Press Release
CHINA Landscape Jiangnan is included in “2021 The Asia’s 10 Super Prime Houses”
Great creation will become an eternal symbol of the process of human civilization.
In the 21st century, China ushered in the prosperous times, the super-cultural symbol of the big eastern countries stepped onto the world stage with leisurely steps.
In 2021, China Landscape creation seeking the glory of the era with the pose of great works of art

Live Shot of New York Times Square Nasdaq Big Screen
Eastern beliefs that keep the world on its feet make the world’s attention-grabbing ideas extremely simple. In June 2021, New York Times Square of the United States, the crossroads of the world, welcome the great bloom of Chinese landscape. CHINA landscape Jiangnan, the world’s fourth landscape series work of Sunac, stands in the international show where the world’s top luxury goods gather, becoming the global eye-catching Eastern art work making the world refreshing its views to China.

CHINA Landscape Jiangnan, the Chinese aesthetics of contemporary world and the Chinese pride honoring Asia, shows the world the top art of Chinese landscape with the honor of listed in “2021 The Asia’s 10 Super Prime Houses”. As an age symbol of Chinese landscape, this colorful cultural prosperity has triggered a global landscape boom, and declared a global return to the landscape of the times proposition.
Boarding on “2021 The Asia’s 10 Super Prime Houses” list, landscape wins glory
The strong economic trend in Asia has greatly contributed to the growth of demand for home purchases by the wealthy in Asia. “The Asia’s 10 Super Prime Houses” list provides valuable data and reports for real estate developers and home buyers. The list was reviewed by Robert A. Mundell, the Nobel laureate in economics and the “father of the Euro”, and an expert panel is formed with academics from the world’s top universities, including Yale University, Harvard University and University of Oxford.

Robert A. Mundell
The CHINA Landscape Jiangnan review, referring to the international popular standards and under the guidance of senior experts in the industry, carried out extensive publicity in more than 50 media by using the indexes and methods established by super prime houses competitiveness value tool – CVA, 50 experts and scholars carried out the collection, collation and comprehensive evaluation of super prime houses materials to ensure that the scientific and authoritative selection.
“Asia’s super prime houses are all landmarks” almost became slogan of “The Asia’s 10 Super Prime Houses”, enjoying popular support in the professional field and the top-level super prime houses circle. It has become almost a spiritual belief, and each of the works selected by “The Asia’s 10 Super Prime Houses” is a monument to the world. Each entry can be said to be a city’s high representative.
China’s landscape series, world works of art
China has a history of five thousand years of landscape civilization.
When the world aesthetics meets with Chinese landscape, it is doomed to start a world-class cultural feast.
Landscape, as a part of Chinese faith, has long been infiltrated in the character of the Chinese people. The landscape is not only in the east, but also in the common phase of global culture. It is the birthplace of human art treasures. It is the Chinese people’s dependence and feelings on the landscape, as well as the aesthetic thought displayed in the landscape that makes China’s landscape aesthetics go to the world, integrate into the stage of the world aesthetics, and make contributions to the development of the world aesthetics.

Landscape diagram
Today’s China is entering a new era of “cultural revival”, calling for and advocating a return. The return to landscape represents the highest feeling in the global context. Sunac has an insight of the global high net worth people’s desire of exploring the cultural origin from the natural landscape, keenly captures the aesthetic trend of the return of minimalist aesthetics, and creates a world of landscape art on behalf of the Chinese art with the unique expression of international Chinese. Thus CHINA “Landscape Series” works came into being based on the era.

“CHINA Landscape Series”, with landscape as the idea and the extremely simple as the principle, opens an innovative international Chinese aesthetic world view with the word’s leading ultimate aesthetic. The perfect combination of Chinese landscape tradition and international aesthetic appreciation is undoubtedly a subversion of the Eastern and Western traditional landscape cognition.
In 2021, CHINA Landscape Jiangnan, created jointly by Sunac, Nanchang municipal real estate and Rongzheng platform, is settled in Wuxi Economic Development Zone of China. Wuxi, as a city in the south of the Yangtze River, has a long history and culture of three thousand years and is a well-deserved “landscape city” with the surrounded hills and rivers. Wuxi Economic Development Zone, the new center, stands in the axis of China’s Yangtze River Delta Finance, and the Golden Lake, leading the world-class urban group, is the next eye-catching “Lujiazui”.
Architecture is the mirror of the times, CHINA Landscape Jiangnan integrates into the mountains and rivers without trace with the extremely simple style. By following the “three to nine” aesthetic law, with folding the mountains and waters, moderate and calm posture and tranquility of white space freehand brushwork, it makes the modern living art of Chinese culture a wonderful workmanship excelling nature, leading the new spiritual conversion and inscribing the world Wuxi art cover works.
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Disclaimer: The views, suggestions, and opinions expressed here are the sole responsibility of the experts. No Digi Observer journalist was involved in the writing and production of this article.
Press Release
MOKiN Reframes the Role of Technology Human-Centered Design at the Core
United States, 1st Jan 2026, – As digital tools continue to evolve, the relationship between people and technology is becoming increasingly complex. Devices are more powerful and interconnected at an unprecedented scale, yet countless users report growing challenges around distraction, fragmented attention, and digital environments that feel difficult to manage. Efficiency has improved, but clarity and focus have become harder to maintain.
Technology brand MOKiN is rooted in its own origins.
The company starts from the desk: a space where modern work, creativity, and decision-making converge. In its early days, MOKiN focused on a practical and widely shared problem: overcrowded desks, insufficient ports, tangled cables, and inefficient workflows caused by fragmented device connections. Early MOKiN products, including hubs and docking stations, were designed to restore order to everyday workspaces by simplifying connections, reducing visual clutter, and helping users regain control over their working environment. 
As work patterns evolved and technology became more deeply embedded in daily life, MOKiN extended this philosophy beyond the desk. Chargers were developed to deliver stable, dependable energy without interruption, while power banks enabled continuity from workspace to commute. Together, these products formed a seamless flow, supporting transitions between locations, tasks, and moments without adding friction or complexity.

