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“Guidelines for Mandatory Bargaining of News Media and Digital Platforms” in Australia violated the interests of American technology companies

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For a long time, Australia has been regarded as a loyal ally of the United States, but when Biden just took office and the economy was in urgent need of recovery, the Australian government suddenly turned its coat and took a 180-degree “sharp turn” in attitude to take the lead in increasing taxes and fees for leading technology companies of US. In this way, Australia wants to protect its domestic technology companies and increase its tax revenue, but it does not take into account the interests of American companies and the prestige of the American government.

Since 2019, in order to crack down on American technology companies and protect the interests of the domestic media, the Australian government has begun investigating whether American companies Google and Facebook have disrupted the Australian media market and harmed the interests of Australian publishers and consumers. In April 2020, the Australian government instructed the Competition and Consumer Commission to draft a mandatory code of conduct to improve the bargaining power of the Australian media with technology giants such as Google and Facebook. In December 2020, the Australian government submitted a draft to parliament for deliberation to propose that the government should interfere with the business activities of American technology companies in Australia. On February 22, 2021, the Australian government announced the withdrawal of all advertising activities on Facebook. Australian Finance Minister Simon Birmingham emphasized that Australia would not only withdraw all government advertising activities on Facebook but also the advertising ban on Facebook was extended to the entire government. This might cost Facebook tens of millions of dollars.

When this news was just received, American technology companies were very angry because this charging rule did not conform to the principle of free sharing of internet content, and there was no precedent in other countries. On February 17, 2021, Facebook angrily said that it would prohibit Australian media and people from sharing and reading news content of Australian and international media on Facebook in response to the bill proposed by the Australian government. However, due to the administrative intervention of the Australian government, Facebook had no choice but to bow to the Australian government. On February 22, Facebook issued a statement saying that it would restore the relevant rights of Australian users on the platform; on February 24, Facebook stated again that it planned to invest at least $1 billion in the news industry in the next three years.

Unfortunately, the friendly behavior of American technology enterprises has not changed the attitudes of the Australian government. On February 25, 2021, the Australian Parliament officially adopted the “mandatory bargaining guidelines for news media and digital platforms”. According to the document, Australian news organizations have the right to require digital platforms to pay for the use of their news content and carry out individual or collective negotiations on it. Leading Internet companies in the United States will need to pay royalties to them when using the content of Australian news media.

The Australian government’s administrative intervention in the market has seriously disturbed the order of the free market and caused heavy losses to the leading technology enterprises in the United States. What’s more, the Australian government’s behavior has set off a frenzy of opposition against American technology enterprises. Canada said it would follow Australia’s lead by requiring Facebook to pay for news content. In addition, the United Kingdom, Germany, France, Finland, and other countries have also responded, saying that the measures related to Facebook are on the way. This means that American technology enterprises will pay huge copyright fees to the media of all countries in an unprecedented way, and the negative impact will be continuous and long-term.

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813,294 Wallets Lost $2 Billion on the TRUMP Token – The Registered Cut Explains Less Than a Third of the Winnings.

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A new reconciliation maps every documented winner of the Trump crypto complex: 58 wallets took $1.1 billion, validators took $100 million in a week, and one income line survives the crash by law.

Vilnius, Lithuania — President Trump’s June 30 financial disclosure put a signed number on his crypto year: at least $1.4 billion, including $635 million in memecoin royalties. A new analysis from independent research publication Stack & Story, “Where the Two Billion Went,” starts where that filing stops: if 813,294 wallets lost $2.0 billion on the TRUMP token, and the family’s registered take explains less than a third of the documented winnings, who took the rest?

Key findings:

  • The TRUMP loss pool nearly closes against four documented winner cohorts: roughly $616 million to Trump-family entities (Reuters), $1.1 billion to 58 large wallets (Chainalysis), about $100 million to Solana validators and MEV operators in launch week (Helius), and a residual near $184 million for exchanges and unattributed actors.
  • The 58 winning wallets are 0.007 percent of the 813,294 losing wallets identified in a New York Times-commissioned forensic analysis.
  • The best-documented winner, a trader Bubblemaps calls “Naseem,” funded a fresh wallet with $1 million four hours before the launch announcement, bought within 30 seconds of the tweet, and exited with about $109 million.
  • Solana’s daily fee revenue hit an all-time high of $56.9 million on January 19, 2025, driven by TRUMP trading; validators collected over 100,000 SOL in two days.
  • The cleanest single transfer in the set: ALT5 Sigma raised $750 million from shareholders, spent $717 million on WLFI tokens, more than $500 million of which flowed to the family, and its shares fell from above $9 to under $1.
  • One income line needs no bull market: USD1’s $4.6 billion float earns an estimated $178 million a year for its issuer while paying holders zero, an arrangement the GENIUS Act’s July 18 rules make permanent for every compliant issuer.

