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How do KAKLAB and NFT change traditional market?

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5 years ago

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Today, blockchain is more than a technology. Not only has blockchain developed its own unique culture and values, but also begun to integrate with the traditional world. The unique code value in the cryptocurrency economic system began to extend to various cultural circles including art, music, movies, games, and many other fields.The global popularity of NFT assets is the most direct manifestation of this integration of culture and values. We perceived this integration and began to study the market value it has brought about and build an infrastructure to support it. Then the legend of KAKLAB started.

KAKLAB is created for digital content and cultural market, aiming to achieve a fair, safe, high-performance, scalable and versatile blockchain infrastructure. KAKLAB will be realized in two stages: building a distributed file storage system KAK File, and creating an NFT asset protocol through smart contract. In the first stage, KAKLAB will realize permanent storage of digital content achieved by IPFS underlying protocol; in the second stage, KAKLAB will realize multiple NFT-related protocols, cross-chain transfer, DApp development, etc. achieved by smart contracts.

NFT has grown with sub-categories. In the next 3 years, large sectors such as games, art, sports, collections, social and virtual world will be derived into different subculture circles.

The reason is that NFT has different effects on different sectors. We will use several cases to illustrate this.

1）Advantages of NFT Collections

A. More forms

There are many types of traditional collections. Take star cards for example. In addition to star pictures with basic information, NFT star cards also come in the form of short videos or GIFs, thus making star cards more diversified and attractive for collectors.

B. Less storage difficulties

Physical collections may be oxidized or damaged during the preservation process. Once NFT collections are digitalized on the chain, there will be no storage or transportation problems. NFT assets can be stored in digital wallets that greatly reduces the collection threshold and attracts more players. In addition, the stronger liquidity of assets on the chain gives NFT collections more ideal investment attributes.

C. Less copy risks

Because of the imperfect regulation of collection trading market, fabrications are likely occurred in the secondary market, so that players may buy very low-cost fakes at high prices. With the help of smart contracts, the origin and transactions of each NFT collections can be tracked, ensuring the uniqueness and tamper-proof, and eliminating the possibility of fraud.

2）Advantages of blockchain games

A. Players own the assets

In traditional games, the ownership of game assets belongs to developers, who can transfer or change assets at will. However, in blockchain games, game assets exist in the form of NFT through smart contracts, and users can truly own the game assets.

B. Permanent and secure data storage

In traditional games, there is a risk of being tampered with that many well-known games have fallen because of this. However, blockchain games are based on blockchain technology that data can be permanently stored and cannot be tampered with because hacking and attacking distributed ledger requires very high costs.

C. Open source development

Code of traditional games is not open source, that is, rules were made by game manufacturers. However, blockchain games are peer-to-peer ecosystems. The code of blockchain games is open source that developers have full creative freedom.

3）Advantages of crypto artworks

A. Lower costs and higher liquidity

In the traditional art market, trading places are limited to galleries, auction houses, etc., through intermediaries. The disadvantages are obvious: high circulation costs, low exposure, strict restrictions on time, region, and people. Then the high liquidity of the NFT can bring economic benefits to art trading market.

B. Creators earn copyright income

The exhibition and circulation information of NFT artworks will all be recorded on the blockchain, which is convenient for reviewing and tracking. NFT protocols such as ERC721 clarify source and ownership of artworks, so that creators of NFT artworks can still get the resale dividend.

4）Digital identity realized by community NFTs

A. The identity value of community NFTs

NFTs issued by the community creators encourage people to contribute to the community. Only specific members hold NFTs are eligible to enter core areas, such as online discussion group to achieve voting, management, information or services, etc.

B. Value of community NFT

Community NFTs will gain value support in the continuous development of fan economy. Taking personal community NFT as an example, fans can access the issuer’s works on all social platforms. The higher the personal influence is, the higher the price of NFTs will be.

KAKLAB has already cooperated with several companies in the traditional industry to develop a series of blockbuster NFT IPs. In the near future, more and more famous works will release its own NFT products.

About Author

Alex Jacob

Alex Jacob is a literature author. He was born in Chicago. Alex passion is writing news articles. He writes number of articles and published it.

