Press Release
OmArt : Infinite Rolling Auction enhances NFT Price Discovery Efficiency
NFT and crypto art are a typical bottom-up development path, which successfully lowered the threshold of art and expanded the audience in a sense. It also brought “ownership” and “finance” to the artwork as the content side. The unique attributes of NFT have become an excellent carrier for the existence of artworks that are just needed to confirm the right.

However, there are many challenges in the current NFT market. The current poor liquidity of NFTs has led to a price discovery low efficiency. In addition, non-mainstream art forms dominate in the current crypto art circle, which affects the overall content quality, and mainstream artists will hesitate to participate in it. OmArt has born to cope up with the above challenges.
What is OmArt
OmArt is an ERC20 NFT platform based on original oNFT and infinite scrolling auctions modes, it can provide innovative NFT + oNFT product system:
- NFT
The platform supports the creation and trading of NFT. NFT created on other platforms such as Opensea can be listed on OmArt, and NFT created on OmArt can also be listed on OpenSea. OmArt will first and foremost integrate into the current mainstream crypto art play.
2. oNFT
oNFT is an original NFT of artworks, whose ownership cannot be acquired by the current owner.
3. An Infinite Rolling Auction Illustration
An infinite rolling auction means that oNFT will be automatically auctioned by the platform. The price of each round will be determined by OmArt platform according to a uniform pricing curve. When the latest sale price or auction cycle of oNFT exceeds a certain value, the current owner of the NFT can initiate a privatization and convert oNFT Remint into a standard agreement NFT by paying a certain premium over the latest sale price (tentatively 30%).
Team with Enriched Resources
The team has a wealth of offline space, internationally renowned artists, and art works resources, and has more than 100 art partners with experience in international exhibitions. In addition, there are more than 50,000 contracted artists who can be active on the OmArt platform.
OmArt’s CEO, Michael Chi is an associate professor of visual communication, an international curator, and the rotating chairman of the Association of Chinese Artist in American Academia. He was recognized by “Chinese Magazine” as one of the 10 recipients of the “Young Chinese of Excellence Award” at the magazine’s 40-year anniversary ceremony in 2018.
As a bridge between art and the crypto world, OmArt brings good works of art into the encrypted world by holding offline art exhibitions and auctions in conjunction with the online NFT platform, keeping the quality of OmArt content at the top level in the industry.
OmArt’s Mutually Successful Business Model
The platform provides efficient price discovery path for artworks/artists through oNFT infinite rolling auction mechanism.
- Users will also be able to enjoy more NFT art and participate in the auction and get corresponding economic rewards.
- oNFT will then be privatized and become the standard protocol NFT, rewarding the world of mainstream cryptography art industry.
- Artists can also publish NFT directly, free to define the price and royalty of NFT.
- As for OmArt platform, the platform value will continue to grow as it obtains high-quality content and users of different portraits. The platform will continue to retain platform earnings into users and artistic content to make the platform continue to grow.
Development Plan
OmArt will officially launch version 1.0 on July 26 this year, which is, an online NFT market platform that can issue and trade the standard ERC721 NFT, and will hold an immersive meta-universe art technology exhibition with the theme “IM META” on July 30. at Shanghai Plaza. 138 Huaihai Middle Road, where social, entertainment, shopping and living revolve around art horizon. It is where ideas, trends and lifestyles collide out to form new ideas and new inspirations.

A total of 55 works will be presented on the OmArt digital trading platform with NFT works. Artists include holographic special effects scenes for the sci-fi movie “Creation-Speed of Light” and the future multi-dimensional human-computer interaction interface designed for Tom Cruise’s sci-fi blockbuster “Oblivion”, the great designer GMUNK, new media Designer Joshua Davis, motion graphics artist Jonathan Winbush, famous graffiti artist Gemma O’Brien, etc. The curator of this exhibition, Scarlett Lin, is an artist and the founder of Linspace.
Version 2.0 of the OmArt platform is planned to be launched in Sep, 2021, when oNFT assets and the core innovative gameplay “Infinite Rolling Auction” will be officially launched.
Visit the OmArt website omart.io to learn more!
