in a world that never slows down.
Conclusion
Jaime Bejar’s journey from searching for direction to building automated revenue ecosystems reflects the power of perseverance, vision, and intentional design. Through Cashflow Creators and Online Empire University, he is helping redefine what entrepreneurship looks like in a 24/7 global economy.
In a world that never sleeps, Bejar proves that success does not come from constant hustle. It comes from building systems that work continuously, sustainably, and in alignment with a life well lived.
About Jaime Bejar
Jaime Bejar is a dynamic entrepreneur, systems architect, and the Founder and CEO of Cashflow Creators and Online Empire University, two fast-growing companies at the forefront of automated e-commerce and digital business education. Born to immigrant parents, Bejar’s early life was shaped by resilience, discipline, and a strong work ethic. Although intelligent, he describes himself as an average student who spent years searching for direction and purpose outside traditional career paths.
That clarity arrived in his late twenties when he discovered entrepreneurship. What began as a pursuit of financial stability quickly evolved into a mission to build scalable, system-driven businesses that prioritize freedom, sustainability, and long-term impact. Today, Jaime Bejar is widely recognized for his ability to design automated e-commerce ecosystems that generate consistent cash flow without requiring constant owner involvement.
For more information about Jaime Bejar, Cashflow Creators, or Online Empire University:
Contact
Jaime Bejar
Founder/CEO, Cashflow Creators
Email: admin@dinheirollc.com
Website: https://cashflowscreators.com/
About Author
Disclaimer: The views, suggestions, and opinions expressed here are the sole responsibility of the experts. No Digi Observer journalist was involved in the writing and production of this article.
Press Release
What Luxury Means Now and Why Most People Are Getting It Wrong, According to Helen Yi
Chicago, IL, 2nd February 2026, ZEX PR WIRE, Luxury has never been louder. Logos dominate feeds. “Exclusivity” is marketed at scale. Trends rise and fall at algorithmic speed. And yet, according to Chicago-based tastemaker Helen Yi, true luxury has become harder to find precisely because it is being confused with visibility.
“We’ve mistaken access for understanding,” Yi says. “Luxury isn’t about owning something rare. It’s about knowing why something matters.”
With more than two decades shaping fashion retail, museum collaborations, and cultural spaces, Yi has become a trusted voice for consumers and industry professionals navigating an increasingly saturated marketplace. Her perspective challenges the prevailing narrative that luxury is synonymous with wealth, status, or brand recognition. Instead, she argues that modern luxury is rooted in discernment.
From Consumption to Comprehension
Yi’s authority comes not from trend forecasting, but from sustained engagement with craft, culture, and context. Her career has spanned independent retail, institutional partnerships, and creative consulting, giving her a wide-angle view of how luxury is perceived and misunderstood.
“The biggest shift I’ve seen is that people are buying faster but seeing less,” she says. “Luxury today requires slowing down.”
For Yi, the modern consumer is not lacking access to beautiful objects. They are lacking frameworks for evaluation. Social media has collapsed hierarchy, placing couture, fast fashion, and archival design on the same visual plane. Without education, she argues, taste becomes reactive rather than intentional.
This is where Yi positions luxury not as a product category, but as a learned skill.
Taste as Education
One of Yi’s most consistent themes is the idea that taste is not innate. It is developed through exposure, curiosity, and critical engagement.
“People assume taste is instinctual,” she says. “It’s not. It’s built. And like any form of literacy, it improves with practice.”
Her own visual education began early, shaped by Chicago’s architecture, public art, and museums. That foundation taught her to see connections across disciplines, an approach that still informs her work today. Fashion, in her view, cannot be separated from art, design, or history.
This interdisciplinary fluency allows Yi to evaluate luxury beyond surface appeal. She looks for coherence, restraint, and intention. Does a piece demonstrate mastery of material? Does it communicate a clear point of view? Does it evolve rather than repeat?
“These questions matter more than price,” she explains.
Craft Over Hype
Yi is outspoken about the industry’s reliance on hype cycles, which she sees as fundamentally incompatible with luxury.
“Hype is about immediacy,” she says. “Craft is about time.”
For Yi, craftsmanship is not simply a marker of quality. It is evidence of discipline, patience, and respect for process. She gravitates toward houses and designers who invest in material intelligence and construction rather than spectacle.
This emphasis on craft aligns with a broader shift among discerning consumers, who are increasingly skeptical of performative luxury. Yi believes this recalibration is long overdue.
“True luxury doesn’t need to announce itself,” she says. “It reveals itself slowly.”
Vision Over Branding
Another cornerstone of Yi’s philosophy is her rejection of branding as a proxy for meaning. While she acknowledges the role brands play in shaping culture, she cautions against allowing recognition to replace evaluation.
“A brand is a container,” Yi explains. “Vision is the content.”
She encourages consumers to interrogate what a brand is actually saying through its work. Is there continuity from season to season? Is there a clear creative direction? Is the brand responding thoughtfully to cultural shifts, or simply reacting to market pressure?
This analytical approach reframes luxury as an active relationship rather than a passive acquisition. It requires consumers to engage, question, and refine their preferences.
“Luxury demands participation,” Yi says. “Not just purchasing.”
Luxury as Discernment, Not Wealth
Perhaps Yi’s most resonant argument is her insistence that luxury is not inherently tied to wealth.