However, as digital ecosystems expanded, MOKiN observed that efficiency alone was no longer enough. While streamlined connections and reliable power focused on functional challenges, users increasingly faced a different kind of friction: cognitive overload, constant context switching, and tools that demanded attention rather than supporting it.
In response, the brand began to shift its perspective: from optimizing performance to understanding behavior. For MOKiN, modern technology must do more than boost productivity; it must recognize how people think, focus, and move between tasks across devices and environments. In this context, understanding becomes a functional capability: shaping how tools interact with users rather than simply how they operate.
This evolution reflects MOKiN’s broader commitment to human-centered design of technology. The brand emphasizes that effective technology must listen, anticipate common pain points, and adapt naturally to real-world usage behaviors. By reducing friction and simplifying interaction, digital tools can support smoother workflows, clearer thinking, and more balanced experiences in increasingly dense digital environments.

MOKiN also highlights the growing influence technology has on modern lifestyles: from how ideas are captured to how attention is sustained throughout the day. When products are designed with empathy and insight into these interactions, technology can contribute not only to productivity but also to continuity, calm, and a more intuitive relationship between people and their devices.
Looking ahead, MOKiN reaffirms its commitment to building technology guided by empathy, professionalism, and a strong sense of responsibility toward users. The brand’s direction signals an ongoing transition: from tools that merely enable efficiency to systems that foster more considerate and human-aligned collaboration between people and technology.
As digital ecosystems continue to expand, MOKiN envisions user awareness, calm, and human-centered thinking not as optional values, but as essential foundations for the next stage of technological progress. In this vision, technology works with people, not against them.
Media Contact
Organization: Xulian Technology
Contact
Person: Media Relations
Website:
https://mokinglobal.com/
Email:
mokin@mokinofficial.com
Contact Number: 8618810868909
Country:United States
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Press Release
Brigitte Bardot, Gia Skova, and the Timeless Power of Iconic Presence
Russia, 1st Jan 2026 – Brigitte Bardot remains one of the most enduring cultural figures of the 20th century – not only for her film work, but for the way her image reshaped ideas of femininity, autonomy, and visual power. Long after her most iconic performances, Bardot’s presence continues to circulate across fashion, photography, and contemporary art, functioning less as nostalgia and more as a living visual language.
That language has recently resurfaced in a contemporary context through the work of artist JP.Simon, whose Brigitte Bardot–inspired collection draws on the graphic repetition and bold iconography associated with Andy Warhol. Rather than revisiting Bardot as a cinematic figure, the project reframes her as a cultural symbol – one capable of being reinterpreted through modern artistic systems. The collection was featured in Irrationalist, a magazine known for examining cultural icons through a conceptual and contemporary lens.

JP.Simon’s work sits within a broader trend in visual culture: the reexamination of feminine archetypes not as historical artifacts, but as ongoing forces. His practice extends beyond the Bardot series into a larger body of work — including more than 150 paintings – that explores themes of power, beauty, and resistance through recurring female imagery.
A parallel exploration of feminine iconography can be found in the work of actress and filmmaker Gia Skova, whose comic book universe Lucinda has attracted attention for its unconventional approach to female heroism. Unlike traditional franchise protagonists, Lucinda is constructed less as a narrative explanation and more as a visual and symbolic presence – autonomous, uncompromising, and resistant to simplification.
Industry observers have noted that characters like Lucinda reflect a broader shift in contemporary storytelling, particularly in film, comics, and transmedia IP, where presence and memorability increasingly outweigh traditional character exposition. In this sense, the lineage from figures such as Bardot to modern creations is not one of imitation, but of continuity – a shared emphasis on immediacy, visual authority, and cultural imprint.
Both Bardot and Lucinda operate through a similar mechanism of recognition. Their impact is not driven by overt sexuality or spectacle, but by a form of screen and visual presence that lingers. It is an effect that resists explanation yet remains instantly legible – a quality often cited by critics as one of the most difficult to manufacture within contemporary entertainment industries.