Telegram Group: t.me/OmartOfficial_NFT
Twitter: twitter.com/OmArt_NFT
About Author
Disclaimer: The views, suggestions, and opinions expressed here are the sole responsibility of the experts. No Digi Observer journalist was involved in the writing and production of this article.
Press Release
How Hotels and Resorts Can Use Press Releases to Win Bookings and Media Attention
United States, 8th Oct 2026, – By Olivia Grant, Hospitality Marketing Consultant | Last updated: October 2026
About the author: Olivia Grant is an independent hospitality marketing consultant who works with boutique hotels, resorts and travel brands on PR, content and digital campaigns.
Hotels sell an experience that guests can’t try before they buy. That makes trust and visibility more important in hospitality than in almost any other industry. Travellers read reviews, look for coverage in travel media, and search the hotel’s name before booking.
Press releases, used well, feed all three. In my work with hotels and resorts, a well-timed announcement has often done more for brand awareness than weeks of paid social posts. Used badly, it disappears without a trace. Here’s what separates the two.
What hotels should actually announce
Not every update deserves a press release. The announcements that consistently earn coverage in hospitality are:
- Openings and reopenings: a new property, a renovated wing, a reopened restaurant
- New experiences: a spa concept, a chef partnership, a seasonal package or a signature event
- Awards and recognition: industry awards, sustainability certifications, notable rankings
- Partnerships: collaborations with airlines, travel programmes, designers or local brands
- Milestones: anniversaries, record occupancy seasons, community or sustainability initiatives
A new menu item or a minor website update is better suited to social media.
Lesson 1: Sell the experience, not the facility
The weakest hotel releases read like a brochure: room counts, square metres and amenity lists. Travel journalists and readers respond to what a guest will feel and do.
Compare these two openings:
“The resort features 120 rooms, two restaurants and an outdoor pool.”
“Guests at the resort can now start the day with a sunrise kayak tour and end it with a five-course tasting menu built around the morning’s local catch.”
The second gives a journalist a story and gives a reader a reason to book.
Lesson 2: Target travel and lifestyle media specifically
General business news sites rarely help a hotel fill rooms. The audiences that matter are travel publications, lifestyle magazines, regional news in key source markets, and trade outlets read by travel agents and tour operators.
When choosing a distribution service, ask directly: which travel and lifestyle outlets are in your network, and in which countries? A resort in the Maldives targeting European guests needs placements that Europeans actually read.
Lesson 3: Plan around the booking calendar
Travellers book months in advance. A release about a summer package sent in June arrives too late. With the hotels I work with, I plan announcements around these windows:
- Summer offers: announce in late winter to early spring
- Festive and New Year packages: announce in early autumn
- Openings: announce three to six months before the opening date, then again at launch
- Events and festivals: announce at least eight weeks ahead
Lesson 4: Use strong visuals
Hospitality is a visual business. Every release should include high-quality, properly licensed images: the property, the rooms, the food, and people enjoying the experience. Journalists often choose which story to cover based on whether usable images are available.
Lesson 5: Keep messaging consistent across properties
Hotel groups with multiple properties often send releases that read as if different companies wrote them. A simple style guide, covering tone, how the brand is named and a standard boilerplate, keeps every announcement recognisably part of the same brand.
For a closer look at how premium hospitality brands approach this, Naluda Magazine explores how strategic PR helps luxury hotels and resorts stand out, including targeting high-end travellers, consistent messaging and global media exposure.
Measuring whether it worked
Hotels have an advantage over many industries: the results are measurable. After each release, I track:
| Metric | What it shows |
|---|---|
| Placements on travel and lifestyle sites | Whether the right media picked it up |
| Branded search volume | Whether more people looked up the hotel |
| Referral traffic to the booking page | Whether readers moved toward booking |
| Direct booking enquiries | Whether coverage turned into revenue |
| Journalist or influencer requests | Whether media wants to visit or feature the property |
Tagging links in the release with tracking parameters makes it much easier to connect coverage to actual bookings.
