Connect with us

Press Release

How do KAKLAB and NFT change traditional market?

Published

on

Today, blockchain is more than a technology. Not only has blockchain developed its own unique culture and values, but also begun to integrate with the traditional world. The unique code value in the cryptocurrency economic system began to extend to various cultural circles including art, music, movies, games, and many other fields.The global popularity of NFT assets is the most direct manifestation of this integration of culture and values. We perceived this integration and began to study the market value it has brought about and build an infrastructure to support it. Then the legend of KAKLAB started.

KAKLAB is created for digital content and cultural market, aiming to achieve a fair, safe, high-performance, scalable and versatile blockchain infrastructure. KAKLAB will be realized in two stages: building a distributed file storage system KAK File, and creating an NFT asset protocol through smart contract. In the first stage, KAKLAB will realize permanent storage of digital content achieved by IPFS underlying protocol; in the second stage, KAKLAB will realize multiple NFT-related protocols, cross-chain transfer, DApp development, etc. achieved by smart contracts.

NFT has grown with sub-categories. In the next 3 years, large sectors such as games, art, sports, collections, social and virtual world will be derived into different subculture circles.

The reason is that NFT has different effects on different sectors. We will use several cases to illustrate this.

1)Advantages of NFT Collections

A. More forms

There are many types of traditional collections. Take star cards for example. In addition to star pictures with basic information, NFT star cards also come in the form of short videos or GIFs, thus making star cards more diversified and attractive for collectors.

B. Less storage difficulties

Physical collections may be oxidized or damaged during the preservation process. Once NFT collections are digitalized on the chain, there will be no storage or transportation problems. NFT assets can be stored in digital wallets that greatly reduces the collection threshold and attracts more players. In addition, the stronger liquidity of assets on the chain gives NFT collections more ideal investment attributes.

C. Less copy risks

Because of the imperfect regulation of collection trading market, fabrications are likely occurred in the secondary market, so that players may buy very low-cost fakes at high prices. With the help of smart contracts, the origin and transactions of each NFT collections can be tracked, ensuring the uniqueness and tamper-proof, and eliminating the possibility of fraud.

2)Advantages of blockchain games

A. Players own the assets

In traditional games, the ownership of game assets belongs to developers, who can transfer or change assets at will. However, in blockchain games, game assets exist in the form of NFT through smart contracts, and users can truly own the game assets.

B. Permanent and secure data storage

In traditional games, there is a risk of being tampered with that many well-known games have fallen because of this. However, blockchain games are based on blockchain technology that data can be permanently stored and cannot be tampered with because hacking and attacking distributed ledger requires very high costs.

C. Open source development

Code of traditional games is not open source, that is, rules were made by game manufacturers. However, blockchain games are peer-to-peer ecosystems. The code of blockchain games is open source that developers have full creative freedom.

3)Advantages of crypto artworks

A. Lower costs and higher liquidity

In the traditional art market, trading places are limited to galleries, auction houses, etc., through intermediaries. The disadvantages are obvious: high circulation costs, low exposure, strict restrictions on time, region, and people. Then the high liquidity of the NFT can bring economic benefits to art trading market.

B. Creators earn copyright income

The exhibition and circulation information of NFT artworks will all be recorded on the blockchain, which is convenient for reviewing and tracking. NFT protocols such as ERC721 clarify source and ownership of artworks, so that creators of NFT artworks can still get the resale dividend.

4)Digital identity realized by community NFTs

A. The identity value of community NFTs

NFTs issued by the community creators encourage people to contribute to the community. Only specific members hold NFTs are eligible to enter core areas, such as online discussion group to achieve voting, management, information or services, etc.

B. Value of community NFT

Community NFTs will gain value support in the continuous development of fan economy. Taking personal community NFT as an example, fans can access the issuer’s works on all social platforms. The higher the personal influence is, the higher the price of NFTs will be.

KAKLAB has already cooperated with several companies in the traditional industry to develop a series of blockbuster NFT IPs. In the near future, more and more famous works will release its own NFT products.

About Author

Disclaimer: The views, suggestions, and opinions expressed here are the sole responsibility of the experts. No Digi Observer journalist was involved in the writing and production of this article.

