Press Release
My Instore Radio Analysis Reveals US Businesses Split on Christmas Music Start Date
Platform data shows half begin holiday programming on Black Friday while timing preferences vary significantly across international markets
Billund, Denmark, 27th Nov 2025 – My Instore Radio, a global provider of music for business, today released analysis of customer scheduling data revealing that US businesses remain evenly divided on when to begin Christmas music, with approximately 50% starting on Black Friday and 50% beginning the day after Thanksgiving.
The analysis, drawn from thousands of retail, restaurant, and hospitality locations across more than 50 countries, highlights a persistent challenge facing business owners each November as they balance customer expectations, staff satisfaction, and brand atmosphere during the crucial holiday season that can generate up to 30% of annual retail sales, according to industry data.

“Every November, business owners face the same question: when is the right time to start Christmas music?” says Søren Klausen, CEO and founder of My Instore Radio.
“Our customer data shows there’s no universal answer. The decision depends on business type, customer demographics, and regional expectations. What matters most is having the control to implement your strategy consistently.”
Regional Variations Show Cultural Differences
While US businesses show an even split between Black Friday and post-Thanksgiving timing, My Instore Radio’s international customer base demonstrates significantly different patterns. British businesses typically wait until December 1st. A Rimmers Music survey revealed that 49% of Britons believe Christmas songs should be played from December 1st, though 20% are comfortable with an earlier start.
Spotify’s global streaming data shows that most countries officially enter the Christmas music season when holiday streams exceed 2% of all listening, typically occurring around November 1st. However, regional variations are significant, with the Philippines starting as early as September while Argentina and Uruguay wait until Christmas Day itself.
My Instore Radio’s scheduling data reveals that retail stores typically begin earlier than restaurants and hotels, with shopping environments starting holiday music an average of 10-14 days before food service and hospitality venues.
Automated Scheduling Prevents Common Timing Mistakes
My Instore Radio’s platform addresses the timing challenge through automated seasonal scheduling that allows businesses to plan their entire holiday music strategy in advance. The system enables businesses to set specific start dates for holiday programming and automatically revert to regular music profiles on predetermined dates, preventing the common mistake of extended holiday music running into January.
“The biggest complaint we hear isn’t about when Christmas music starts—it’s about businesses forgetting to turn it off,” explains Klausen.
“Our customers schedule their holiday music to automatically stop on December 25th or 26th, ensuring they don’t start the new year with tired, outdated programming.”
The platform’s scheduling capabilities include gradual implementation options, allowing businesses to begin with mixed holiday content in mid-November and progressively increase the proportion of seasonal music leading up to Christmas Day. This graduated approach aligns with major retailer practices.
Staff Fatigue Drives Demand for Variety
Analysis of customer preferences reveals that playlist variety matters more than start timing for long-term satisfaction. Clinical psychologist Linda Blair warns that playing Christmas music too early in the season can trigger stress and feelings of being trapped, as reported by CBS News. The concern becomes particularly acute for employees who experience holiday playlists for entire shifts rather than brief customer visits.
My Instore Radio’s dynamic playlist generation creates fresh daily programming without repetition, addressing research from Western Washington University showing that even favorite songs become intrusive and unpleasant when they repeat involuntarily, as reported in Psychology Today.
“While customers might hear your playlist for 30 minutes, your staff experiences it for entire shifts, day after day,” notes Klausen.
“Our non-repeating playlist system prevents the burnout that happens when the same songs loop continuously for six weeks.”
The platform serves businesses across retail, hospitality, and service industries in more than 50 countries through offices in Denmark, Los Angeles, and Sydney. All services include comprehensive commercial music licensing, eliminating legal concerns associated with consumer streaming platforms not designed for business use.
Businesses planning their holiday music strategy can access free music profiling consultations to determine optimal timing and content selection for their specific market and customer base.
About My Instore Radio
My Instore Radio is a leading provider of comprehensive in-store media solutions including background music for business, overhead messaging, digital signage, and AI-powered voice generation for businesses globally.
Founded in 2011 in Billund, Denmark, the company has expanded to serve thousands of locations across more than 50 countries through offices in Denmark, Los Angeles, and Sydney. My Instore Radio enables businesses to effortlessly manage music, advertisements, and branding across multiple locations through an intuitive web interface, serving clients in retail, hospitality, and other industries worldwide.