Common mistakes hotels make
- Announcing too often with too little news
- Writing in brochure language full of “luxurious” and “world-class”
- Sending releases without images or with low-resolution photos
- Ignoring source markets and distributing only locally
- Never reusing coverage on the website, booking pages or social channels
Final thoughts
For hotels and resorts, a press release is more than an announcement. It’s a way to put the guest experience in front of travellers and the media who influence them. Focus on genuine news, write about the experience rather than the facility, time releases around booking behaviour, and target travel media in the markets you want to reach. For more context on how leading hospitality brands use strategic press release distribution, the Naluda Magazine analysis is worth a read.
Media Contact
Organization: Hospitality Marketing Consultant
Contact
Person: Olivia Grant
American Express Dominates Hotels and Resorts with Strategic PR
Email:
CSS@contactme.com
Country:United States
The post
How Hotels and Resorts Can Use Press Releases to Win Bookings and Media Attention appeared first on
Brand News 24.
It is provided by a third-party content
provider. Brand News 24 makes no
warranties or representations in connection with it.
About Author
Disclaimer: The views, suggestions, and opinions expressed here are the sole responsibility of the experts. No Digi Observer journalist was involved in the writing and production of this article.
Press Release
Free vs Paid Press Release Distribution: When Saving Money Makes Sense, and When It Doesn’t
United States, 8th Oct 2026, – By Tin, Founder of growths | Last updated: October 2026
About the author: Tin leads Growths, a digital marketing agency in USA, that plans SEO, PR and content campaigns for businesses in USA, Europe and the Middle East. His team has distributed press releases through both free submission sites and paid newswire services for clients of all sizes.
“Can’t we just use the free sites?”
It’s the first question almost every startup client asks me, and it’s a fair one. Free press release sites exist, they publish your announcement, and they cost nothing. So why would anyone pay?
After running campaigns through both free and paid channels, my answer is: free distribution has a real place, but it solves a different problem from paid distribution. Knowing which problem you have saves both money and disappointment.
What free press release sites actually give you
Free platforms let you register, submit a release and have it published on their own site, usually within a day or two. Some allow a link in the body or contact section, and many are indexed by search engines.
In practice, here’s what we typically see from a free submission:
- The release appears on the platform’s own website
- It may show up in search results for your exact brand name
- Occasionally it gets picked up by a small aggregator
- Very rarely does it reach a journalist or a mainstream news site
That’s not nothing. For a very early-stage business with no online presence, having something indexed under your brand name is useful. But it’s not media coverage.
What paid distribution adds
Paid services push your release beyond their own platform: onto partner news websites, into journalist databases, through news feeds and, at higher tiers, into recognised media outlets. The good ones also provide a report with live links showing exactly where the release appeared.
The real differences I’ve seen are:
- Reach: placements on dozens or hundreds of external sites rather than one
- Credibility: coverage on recognisable news portals you can show to customers and investors
- Editorial review: someone checks your release before it goes live
- Reporting: documented proof of results for you or your client
- Regional targeting: the ability to focus on a specific country or market
When free distribution is enough
From experience, free sites make sense when:
- You’re a new business and simply want your announcement indexed under your brand
- The news is minor, such as a small update, a local event or a new hire
- You’re testing your headline and messaging before a bigger campaign
- The budget is genuinely zero and something is better than nothing
When you should pay
Paid distribution is worth it when:
- The news is significant: a launch, funding, expansion, partnership or award
- You need visible proof of coverage for investors, partners or sales pages
- You’re targeting a specific region and need placements there
- You’re an agency and must deliver a professional report to a client
- Your reputation depends on appearing on credible sites rather than low-quality directories
A comparison from our campaigns
| Factor | Free sites | Paid services |
|---|---|---|
| Where it appears | Mostly the platform itself | Multiple external news sites |
| Journalist reach | Very limited | Varies by provider and tier |
| Reporting | Rarely provided | Usually a detailed link report |
| Editorial check | Minimal or none | Often included |
| Best for | Minor news, testing, zero budget | Major announcements, client work, credibility |
How to evaluate a site, free or paid
Whether a platform costs nothing or several hundred dollars, I run the same checks:
- Look at recent releases on the site. If it’s full of spam, gambling or low-quality content, your brand doesn’t belong next to it.
- Check whether it’s indexed. Search for a recent release title in Google. If it doesn’t appear, neither will yours.
- Read the terms on links. Some free sites allow live links, some nofollow them, some remove them entirely.