“Everyone wrote that he made billions while holders lost billions. The number nobody had was the split,” said Mr Gintautas, founder of Stack & Story. “The president was not the biggest winner of his own memecoin. Fifty-eight anonymous wallets out-earned him.”

Methodology: figures assembled from the June 30 OGE disclosure, the Reuters investigation of June 9, the NYT-commissioned forensic analysis, Chainalysis, Bubblemaps and Helius data, with prices from CoinGecko and rates from FRED. Measurement windows differ across sources; the reconciliation is directional, not audited, and is labeled as such throughout.

Read the full analysis: stackandstory.com/stories/the-transfer-ledger

Disclosure: Stack & Story holds no position in the assets discussed and earns nothing from their movement. This is analysis, not investment advice.

About Stack & Story. 

Independent crypto and markets analysis — calm, decision-useful, every Sunday. No hype, no noise, no bag to defend. Free at stackandstory.com.

For more details, contact: hello@stackandstory.com · Web: stackandstory.com

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Company Name: Stack And Story

Contact Person: Mr Gintautas

(e) mail: hello@stackandstory.com

Website: stackandstory.com

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The World Is Dancing Episode II Synopsis, Next Episode Preview and Advance Cuts Revealed

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The Story of the Boy Who Would One Day Be Known as Zeami “The World Is Dancing” Episode II: “You Have a Body, Don’t You?” Synopsis, Next Episode Preview and Advance Cuts Revealed

Tokyo, Japan, 7th Jul 2026 – CyberAgent, Inc. announces The World Is Dancing, currently available to HIDIVE subscribers throughout the U.S. and Canada as well as in key overseas markets including Australia and New Zealand since June 29, has unveiled the synopsis, next episode preview, and advance cuts for Episode II.

Set in a turbulent era of constant conflict, this work follows the intensely curious and beautiful boy Oniyasha (CV: Yumiri Hanamori) as he meets people, laughs, cries, confronts his own weaknesses, and shapes a new form of dance in an impermanent world. It is a “dancing story” spanning 600 years, exploring what might have happened when the man who would later create Noh—Zeami—was still called Oniyasha.

The anime is produced by the animation studio Cypic (Umamusume: Cinderella Gray, The Summer Hikaru Died). The series is directed by Toshimasa Kuroyanagi, known for his work on the TV anime The Great Passage, the animated film Love Me, Love Me Not, and both the TV and theatrical versions of the Backflip!!  series. 
The series recently won a Special Award at the Short Shorts Film Festival, drawing immense attention.

Set in 1374 during the conflict between the Northern and Southern Courts, Act 1 introduced Oniyasha, a boy born to the Kanze troupe of sarugaku performers, who spends his days unable to find meaning in dance. One day, he encounters Shirabyoshi dancing in a barn, experiencing something truly “good” for the first time. Following the broadcast, social media was flooded with praise from viewers captivated by the passion ignited in Oniyasha’s heart and the breathtaking animation of the dance sequences.

Following the broadcast and streaming of Act 1, social media was flooded with high praise from viewers who were captivated by Oniyasha’s passion and the striking intensity of the dance. Enthusiastic comments poured in, with fans stating, “Act 1 of The World Is Dancing was amazing!” and “It was incredibly entertaining; I’m absolutely watching every single episode.” Viewers also expressed their awe at the production quality, noting, “The way the expression of Shirabyoshi’s dance changed alongside Oniyasha’s shifting heart was truly beautiful,” and “The dance scene in the second half was a masterpiece that showed just how far Japanese animation can go.” 

Anticipation for the rest of the series was evident in reactions like, “It exceeded my expectations! I can’t wait to see what the passion born within Oniyasha will go on to create.”

In Episode II, fascinated by Shirabyoshi’s “good” dance, Oniyasha wishes to be able to dance like that himself and begins visiting her along with his friends Kogane and Ishiya. However, the heart-pounding excitement he felt that day never returns no matter how long he waits, leaving Oniyasha with a growing sense of frustration.

Nevertheless, triggered by his encounter with the Shirabyoshi, Oniyasha’s dance slowly begins to change, even earning him praise from his father, Kan’ami, who had never acknowledged him before. But it was not only Oniyasha’s dance that had changed…

What kind of story will Oniyasha’s changing dance and heart weave from here on? Don’t miss Act II!

 

The World Is Dancing Episode II Title & Advance Cuts

Episode II: “You Have a Body, Don’t You?”

Fascinated by what he found “good”, Oniyasha makes visits to Shirabyoshi accompanied by his friends Kogane and Ishiya, who also want to be able to dance that well. Though Oniyasha’s dance changes due to their encounters, other things have changed as well.