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Press Release

813,294 Wallets Lost $2 Billion on the TRUMP Token – The Registered Cut Explains Less Than a Third of the Winnings.

Published

1 hour ago

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July 7, 2026

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A new reconciliation maps every documented winner of the Trump crypto complex: 58 wallets took $1.1 billion, validators took $100 million in a week, and one income line survives the crash by law.

Vilnius, Lithuania — President Trump’s June 30 financial disclosure put a signed number on his crypto year: at least $1.4 billion, including $635 million in memecoin royalties. A new analysis from independent research publication Stack & Story, “Where the Two Billion Went,” starts where that filing stops: if 813,294 wallets lost $2.0 billion on the TRUMP token, and the family’s registered take explains less than a third of the documented winnings, who took the rest?

Key findings:

  • The TRUMP loss pool nearly closes against four documented winner cohorts: roughly $616 million to Trump-family entities (Reuters), $1.1 billion to 58 large wallets (Chainalysis), about $100 million to Solana validators and MEV operators in launch week (Helius), and a residual near $184 million for exchanges and unattributed actors.
  • The 58 winning wallets are 0.007 percent of the 813,294 losing wallets identified in a New York Times-commissioned forensic analysis.
  • The best-documented winner, a trader Bubblemaps calls “Naseem,” funded a fresh wallet with $1 million four hours before the launch announcement, bought within 30 seconds of the tweet, and exited with about $109 million.
  • Solana’s daily fee revenue hit an all-time high of $56.9 million on January 19, 2025, driven by TRUMP trading; validators collected over 100,000 SOL in two days.
  • The cleanest single transfer in the set: ALT5 Sigma raised $750 million from shareholders, spent $717 million on WLFI tokens, more than $500 million of which flowed to the family, and its shares fell from above $9 to under $1.
  • One income line needs no bull market: USD1’s $4.6 billion float earns an estimated $178 million a year for its issuer while paying holders zero, an arrangement the GENIUS Act’s July 18 rules make permanent for every compliant issuer.

“Everyone wrote that he made billions while holders lost billions. The number nobody had was the split,” said Mr Gintautas, founder of Stack & Story. “The president was not the biggest winner of his own memecoin. Fifty-eight anonymous wallets out-earned him.”

Methodology: figures assembled from the June 30 OGE disclosure, the Reuters investigation of June 9, the NYT-commissioned forensic analysis, Chainalysis, Bubblemaps and Helius data, with prices from CoinGecko and rates from FRED. Measurement windows differ across sources; the reconciliation is directional, not audited, and is labeled as such throughout.

Read the full analysis: stackandstory.com/stories/the-transfer-ledger

Disclosure: Stack & Story holds no position in the assets discussed and earns nothing from their movement. This is analysis, not investment advice.

About Stack & Story. 

Independent crypto and markets analysis — calm, decision-useful, every Sunday. No hype, no noise, no bag to defend. Free at stackandstory.com.

For more details, contact: hello@stackandstory.com · Web: stackandstory.com

Media Contact

Company Name: Stack And Story

Contact Person: Mr Gintautas

(e) mail: hello@stackandstory.com

Website: stackandstory.com

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The World Is Dancing Episode II Synopsis, Next Episode Preview and Advance Cuts Revealed

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3 hours ago

on

July 7, 2026

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The Story of the Boy Who Would One Day Be Known as Zeami “The World Is Dancing” Episode II: “You Have a Body, Don’t You?” Synopsis, Next Episode Preview and Advance Cuts Revealed

Tokyo, Japan, 7th Jul 2026 – CyberAgent, Inc. announces The World Is Dancing, currently available to HIDIVE subscribers throughout the U.S. and Canada as well as in key overseas markets including Australia and New Zealand since June 29, has unveiled the synopsis, next episode preview, and advance cuts for Episode II.

Set in a turbulent era of constant conflict, this work follows the intensely curious and beautiful boy Oniyasha (CV: Yumiri Hanamori) as he meets people, laughs, cries, confronts his own weaknesses, and shapes a new form of dance in an impermanent world. It is a “dancing story” spanning 600 years, exploring what might have happened when the man who would later create Noh—Zeami—was still called Oniyasha.