- Ask for a sample report from paid providers, with live URLs rather than logos.
- Confirm regional relevance. A strong network in the US may do little for a brand selling in the Gulf.
If you want a ready-made shortlist to start from, Crispme’s guide to 20 free and paid press release distribution sites splits the options into both categories, with notes on features and pricing for each. It’s a practical way to compare before testing a few yourself.
A word on SEO expectations
Many people use press releases mainly for links. That’s a mistake. Google treats links in press releases differently from editorial links, and mass-submitting the same release to dozens of free sites won’t improve rankings. It can even create a low-quality link footprint.
The real SEO value of a release is indirect: branded search visibility, referral traffic, and the chance that a journalist or blogger writes original coverage that links to you naturally.
My practical approach
For most small-business clients, we use a mixed strategy:
- Use free sites for minor updates and to keep the brand active online.
- Save paid distribution for two to four genuinely significant announcements a year.
- Write every release to journalist standards, regardless of where it’s published.
- Repurpose all coverage on the company’s website, LinkedIn and sales materials.
Final thoughts
Free and paid press release distribution aren’t competitors. They’re tools for different jobs. Free sites are fine for small news and basic visibility. Paid services earn their cost when the announcement matters and credibility is on the line. Start by reviewing a balanced list of free and paid press release distribution sites, check each one against your goals, and spend money only where it will actually move the needle.
Media Contact
Organization: growths
Contact
Person: growths
Website:
https://crispme.com/20-free-and-paid-press-release-distribution-sites/
Email:
css@growths.com
Country:United States
The post
Free vs Paid Press Release Distribution: When Saving Money Makes Sense, and When It Doesn’t appeared first on
Brand News 24.
It is provided by a third-party content
provider. Brand News 24 makes no
warranties or representations in connection with it.
About Author
Disclaimer: The views, suggestions, and opinions expressed here are the sole responsibility of the experts. No Digi Observer journalist was involved in the writing and production of this article.
Press Release
What Small Businesses Can Borrow From Amazon’s Press Release Playbook
United Kingdom, 8th Oct 2026, – By Tin, Founder of BMS Digital | Last updated: October 2026
About the author: Tim leads BMS Digital, a digital marketing agency in UK, that plans SEO, PR and content campaigns for businesses in South Asia, Europe and the Middle East. His team writes and distributes press releases for startups, SMEs and international brands.
When clients send me a draft press release, I often ask them to open Amazon’s newsroom in another tab and compare. The difference is usually obvious within seconds. Amazon’s announcements are short, specific and built around the customer. Most small-business releases are long, vague and built around the company.
You don’t need Amazon’s budget to write like Amazon. You need its discipline. Here’s what I’ve found most useful to borrow, and how we apply it for smaller brands.
Amazon writes the press release before building the product
Amazon’s well-known “Working Backwards” process asks teams to write a mock press release, along with an FAQ, before a product is approved for development. If the team can’t explain clearly why a customer would care, the idea needs more work.
This is the most valuable lesson for small businesses, and it has nothing to do with distribution. If you can’t write a clear one-paragraph announcement explaining who benefits and why, the problem isn’t your PR. It’s your message. We now use a simplified version of this exercise with clients before any launch campaign, and it regularly exposes weak positioning early, when it’s cheap to fix.
Lesson 1: Lead with the customer, not the company
A typical small-business opening line reads like this:
“XYZ Ltd, a leading provider of innovative solutions, is proud to announce the launch of its new platform.”
An Amazon-style version reads more like this:
“Small retailers in Karachi can now offer same-day delivery without hiring their own drivers, using XYZ’s new delivery platform launched today.”
The second version tells the reader who it’s for, what changes for them, and when. That’s what journalists look for, and it’s what readers remember.
Lesson 2: Use specifics instead of adjectives
Big brands rarely describe themselves as “revolutionary” or “world-class.” They give numbers, locations, dates and prices. Specific details make a release more credible and more quotable.
Before publishing, we run a simple check: highlight every adjective in the draft and ask whether a fact could replace it. “Fast delivery” becomes “delivery within four hours.” “Affordable” becomes the actual price.