Continue Reading

Press Release

UniOne Global Industry Summit and the First Leadership Training Conference have been successfully concluded

Published

on

 

China,Hong Kong,Dec.20th.Responding to the Era of Global Uncertainty with Industrial Consensus and Organizational Capacity

In the context of ongoing reshaping of the global industrial structure and accelerated evolution of organizational forms, truly valuable conferences have long moved beyond mere information display or short-term incentives, instead focusing on strategic direction-setting, system development, and consensus-building.

The UniOne Global Industry Summit and the inaugural Leadership Training Program represent a systematic and in-depth dialogue centered on this core objective.

During the opening session, UniLabs ‘Chief Consultant delivered a keynote address, providing a systematic analysis of UniOne’s current development stage from the perspectives of global industrial cycles, organizational evolution, and long-termism. The speech not only reviewed the evolving trends in the global economy and industrial structure but also highlighted UniOne’s strategic path and core decisions within this cycle, establishing a clear and robust strategic foundation for the entire conference.

During the session, the co-founder of Uni Labs delivered a keynote presentation on UNIONE’s industrial strategy and development roadmap. The presentation provided a comprehensive overview of UniOne’s industrial framework, core business focus, and phased objectives. It not only covered the current priority sectors but also outlined the development pace and priorities for the coming period, enabling attendees to grasp UniOne’s long-term strategic vision holistically rather than focusing narrowly on individual businesses or short-term opportunities.

On the topic of industrial layout, the conference elaborated in depth on UniOne’s holistic ecosystem framework and development strategy, emphasizing diversified collaboration over singular reliance. Through clear industrial division of labor and collaborative mechanisms, it aims to build a systemic ecosystem with risk resilience and continuous evolution capabilities. This discussion not only addresses the question of’ what to do, ‘but also reveals the fundamental rationale behind’ why to do it.’

The conference’s economic model discussions focused on the long-term rationality of value creation and distribution mechanisms, systematically analyzing the interplay between participant roles, incentive structures, and ecosystem stability. Through rational and transparent analysis, it emphasized that sustainable development must be grounded in tangible value and clear rules, rather than relying on short-term emotions or external stimuli. This section provided participants with a critical framework to understand the overall functioning of the ecosystem.

 

The meeting expanded its focus to innovation and foundational capacity building, with in-depth discussions on innovation incubation, technical support, and organizational empowerment. Through a systematic analysis of the innovation ecosystem, it was emphasized that UniOne prioritizes not only business expansion but also the continuous development of core competencies and talent systems, ensuring stable support for the long-term sustainability of its ecosystem.

 

The conference will shift its focus from “individual capabilities” to “organizational synergy” in leadership and organizational development, emphasizing that leadership is fundamentally about building trust, fostering consensus, and continuously amplifying team effectiveness. Through sharing real-world cases and practical experiences, it explores how to build teams with execution, cohesion, and long-term resilience within multicultural and complex organizational structures.

The conference transcended isolated discussions of specific topics, instead weaving together industrial, model, organizational, and leadership dimensions to forge a cohesive cognitive framework. This approach enabled participants to gain a higher-dimensional understanding of their roles and future trajectories.

The UniOne Global Industry Summit and the inaugural Leadership Training Program wasn’t a one-time conclusion presentation, but rather a collaborative exploration of long-term value.

It does not convey the path to quick success, but how to build the ability and consensus of certainty in the uncertain times.

This is the core and the most long-term value of the conference.

Media Contact

Organization: CHINA SHUNHE GROUP CO., LIMITED

Contact Person: Alice

Website: https://zpnchain.io/

Email: Send Email

Address:RM 21 UNIT A 11/F TIN WUI IND BLDG NO 3 HING WONG ST TUEN MUN NT HONG KONG

Country:China

Release id:39383

The post UniOne Global Industry Summit and the First Leadership Training Conference have been successfully concluded appeared first on King Newswire. This content is provided by a third-party source.. King Newswire makes no warranties or representations in connection with it. King Newswire is a press release distribution agency and does not endorse or verify the claims made in this release. If you have any complaints or copyright concerns related to this article, please contact the company listed in the ‘Media Contact’ section

file

About Author

Disclaimer: The views, suggestions, and opinions expressed here are the sole responsibility of the experts. No Digi Observer journalist was involved in the writing and production of this article.