The anime is produced by the animation studio Cypic (Umamusume: Cinderella Gray, The Summer Hikaru Died). The series is directed by Toshimasa Kuroyanagi, known for his work on the TV anime The Great Passage, the animated film Love Me, Love Me Not, and both the TV and theatrical versions of the Backflip!!  series. 
The series recently won a Special Award at the Short Shorts Film Festival, drawing immense attention.

Set in 1374 during the conflict between the Northern and Southern Courts, Act 1 introduced Oniyasha, a boy born to the Kanze troupe of sarugaku performers, who spends his days unable to find meaning in dance. One day, he encounters Shirabyoshi dancing in a barn, experiencing something truly “good” for the first time. Following the broadcast, social media was flooded with praise from viewers captivated by the passion ignited in Oniyasha’s heart and the breathtaking animation of the dance sequences.

Following the broadcast and streaming of Act 1, social media was flooded with high praise from viewers who were captivated by Oniyasha’s passion and the striking intensity of the dance. Enthusiastic comments poured in, with fans stating, “Act 1 of The World Is Dancing was amazing!” and “It was incredibly entertaining; I’m absolutely watching every single episode.” Viewers also expressed their awe at the production quality, noting, “The way the expression of Shirabyoshi’s dance changed alongside Oniyasha’s shifting heart was truly beautiful,” and “The dance scene in the second half was a masterpiece that showed just how far Japanese animation can go.” 

Anticipation for the rest of the series was evident in reactions like, “It exceeded my expectations! I can’t wait to see what the passion born within Oniyasha will go on to create.”

In Episode II, fascinated by Shirabyoshi’s “good” dance, Oniyasha wishes to be able to dance like that himself and begins visiting her along with his friends Kogane and Ishiya. However, the heart-pounding excitement he felt that day never returns no matter how long he waits, leaving Oniyasha with a growing sense of frustration.

Nevertheless, triggered by his encounter with the Shirabyoshi, Oniyasha’s dance slowly begins to change, even earning him praise from his father, Kan’ami, who had never acknowledged him before. But it was not only Oniyasha’s dance that had changed…

What kind of story will Oniyasha’s changing dance and heart weave from here on? Don’t miss Act II!

 

The World Is Dancing Episode II Title & Advance Cuts

Episode II: “You Have a Body, Don’t You?”

Fascinated by what he found “good”, Oniyasha makes visits to Shirabyoshi accompanied by his friends Kogane and Ishiya, who also want to be able to dance that well. Though Oniyasha’s dance changes due to their encounters, other things have changed as well.

■ About The World Is Dancing

Follow “The World Is Dancing” on Social Media:
Official Website: https://sh-anime.shochiku.co.jp/worldisdancing-anime
Official X: https://x.com/wid_anime (@wid_anime)

Streaming Information:

Streaming from June 29, will be available to all HIDIVE subscribers throughout the U.S. and Canada as well as in key overseas markets including Australia and New Zealand.
Check other platform details at the Official Website)

STORY:

In 1374, amid the turmoil of the Northern and Southern Courts’ long running conflict, a boy named Oniyasha is born into a family of sarugaku theater performers. He spends his days in a kind of quiet gloom, haunted by a simple but persistent question: Why do people dance? Then, one day, he witnesses a dance that he feels to be “good”—and everything begins to change. This is the story of the beautiful young boy who would one day shape the art of Noh and be remembered as Zeami.

Media Contact

Organization: CyberAgent, Inc.