Lesson 3: Keep it short and scannable
Amazon’s releases put the essential news in the headline and first paragraph, then use the remaining space for supporting detail and quotes. A reader who stops after three sentences still understands the story.
For our clients, that means:
- One headline stating the news plainly
- A first paragraph answering who, what, when, where and why
- Two or three short supporting paragraphs
- One meaningful quote from a named spokesperson
- A brief company boilerplate
Lesson 4: Make quotes say something
Weak quotes are the most common flaw I see. “We are thrilled to announce this partnership” adds nothing. A strong quote explains why the news matters or offers a real opinion:
“Most of our customers told us delivery delays were costing them repeat sales. This service exists to fix that one problem.”
That’s a quote a journalist might actually use.
Lesson 5: Time announcements deliberately
Large companies plan announcements around events, seasons and news cycles. Small businesses can do the same on a smaller scale: release seasonal products ahead of the season, tie announcements to industry events, or avoid days when major news will bury your story.
For a deeper breakdown of these elements, including messaging, customer focus, data and timing, BM Times has a useful analysis on learning from Amazon’s press release strategy for U.S. businesses. It’s a good read for anyone who wants to see how these principles fit together.
What not to copy from big brands
Some things simply don’t translate to a small company:
- Announcing everything. Amazon has newsworthy updates constantly. A small business sending weekly releases with minor updates will train journalists to ignore it.
- Relying on brand recognition. Amazon’s name alone gets attention. Yours won’t yet, so your news angle must work harder.
- Massive distribution budgets. Choose distribution based on where your audience actually is, not on the largest possible network.
A quick self-check before you publish
| Question | If the answer is no |
|---|---|
| Is the customer benefit clear in the first sentence? | Rewrite the opening around the reader |
| Are claims backed by numbers or facts? | Replace adjectives with specifics |
| Can someone understand the story in 30 seconds? | Cut background and repetition |
| Does the quote add opinion or context? | Rewrite it to explain why it matters |
| Is the timing deliberate? | Consider moving the release date |
Final thoughts
Amazon’s PR strength doesn’t come from size alone. It comes from a habit of thinking about the customer first and communicating with clarity and evidence. Any business can adopt that habit. Study how the best brands do it, such as this analysis of Amazon’s press release strategy, then apply the principles at your own scale. A clear, specific, customer-focused release will always outperform a long one full of claims nobody can verify.
Media Contact
Organization: bmtimes.co.uk
Contact
Person: bmtimes
Email:
css@bmtimes.co.uk
Country:United Kingdom
The post
What Small Businesses Can Borrow From Amazon’s Press Release Playbook appeared first on
Brand News 24.
It is provided by a third-party content
provider. Brand News 24 makes no
warranties or representations in connection with it.
About Author
Disclaimer: The views, suggestions, and opinions expressed here are the sole responsibility of the experts. No Digi Observer journalist was involved in the writing and production of this article.
-
Press Release5 days ago
Carziqo Launches ER-SX Operations in Dallas, Introduces CARBON POINTS Rewards During Future Mobility Festival
-
Press Release6 days ago
WHY VANESSA HUDGENS CHOSE AMAZON’S EKOUAER OVER LUXURY LABELS — AND WHAT IT REVEALS ABOUT FASHION’S NEW ERA
-
Press Release7 days ago
76% of Treasury Teams Hit by Fraud as Deepfake Attacks Rise, Treasury Dragons & nsKnox 2026 Index Finds
-
Press Release1 week ago
Pro-Grade AI Diagnosis, Without the Pro-Grade Price: THINKSCAN 689BT PRO Brings 610 Racing’s Know-How to the DIYer
-
Press Release3 days ago
EKOUAER CELEBRATES 11TH ANNIVERSARY WITH BRAND FRIEND VANESSA HUDGENS: UNVEILING “MY COMFORT ERA” THIS OCTOBER
-
Press Release5 days ago
Carziqo Brings A-DS Autonomous Delivery to San Francisco During Future Mobility Festival
-
Press Release5 days ago
Brian Baldari on the Difference Between a Mentor and a Sponsor, and Why It Decides Promotions
-
Press Release5 days ago
How to Know When to Step Back and When to Double Down in eCommerce, According to Shelton Powell