Media Contact
Organization: My Instore Radio
Contact Person: Søren Klausen, CEO & Founder
Website: https://myinstoreradio.com/
Email: Send Email
Contact Number: +4570229221
City: Billund
Country:Denmark
Release id:37884
The post My Instore Radio Analysis Reveals US Businesses Split on Christmas Music Start Date appeared first on King Newswire. This content is provided by a third-party source.. King Newswire makes no warranties or representations in connection with it. King Newswire is a press release distribution agency and does not endorse or verify the claims made in this release. If you have any complaints or copyright concerns related to this article, please contact the company listed in the ‘Media Contact’ section
About Author
Disclaimer: The views, suggestions, and opinions expressed here are the sole responsibility of the experts. No Digi Observer journalist was involved in the writing and production of this article.
Press Release
FXO and Apex Trade Outline Shared Perspectives on the Responsible Development of Finance and Technology
Emphasizing Long-Term Value, Stability, and Social Responsibility in Global Markets
FXO Global Exchange and the Apex Trade (AT) team have each articulated a long-term focus on the responsible development of next-generation finance and technology, emphasizing sustainability, structural stability, and social value creation in an evolving global landscape.
While operating independently, both FXO and AT highlight the importance of aligning technological advancement with real-world needs, prudent risk management, and broader societal considerations.

Distinct Capabilities Addressing Evolving Market Needs
FXO Global Exchange is positioned as a financial infrastructure platform designed for global markets, with an emphasis on system stability, transparency, and long-term operational resilience. Its approach prioritizes the development of institutional-grade frameworks that support orderly market participation and sustainable growth.
Apex Trade (AT), meanwhile, operates as a professional analytical team focused on financial market research and interdisciplinary analysis. The team brings together contributors from fields including financial markets, digital assets, artificial intelligence, and data science, developing structured analytical models intended to support informed decision-making in complex market environments.
Long-Term Orientation and Development Philosophy
Apex Trade operates under the guiding principle of “Technology leading life, working hand in hand with the world,” reflecting its emphasis on global awareness, analytical rigor, and responsible innovation. Its work focuses on examining how emerging technologies intersect with financial systems and broader social dynamics.
FXO similarly underscores a long-term development philosophy, highlighting the importance of stability, transparency, and value creation over short-term expansion. The platform’s stated objective is to contribute to financial ecosystems that are resilient, rational, and aligned with sustainable development goals.
Global Perspective and Professional Research Focus
The AT team consists of analysts and researchers from multiple regions, contributing diverse professional backgrounds and perspectives. Through cross-disciplinary collaboration, the team has developed analytical frameworks aimed at evaluating market structure, technological trends, and long-term system behavior.
AT has indicated that it maintains, or is preparing, operational and research presences in several regions as part of its broader global outlook.
Emphasis on Social Responsibility and “Technology for Good”
Both FXO and Apex Trade emphasize that technological and financial innovation should extend beyond efficiency and scale, incorporating social responsibility and public-interest considerations. Each organization has highlighted the importance of applying technology in ways that support sustainability, social equity, and long-term societal benefit.
This perspective reflects a broader industry discussion around “technology for good,” where innovation is evaluated not only on performance metrics but also on its contribution to structural stability and social well-being.
Industry Outlook
As global finance and technology continue to evolve, FXO and Apex Trade each maintain that future progress will depend on rational development, responsible governance, and a commitment to long-term value creation. Their respective approaches illustrate how independent organizations can contribute to this broader direction through infrastructure development, analytical research, and principled innovation.
Conclusion
The perspectives outlined by FXO Global Exchange and Apex Trade reflect a shared emphasis on sustainability, responsibility, and long-term thinking in next-generation finance and technology. As industry participants increasingly focus on structural integrity and social impact, such approaches continue to shape discussions around the future of global financial and technological systems.
Media Contact
Organization: Wholy Digital
Contact Person: Media Relations
Website: https://wholyseo.com/
Email: Send Email
Country:Singapore
Release id:40848
Disclaimer: This content is provided for informational purposes only and does not constitute financial, investment, legal, or trading advice. FXO Global Exchange and Apex Trade (AT) operate independently and are not affiliated; any references are descriptive only and do not imply a partnership, endorsement, or collaboration. No offers, solicitations, or guarantees are made.
The post FXO and Apex Trade Outline Shared Perspectives on the Responsible Development of Finance and Technology appeared first on King Newswire. This content is provided by a third-party source.. King Newswire makes no warranties or representations in connection with it. King Newswire is a press release distribution agency and does not endorse or verify the claims made in this release. If you have any complaints or copyright concerns related to this article, please contact the company listed in the ‘Media Contact’ section
About Author
Disclaimer: The views, suggestions, and opinions expressed here are the sole responsibility of the experts. No Digi Observer journalist was involved in the writing and production of this article.
Press Release
ONEE Group Thailand study tour Comes to successful end
Thailand ONEE Group Study Tour Successfully Held, Cultural Entertainment × Web3 × RWA Enter New Phase of Industrialization.