Continue Reading

Press Release

Luis D’Oleo Jr Funnywing Earns National and International Mainstream Media Recognition for Acclaimed Short Film Dreams

Published

on

Rising filmmaker, content creator, and entrepreneur Luis D’Oleo, professionally known as Funnywing, is gaining significant national and international mainstream media recognition for his powerful short film, Dreams.

 

Menifee, CA, United States, 20th Dec 2025 – Rising filmmaker, content creator, and entrepreneur Luis D’Oleo, professionally known as Funnywing, is gaining significant national and international mainstream media recognition for his powerful short film, Dreams. The project’s growing visibility across major media platforms has positioned Luis as one of Chicago’s fastest-emerging creative voices and a rising force in modern storytelling.

Whatch the firm here https://www.instagram.com/reel/DBW0zgePMrl/?utm_source=ig_web_copy_link

Blending authentic storytelling, emotional depth, and real-world inspiration, Dreams reflects Luis D’Oleo’s unique ability to turn life’s challenges into cinematic motivation. Media outlets have praised the film for its relatable message, raw honesty, and compelling narrative—hallmarks of the Funnywing creative brand.

Dreams isn’t just a film—it’s a reminder that every story matters,” said D’Oleo. “This project was created for those who have been knocked down but refuse to stay there. Receiving recognition from major media outlets proves that passion, purpose, and persistence always rise. My mission is to inspire people to chase their dreams with confidence, courage, and relentless determination.”

As his influence continues to expand across filmmaking, digital content, and entrepreneurship, Luis D’Oleo consistently pushes creative boundaries while motivating audiences worldwide. His work seamlessly blends humor, heart, and hustle, a combination that resonates strongly with today’s next-generation creators and dreamers.

With Dreams marking a pivotal moment in his career, Luis D’Oleo is rapidly establishing himself as a compelling new voice in contemporary cinema. His journey is only beginning—and this film signals the launch of a remarkable rise on the national and global stage.

About Luis D’Oleo Funnywing
Luis D’Oleo is a Chicago-based filmmaker, content creator, and entrepreneur known professionally as Funnywing. He produces motivational, comedic, and cinematic content designed to inspire individuals to pursue their dreams. His short film Dreams has earned both national and international mainstream media recognition.

Media Contact
Instagram: @funnywing_oficial:  https://www.instagram.com/reel/DBW0zgePMrl/?utm_source=ig_web_copy_link

Media Contact

Organization: Deoleo Public Relations Firm

Contact Person: Tony Deoleo

Website: https://deoleopublicrelationsfirm.godaddysites.com/?sfnsn=mo

Email: Send Email

Contact Number: +18184581974

Address:30450 Haun Road, Suite #1003 Menifee, CA 92584

City: Menifee

State: CA

Country:United States

Release id:39359

The post Luis D’Oleo Jr Funnywing Earns National and International Mainstream Media Recognition for Acclaimed Short Film Dreams appeared first on King Newswire. This content is provided by a third-party source.. King Newswire makes no warranties or representations in connection with it. King Newswire is a press release distribution agency and does not endorse or verify the claims made in this release. If you have any complaints or copyright concerns related to this article, please contact the company listed in the ‘Media Contact’ section

file

About Author

Disclaimer: The views, suggestions, and opinions expressed here are the sole responsibility of the experts. No Digi Observer journalist was involved in the writing and production of this article.

Continue Reading

Press Release

Jonathan Franklin of Georgetown University Highlights How Coverage Itself Shapes Missing Persons Cases

Published

on

Washington, D.C, 20th December 2025, ZEX PR WIREJonathan Franklin has reported many high-profile national stories, but one beat continues to shape his thinking: how media attention—or the lack of it—affects the outcome of missing persons cases. In his work for NPR, Franklin has drawn a clear line between editorial decisions made in newsrooms and real-world consequences for families, communities, and the public’s understanding of urgency.

Franklin, who holds a master’s degree in journalism from Georgetown University, believes one of the most underreported facts in American media is this: coverage itself is an intervention. “There’s this quiet assumption that journalism is observational. In missing persons stories, that’s never been true,” he said.