Contact Person: CyberAgent, Inc. Press Contact

Website: https://caanime.cyberagent.co.jp/en/

Email: Send Email

Address:40-1 Udagawacho, Abema Towers, Shibuya City, Tokyo

City: Tokyo

Country:Japan

Release id:46872

The post The World Is Dancing Episode II Synopsis, Next Episode Preview and Advance Cuts Revealed appeared first on King Newswire. This content is provided by a third-party source.. King Newswire makes no warranties or representations in connection with it. King Newswire is a press release distribution agency and does not endorse or verify the claims made in this release. If you have any complaints or copyright concerns related to this article, please contact the company listed in the ‘Media Contact’ section

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Press Release

BNBN.pl Ranking: The 10 Fastest-Growing Polish Startups to Watch in 2026

Published

3 hours ago

on

July 7, 2026

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WARSAW, Poland — July 2026 — Poland has officially entered Europe’s scale-up league. According to a new editorial ranking published by BNBN.pl, one of Poland’s fastest-growing business news portals, the country’s startup ecosystem is no longer an early-stage curiosity — it is producing companies valued in the billions and attracting record foreign capital. Venture funding in Poland reached PLN 3.4 billion in 2025 across roughly 180 deals, and the first months of 2026 have already brought an 84% year-on-year increase in invested capital.

Here are the ten Polish startups the portal’s editors believe deserve global attention in 2026:

1. ElevenLabs — The AI voice-generation phenomenon founded by Piotr Dąbkowski and Mateusz Staniszewski has become Poland’s most celebrated tech export. After a Sequoia-led Series D in early 2026, the company reported annual recurring revenue of around $500 million — up from $350 million just months earlier.

2. ICEYE — The satellite radar-imaging company with Polish roots closed a €200 million Series E in December 2025 at a €2.4 billion valuation, cementing its position as a leader in Earth observation and defense-related monitoring.

3. Booksy — The Warsaw-born booking platform for beauty and wellness services keeps expanding in the US and Europe, with more than $200 million raised to date.

4. DocPlanner — The healthtech unicorn behind ZnanyLekarz secured a €80 million Series E and continues to digitize medical appointments across Europe and Latin America.

5. Brainly — The Kraków-founded learning platform, used by hundreds of millions of students worldwide, has doubled down on AI-powered tutoring after its $80 million Series D.

6. Ramp Network — The crypto-payments infrastructure startup remains one of Poland’s strongest fintech bets, powering fiat-to-crypto rails for global partners.

7. Sybilla Technologies — A rising star of Polish spacetech, the company raised over €8 million in 2026 for its global network of optical sensors tracking objects in orbit.

8. Infermedica — The Wrocław-based medtech develops AI-driven symptom-checking and triage technology used by insurers and healthcare providers in dozens of countries.

9. Nomagic — The Warsaw robotics company builds AI-powered robotic arms for e-commerce warehouses and is expanding rapidly across Western Europe.

10. Paymove — One of the freshest names on the list, this fintech raised €2.12 million in seed funding in 2026 to build payment systems designed for agentic AI — a category that barely existed a year ago.

“Poland’s startup scene has reached critical mass,” comments the editorial team at BNBN.pl. “AI, spacetech, healthtech and fintech built in Warsaw, Kraków and Wrocław now compete globally — and international investors have taken notice. Moderna is considering a factory in Poland, Taiwanese investors are building a technology park near Wrocław, and Polish founders are raising some of the largest rounds in Europe.”

The full ranking, along with daily coverage of Polish and international business, finance and technology news, is available on the portal’s website.

About BNBN.pl

BNBN.pl is a Polish business news portal covering companies, finance, technology, ecology and business leaders in Poland and worldwide. Followed by more than 50,000 readers on Facebook, it has become one of the most dynamically growing business media outlets in the Polish market, offering market analyses, reports and interviews with industry leaders.

Media Contact: 

BNBN.pl Editorial Team 

Email: kontakt@bnbn.pl 

Web: https://bnbn.pl

Media Contact

Organization: BNBN.pl

Contact Person: Editorial Team

Website: https://bnbn.pl

Email: Send Email

Country:Poland

Release id:46859

The post BNBN.pl Ranking: The 10 Fastest-Growing Polish Startups to Watch in 2026 appeared first on King Newswire. This content is provided by a third-party source.. King Newswire makes no warranties or representations in connection with it. King Newswire is a press release distribution agency and does not endorse or verify the claims made in this release. If you have any complaints or copyright concerns related to this article, please contact the company listed in the ‘Media Contact’ section

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Disclaimer: The views, suggestions, and opinions expressed here are the sole responsibility of the experts. No Digi Observer journalist was involved in the writing and production of this article.

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