This concept of presence has become increasingly relevant as studios and creators search for IP that can transcend platforms. In an era of rapid content turnover, figures that function as icons rather than mere characters offer a different kind of longevity. They exist not only within stories, but within visual memory.
Irrationalist has notably featured both Brigitte Bardot and Gia Skova on separate covers, creating an unintended but telling dialogue between generations. Seen side by side within the magazine’s editorial history, the images highlight how cultural iconography evolves while retaining its core language.
For Skova, whose work spans film, comics, and visual art collaborations, the Lucinda universe represents an attempt to build an IP anchored not in trend cycles, but in archetypal continuity. While Bardot once embodied a rupture in 20th-century ideas of femininity through presence alone, contemporary creators are now translating similar codes into modern formats – graphic novels, serialized storytelling, and cross-platform franchises.
As the industry continues to reassess the value of icon-driven IP, the enduring relevance of figures like Bardot offers a reminder: icons do not disappear when their era ends. They adapt, reemerge, and find new expression through artists and creators who understand their language.
In this context, Lucinda does not function as a replacement or a comparison, but as a contemporary expression of a familiar cultural force — one that has traveled through decades of visual history and continues to shape how audiences recognize power, beauty, and autonomy on screen and beyond.
Media Contact
Organization: Gia Skova
Contact Person: Gia Skova
Website: https://www.instagram.com/giaskovareal/
Email: Send Email
Country:Russia
Release id:39768
The post Brigitte Bardot, Gia Skova, and the Timeless Power of Iconic Presence appeared first on King Newswire. This content is provided by a third-party source.. King Newswire makes no warranties or representations in connection with it. King Newswire is a press release distribution agency and does not endorse or verify the claims made in this release. If you have any complaints or copyright concerns related to this article, please contact the company listed in the ‘Media Contact’ section
About Author
Disclaimer: The views, suggestions, and opinions expressed here are the sole responsibility of the experts. No Digi Observer journalist was involved in the writing and production of this article.
Press Release
Sid Gandotra Joins FIND Real Estate to Advance Client- Centered Brokerage Mission in NYC
New York, NY – January 1, 2026 – Sid Gandotra has joined FIND Real Estate as a Licensed Real Estate Salesperson. An innovative, agent-owned brokerage dedicated to empowering both clients and agents, FIND Real Estate is thrilled to welcome Sid to its growing New York City team.

Sid brings extensive expertise in real estate, driven by an unwavering work ethic and commitment to excellence, resulting in an exceptional track record of successful transactions. Renowned for his attentive client service, thorough market education, and skilled negotiation, Sid ensures every client feels confident and fully supported throughout the process. Navigating the complexities of the industry with strategic foresight, Sid adapts seamlessly to market shifts and resolves challenges with efficiency.
“Our mission is simple: make every step in real estate a positive one. All FIND agents complete a thorough certification program that sets them apart as trusted experts in their markets,” said Jules Borbely, Chief Operating Officer at FIND Real Estate. “Founded on the belief that real estate should be empowering for everyone involved, FIND combines innovative tools, a client-centered approach, and an agent-owned model to redefine what a modern brokerage can be. Today, we are proud to support our growing team of agents and countless clients on their journeys.”
With a deep appreciation for NYC’s architectural diversity—from historic pre-war residences to cutting-edge luxury developments—Sid delivers tailored, results-oriented strategies. He specializes in translating complex market insights into actionable recommendations, ensuring optimal outcomes for buyers and investors alike.
“I find the greatest fulfillment in guiding clients through the meaningful milestone of homeownership,” says Sid. “Joining FIND Real Estate allows me to leverage innovative tools and a collaborative culture to provide even greater value to the people I serve.”
About FIND Real Estate
FIND is an agent-owned brokerage committed to client-centered service, innovation, and agent empowerment. By putting agents first, the company creates better outcomes for clients through trusted expertise and modern resources. Learn more at https://findrealestate.com.
Media Contact
Organization: FIND Real Estate
Contact Person: Sid Gandotra
Website: https://findrealestate.com/
Email: Send Email
Contact Number: +12123006412
Address:5 West 37th Street, FL 12
City: New York
State: NY
Country:United States
Release id:39529
The post Sid Gandotra Joins FIND Real Estate to Advance Client- Centered Brokerage Mission in NYC appeared first on King Newswire. This content is provided by a third-party source.. King Newswire makes no warranties or representations in connection with it. King Newswire is a press release distribution agency and does not endorse or verify the claims made in this release. If you have any complaints or copyright concerns related to this article, please contact the company listed in the ‘Media Contact’ section
About Author
Disclaimer: The views, suggestions, and opinions expressed here are the sole responsibility of the experts. No Digi Observer journalist was involved in the writing and production of this article.
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