“Money gives you access,” she says. “It doesn’t give you taste.”
She points out that some of the most compelling expressions of luxury are modest in scale but rich in intention. A well-made garment worn for years. An interior designed around light and proportion rather than trend. An object chosen for its story rather than its resale value.
This perspective resonates with consumers increasingly fatigued by excess. Yi believes the future of luxury belongs to those who prioritize longevity and meaning over accumulation.
“Luxury is choosing fewer things, but choosing them well,” she says.
A Thought Leader for a Shifting Industry
Yi’s influence extends beyond individual consumers. Her insights are increasingly sought after by brands and institutions grappling with how to maintain relevance without sacrificing integrity.
She advises against chasing younger demographics through mimicry or dilution. Instead, she advocates for clarity of vision and respect for audience intelligence.
“People can tell when they’re being sold to,” Yi says. “They respond when they’re being invited into a conversation.”
This philosophy has guided her work across retail, museum spaces, and creative consulting, where she emphasizes coherence over novelty and substance over scale.
Redefining Luxury for What Comes Next
As the luxury industry faces mounting pressure to justify its value beyond price and prestige, Yi’s voice feels particularly timely. She offers a reframing that is both critical and optimistic.
Luxury, she argues, still matters. But only when it evolves.
“It’s not about rejecting beauty or excellence,” Yi says. “It’s about redefining what those things mean.”
For the modern consumer, that means developing discernment, investing in education, and resisting the impulse to equate visibility with value. For the industry, it means returning to fundamentals: craft, vision, and cultural relevance.
In an era of endless choice, Helen Yi offers something increasingly rare. Clarity.
“Luxury isn’t about having more,” she says. “It’s about seeing better.”
And that, she believes, changes everything.
About Author
Disclaimer: The views, suggestions, and opinions expressed here are the sole responsibility of the experts. No Digi Observer journalist was involved in the writing and production of this article.
Press Release
Luxury Isn’t Bought, It’s Curated: Helen Yi on Style, Memory, and the Art of Living
Chicago, IL, 2nd February 2026, ZEX PR WIRE, For Helen Yi, luxury begins long before a purchase is made. It starts with a way of seeing; shaped by art, architecture, travel, and lived experience. Her work across fashion, interiors, and cultural retail reflects a sensibility that is polished yet instinctive, timeless yet responsive.
Yi’s personal style has remained consistent since her early years. Elegant, assured, and quietly confident, it evolves not through trend but through context. She brings a classic foundation into dialogue with the present, allowing subtle shifts to create relevance without compromise.
Her impact on Chicago’s fashion scene began with her Wicker Park boutique, an influential space that introduced emerging designers and reframed luxury as thoughtful, personal, and culturally engaged. It was a place where style felt intentional rather than performative.
That point of view carried naturally into her role leading retail strategy at the Museum of Contemporary Art Chicago (MCA).
“I’ve always been interested in how ideas become part of daily life,” Yi says. “When art enters that space, it changes how people relate to it.”
At the MCA, Yi helped transform museum retail into a creative extension of the exhibitions themselves, most notably through the celebrated Virgil Abloh: Figures of Speech project.
A Style That Evolves, Not Replaces
Although Yi’s aesthetic remains grounded in classic proportions and refined silhouettes, she welcomes edge. Her look shifts with the cultural moment – absorbing energy, attitude, and contrast while remaining unmistakably her own.
She gravitates toward bold, dramatic elements softened by restraint. It is this balance of strength tempered by elegance that gives her style its quiet power.
Design as a Way of Living
Yi approaches life with the same curatorial eye she brings to design.
Travel is essential. New countries introduce her to different foods, architectures, and ways of moving through the world. “It’s humbling,” she reflects. “There are endless ways to live beautifully.” These experiences deepen empathy and expand perspective.
Though deeply rooted in city life, Yi finds peace in nature. Living part-time in Utah offers wide skies, mountain views, hiking trails, and snow-covered slopes as an antidote to urban density and a source of daily awe.
Music remains an undercurrent. Raised in Chicago’s 1990s punk and alternative scene at venues like The Metro and Lounge Ax, Yi absorbed its edge while maintaining her own sense of polish. The contrast is refined but fearless and still defines her approach.
Objects, for Yi, hold stories. Her vintage gold Rolex Oyster Perpetual was a wedding gift from her father to her mother, later transformed without hesitation by her mother herself. She altered the band, added gold, made it chunkier and more bold – likely devaluing the watch by traditional standards.
“I love everything it represents,” Yi says. “It’s fearless. It breaks the rules. It’s completely personal.”
The watch is as much an heirloom as it is a philosophy passed down. Her mother—one of Yi’s earliest and most enduring style influences – understood that true elegance allows for instinct, individuality, and the confidence to make something your own.
A Personal Definition of Luxury
As Yi continues her work across fashion, art, and interiors, her philosophy remains clear: luxury is not about accumulation, but intention.
Her spaces feel lived-in. Her style feels assured. Her influence feels lasting because it is rooted in authenticity.
In an era obsessed with visibility, Helen Yi offers something rarer: luxury as meaning, memory, and perspective.
Contact
Helen Yi
Chicago, IL
Email: yi@helenyi.com
About Author
Disclaimer: The views, suggestions, and opinions expressed here are the sole responsibility of the experts. No Digi Observer journalist was involved in the writing and production of this article.
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