■ About The World Is Dancing

Follow “The World Is Dancing” on Social Media:
Official Website: https://sh-anime.shochiku.co.jp/worldisdancing-anime
Official X: https://x.com/wid_anime (@wid_anime)

Streaming Information:

Streaming from June 29, will be available to all HIDIVE subscribers throughout the U.S. and Canada as well as in key overseas markets including Australia and New Zealand.
Check other platform details at the Official Website)

STORY:

In 1374, amid the turmoil of the Northern and Southern Courts’ long running conflict, a boy named Oniyasha is born into a family of sarugaku theater performers. He spends his days in a kind of quiet gloom, haunted by a simple but persistent question: Why do people dance? Then, one day, he witnesses a dance that he feels to be “good”—and everything begins to change. This is the story of the beautiful young boy who would one day shape the art of Noh and be remembered as Zeami.

Media Contact

Organization: CyberAgent, Inc.

Contact Person: CyberAgent, Inc. Press Contact

Website: https://caanime.cyberagent.co.jp/en/

Email: Send Email

Address:40-1 Udagawacho, Abema Towers, Shibuya City, Tokyo

City: Tokyo

Country:Japan

Release id:46872

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BNBN.pl Ranking: The 10 Fastest-Growing Polish Startups to Watch in 2026

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WARSAW, Poland — July 2026 — Poland has officially entered Europe’s scale-up league. According to a new editorial ranking published by BNBN.pl, one of Poland’s fastest-growing business news portals, the country’s startup ecosystem is no longer an early-stage curiosity — it is producing companies valued in the billions and attracting record foreign capital. Venture funding in Poland reached PLN 3.4 billion in 2025 across roughly 180 deals, and the first months of 2026 have already brought an 84% year-on-year increase in invested capital.

Here are the ten Polish startups the portal’s editors believe deserve global attention in 2026:

1. ElevenLabs — The AI voice-generation phenomenon founded by Piotr Dąbkowski and Mateusz Staniszewski has become Poland’s most celebrated tech export. After a Sequoia-led Series D in early 2026, the company reported annual recurring revenue of around $500 million — up from $350 million just months earlier.

2. ICEYE — The satellite radar-imaging company with Polish roots closed a €200 million Series E in December 2025 at a €2.4 billion valuation, cementing its position as a leader in Earth observation and defense-related monitoring.

3. Booksy — The Warsaw-born booking platform for beauty and wellness services keeps expanding in the US and Europe, with more than $200 million raised to date.

4. DocPlanner — The healthtech unicorn behind ZnanyLekarz secured a €80 million Series E and continues to digitize medical appointments across Europe and Latin America.

5. Brainly — The Kraków-founded learning platform, used by hundreds of millions of students worldwide, has doubled down on AI-powered tutoring after its $80 million Series D.

6. Ramp Network — The crypto-payments infrastructure startup remains one of Poland’s strongest fintech bets, powering fiat-to-crypto rails for global partners.

7. Sybilla Technologies — A rising star of Polish spacetech, the company raised over €8 million in 2026 for its global network of optical sensors tracking objects in orbit.

8. Infermedica — The Wrocław-based medtech develops AI-driven symptom-checking and triage technology used by insurers and healthcare providers in dozens of countries.

9. Nomagic — The Warsaw robotics company builds AI-powered robotic arms for e-commerce warehouses and is expanding rapidly across Western Europe.

10. Paymove — One of the freshest names on the list, this fintech raised €2.12 million in seed funding in 2026 to build payment systems designed for agentic AI — a category that barely existed a year ago.

“Poland’s startup scene has reached critical mass,” comments the editorial team at BNBN.pl. “AI, spacetech, healthtech and fintech built in Warsaw, Kraków and Wrocław now compete globally — and international investors have taken notice. Moderna is considering a factory in Poland, Taiwanese investors are building a technology park near Wrocław, and Polish founders are raising some of the largest rounds in Europe.”

The full ranking, along with daily coverage of Polish and international business, finance and technology news, is available on the portal’s website.

About BNBN.pl

BNBN.pl is a Polish business news portal covering companies, finance, technology, ecology and business leaders in Poland and worldwide. Followed by more than 50,000 readers on Facebook, it has become one of the most dynamically growing business media outlets in the Polish market, offering market analyses, reports and interviews with industry leaders.

Media Contact: 

BNBN.pl Editorial Team 

Email: kontakt@bnbn.pl 

Web: https://bnbn.pl

Media Contact

Organization: BNBN.pl

Contact Person: Editorial Team

Website: https://bnbn.pl

Email: Send Email

Country:Poland

Release id:46859

The post BNBN.pl Ranking: The 10 Fastest-Growing Polish Startups to Watch in 2026 appeared first on King Newswire. This content is provided by a third-party source.. King Newswire makes no warranties or representations in connection with it. King Newswire is a press release distribution agency and does not endorse or verify the claims made in this release. If you have any complaints or copyright concerns related to this article, please contact the company listed in the ‘Media Contact’ section

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