Thailand ONEE Group Study Tour Successfully Held, Cultural Entertainment × Web3 × RWA Enter New Phase of Industrialization
Bangkok, Thailand — As the global digital economy accelerates and Web3 enters a critical phase of deep restructuring and compliance, the ONEE GROUP THAILAND STUDY TOUR (Thailand ONEE Group Study Tour) was recently successfully held in Bangkok. The event brought together prominent guests and key contributors from blockchain, digital assets, entertainment, capital, and infrastructure sectors. They engaged in systematic discussions on global trends, RWA compliance pathways, digital transformation in the entertainment industry, and content assetization practices. This marked a significant milestone in transitioning Web3’s entertainment sector from conceptual discourse to industrial implementation.

At the event’s opening, Mr.Huo Yuhui, Vice President of the Hong Kong Blockchain Association, delivered a keynote speech titled’ Global Blockchain Industry Trends and RWA Compliance Pathways’.
The presentation delved into the practical necessity and compliance pathways for RWA assets to be on-chain, examining three key dimensions: the global regulatory environment, technological evolution, and industry cycles. By integrating entertainment content and the global expansion of short-form dramas, it systematically addressed the industry’s most pressing question:’ Why now?’
This sharing session established a clear industry benchmark for the study tour, while providing robust theoretical and policy support for the digital transformation of cultural and entertainment assets.

Subsequently, Vasily Medvedev, representative of ONEE Group, unveiled the group’s strategic development plan with great fanfare.
The presentation comprehensively showcases ONEE’s long-term expertise in physical entertainment content, production systems, and commercialization capabilities. It explicitly states that content constitutes the most fundamental asset in the entertainment industry and serves as the core value source for RWA’s digitalization.
ONEE will leverage authentic content assets as its foundation, driving the cultural and entertainment industry’s transition from’ traffic-driven logic ‘to’ asset-driven logic’ through synergistic integration of technology, institutional frameworks, and ecosystem development, thereby establishing a sustainable, verifiable, and scalable new paradigm for cultural and entertainment RWA.
On the topic of asset circulation and value realization, CoinQ Exchange COO Tiger delivered a keynote speech titled ‘Empowering the Global Circulation of Premium Digital Assets’.
From the perspectives of trading infrastructure, compliance mechanisms, and global market synergy, he elaborated how trading platforms provide liquidity support and value discovery mechanisms for high-quality content assets, offering critical support for the international circulation of entertainment RWA. This segment is regarded as the pivotal bridge connecting the transition of entertainment assets from ‘ownership confirmation’ to ‘monetization and circulation’.
The tour study session culminated in its most symbolic highlight—the production launch ceremony for the 10 short plays by ONEE Group.
Vasily Medvedev, representative of ONEE Group, joined the director and six leading actors to launch the project on stage. The grand screen’s opening sequence and ceremonial installations brought the atmosphere to a climax. This ceremony not only marked the official start of content production but also signified the birth of ten entertainment RWA assets, each grounded in authentic creative foundations, commercial potential, and future revenue prospects.
These short-form drama projects will serve as digital asset models with verifiable ownership, blockchain integration, and profit-sharing mechanisms, marking the entertainment industry’s official entry into a new era where’ content is capital.’
At the roundtable session of the Global Web3 Cultural and Entertainment Industry Digital Transformation Summit Forum, industry leaders, technical experts, and platform representatives engaged in in-depth discussions on content value, technological evolution, compliance boundaries, and business models.
The convergence of multidimensional perspectives has yielded actionable and replicable references for the digital transformation of the entertainment industry, while further cementing ONEE’s industry leadership in the RWA (Real-World Application) sector.

During the event, an award ceremony was held simultaneously to recognize outstanding market and community leaders from China and overseas.
As stated in the award citation: “These honors are not only an affirmation of achievements, but also a crowning of the pioneers of consensus.”
Their active participation and concrete actions have propelled the digital transformation of cultural and entertainment assets from concept to reality. The successful execution of the ONEE GROUP THAILAND STUDY TOUR signifies ONEE Group’s pivotal leap from trend consensus to industrial practice in the Web3 cultural & entertainment × RWA domain. Going forward, ONEE will continue to prioritize authentic content, uphold regulatory compliance, harness technological innovation, and amplify through ecosystem synergy, steering the cultural and entertainment industry toward a new era of self-driven assets, verifiable value, and sustainable returns.