His reporting doesn’t claim to solve cases. It doesn’t make promises. What it does is document the structural gaps that determine who get covered, when, and for how long. For families who have lost someone, that timing matters. “When attention comes early, systems move faster,” Franklin said. “When it doesn’t, families are left trying to create urgency themselves.”

Patterns in Coverage, Patterns in Silence

Franklin’s reporting on missing persons cases surfaced repeated disparities in how race, gender, and perceived social status affect media treatment. His work incorporated both individual family accounts and systemic analysis, drawing on datasets that showed a consistent trend: missing persons of color receive far less media attention, even when their circumstances are similar to widely covered cases.

This dynamic, sometimes referred to as “Missing White Woman Syndrome,” was coined by journalist Gwen Ifill to describe the disproportionate media interest in young, white, middle-class women. Franklin’s work approached that phrase not as a slogan but as a hypothesis—one that he put to the test using editorial history, family interviews, and statistical context.

One key subject in his reporting was the launch of the “Are You Press Worthy?” tool by Columbia Journalism Review and TBWAChiatDay New York. This public-facing algorithm allowed people to estimate their likelihood of media coverage if they were to go missing, based on factors like age, race, and gender. Franklin covered the tool not for novelty, but for what it revealed: that journalists already knew how bias worked in theory, yet few were changing their practices in response.

Working the Gap Between Journalism and Justice

While Franklin is not an activist, his reporting has helped bridge conversations between journalists and advocates. He has covered the work of the Black and Missing Foundation and independent projects like Our Black Girls, which document missing persons stories that traditional outlets often ignore.

Instead of turning his reporting into a callout, Franklin focuses on systems. He gives newsroom leaders space to talk through editorial logic, hesitation, and resourcing issues. At the same time, he reports on the silence experienced by families who don’t receive coverage until public pressure builds—or never receive it at all.

“There’s no need to sensationalize what’s already painful,” Franklin said. “Families don’t want pity. They want momentum.”

That balance—between institutional critique and human context—is what distinguishes his work. Colleagues note that Franklin is comfortable sitting with discomfort. His stories don’t close with false resolution. They end where the story, for the family, is still ongoing.

How Journalism Shapes Outcomes

Franklin’s training at Georgetown emphasized structural thinking and accountability. Combined with field reporting experience at WUSA9 and NPR, he brings both a theoretical and practical lens to media responsibility. In his view, the idea that coverage is neutral no longer holds.

“If media attention correlates with better outcomes, then ignoring someone is not a neutral act. It’s a decision with consequences,” he said.

Franklin’s stories are now being used in classrooms, journalism workshops, and internal newsroom sessions about equitable coverage. But he resists any label that places him above the work. He sees his role as iterative. “There’s always someone we missed. The goal isn’t perfection. It’s consistency,” he said.

A Voice Built on Verification, Not Volume

Unlike social media campaigns that chase virality, Franklin’s work stays grounded in verified facts, ethical sourcing, and follow-through. He prefers to let families speak directly when possible. He also resists flattening complex stories into singular narratives of hope or tragedy.

He holds undergraduate degrees from Wofford College in English, Digital Media, and African and African American Studies. That academic background shaped his ability to frame race and justice not as themes, but as ongoing conditions that influence how stories are told and received.

His recent reporting continues to revisit the question: what happens when the public never hears your name? It’s not only about missing persons, but he also says. It’s about visibility as currency. “Attention isn’t the solution,” Franklin said. “But the absence of it is a barrier from the start.”

Looking Ahead

Jonathan Franklin remains committed to reporting stories that explore how institutions respond to crisis. Missing persons cases are one example. His broader work includes coverage of the COVID-19 pandemic’s racial disparities, public protests, court decisions, and elections. But missing persons reporting, he says, always brings him back to the core question of journalism itself: what does it mean to be seen?

For Franklin, that question is not rhetorical. It’s the difference between silence and action.

About Author

Disclaimer: The views, suggestions, and opinions expressed here are the sole responsibility of the experts. No Digi Observer journalist was involved in the writing and production of this article.

Continue Reading

LATEST POST