Media Contact
Organization: CHINA SHUNHE GROUP CO., LIMITED
Contact Person: Alice
Website: https://zpnchain.io/
Email: Send Email
Address:RM 21 UNIT A 11/F TIN WUI IND BLDG NO 3 HING WONG ST TUEN MUN NT HONG KONG
Country:China
Release id:40863
The post ONEE Group Thailand study tour Comes to successful end appeared first on King Newswire. This content is provided by a third-party source.. King Newswire makes no warranties or representations in connection with it. King Newswire is a press release distribution agency and does not endorse or verify the claims made in this release. If you have any complaints or copyright concerns related to this article, please contact the company listed in the ‘Media Contact’ section
About Author
Disclaimer: The views, suggestions, and opinions expressed here are the sole responsibility of the experts. No Digi Observer journalist was involved in the writing and production of this article.
Press Release
Avio Coach Craft Earns Tesla Preferred Collision Center Award in Los Angeles
Los Angeles, CA, United States, 31st Jan 2026 – Avio Coach Craft has earned the Tesla Preferred Collision Center Award, recognizing exceptional customer satisfaction and efficient repair performance. The shop is featured with a special badge on Tesla’s Collision Support site and prioritized in local search results for Tesla owners in Los Angeles.
Avio Coach Craft Earns Tesla Preferred Collision Center Award, Underscoring Its Leadership as a Tesla Body Shop in Los Angeles
Avio Coach Craft announced today that it has earned the Tesla Preferred Collision Center Award, a quarterly recognition given to top-performing collision repair partners in its region. As part of this recognition, Avio Coach Craft is featured with a special badge on Tesla’s Collision Support website and prioritized in local search results for Tesla owners in the Los Angeles area.
For Tesla owners, this award isn’t about marketing, it’s about measurable performance. Tesla’s recognition is tied to standards that reflect what matters most after an accident: how your repair is handled, how clearly the process is communicated, and how confidently your vehicle is restored.
What the award is based on
To earn the Tesla Preferred Collision Center Award, shops must meet performance benchmarks that include customer satisfaction and repair efficiency, such as achieving an average 98% Tesla Survey CSI (customer satisfaction) or better and maintaining an under 15-day average cycle time in the same quarter, along with additional survey and performance requirements.
“You don’t want surprises after your Tesla’s been in an accident,” said Michael Piombetti of Avio Coach Craft. “We’ve been restoring high-end vehicles in Los Angeles since 1989, and we’ve been involved with Tesla since the Roadster days, with a focus on meticulous craftsmanship, precise fit and finish, and clear updates from start to finish.”
Why Avio Coach Craft stands out for Tesla repairs in Los Angeles
Tesla vehicles are engineered differently, and repairs demand a process that respects that engineering, especially when structure, sensors, and safety systems are involved. Avio Coach Craft’s recognition highlights what Tesla owners in Los Angeles value most:
- Tesla-approved credentials
Avio Coach Craft is part of the Tesla Approved Body Shop Network, supporting repairs aligned with Tesla’s repair ecosystem and standards. - A craft-first shop with deep roots
Established in 1989, Avio Coach Craft brings decades of coach craft experience to modern EV collision repair, where precision panel fit, paintwork accuracy, and process control matter. - Clear communication from start to finish
From estimate to delivery, Avio Coach Craft prioritizes transparency, helping you understand what’s happening, why it matters, and what to expect next. - Convenient West LA access
Located in West Los Angeles near the 405 and 10 freeways, Avio Coach Craft is positioned for Tesla owners across West LA and the surrounding Los Angeles area.
Scheduling an estimate
Avio Coach Craft offers free estimates Monday through Friday, 8am–5pm at 2245 Pontius Ave, Los Angeles, CA 90064.
About Avio Coach Craft
Avio Coach Craft is a family-owned collision repair facility in West Los Angeles, established in 1989. Known for meticulous fit and finish across luxury, exotic, and high-end EV repairs, Avio Coach Craft is a Tesla Approved Body Shop, and a Lucid and Ferrari Certified Collision Center, serving Los Angeles drivers with craftsmanship-led restoration and transparent communication.
Media Contact
Organization: Avio Coach Craft
Contact Person: Michael Piombetti
Website: https://aviocoachcraft.com/
Email: Send Email
Contact Number: +13103121128
Address:2245 Pontius Ave
City: Los Angeles
State: CA
Country:United States
Release id:40838
The post Avio Coach Craft Earns Tesla Preferred Collision Center Award in Los Angeles appeared first on King Newswire. This content is provided by a third-party source.. King Newswire makes no warranties or representations in connection with it. King Newswire is a press release distribution agency and does not endorse or verify the claims made in this release. If you have any complaints or copyright concerns related to this article, please contact the company listed in the ‘Media Contact’ section
About Author
Disclaimer: The views, suggestions, and opinions expressed here are the sole responsibility of the experts. No Digi Observer journalist was involved in the writing and production of this article.
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