Press Release
“Algorithm + Credit” Rebuild the Value Foundation of DeFi

DeFi still has higher attention, with rapid technological innovation and continuous expansion of application scope, The goal of DeFi is undoubtedly to build a more effective, free, and transparent financial ecology. However, finance always develops with money and brings value exchange. Therefore, whether it is a decentralized scenario or a mass application toward reality in the future, stable cryptocurrency is crucial for users, so as to realize the dream of making virtual ideas become reality.
For this reason, in the field of cryptocurrency, many teams have been exploring stable currency. According to CryptoQuant data, stabilecoin holdings on global crypto exchanges hit a high record of $9.8 billion as of March 28, 2021. At the same time, the total stable currency market capitalization once topped $80 billion, according to CoinGecko, the current daily trading volume of all stable currencies is about $118.340 billion. Also, CoinMarketCap shows there are 16 mainstream stable currencies now.
The stable currency is illusory?
In general, both USDT and DAI are still on their way and haven’t really achieved the goal of “stable currency”. Tether’s White Paper said: “Tether is a decentralized cryptocurrency, but we are not a perfectly decentralized company. We store all of our assets as a centralized pledge.” Therefore, USDT is just borrowing the name of the cryptocurrency, but it is not really decentralized.
DAI, developed by MakerDao, is the largest decentralized stable currency on Ethereum. It is issued with the guarantee of the full amount of assets on the blockchain. It is only generated in the application scenario based on the mortgage, and the market value of the mortgage assets is the ceiling of it. Therefore, these stable currencies are illusory in a sense.
Will algorithmic stable currencies finally fail?
Now let’s take a look at the development process of algorithmic stable currencies, known as the holy grail of cryptocurrency. From stable currency1.0 represented by AMPL, stable currency2.0 represented by Basis Cash to stable currency 3.0: Frax Finance, all of them have gone through a period of growth. However, the stable currency reality is that we live under the sense of “ever-changing”, and stable value is still in the ideal.
AMPL algorithmic stable currency is used to increase or decrease the supply of AMPL in order to keep the price of AMPL around $ 1. Ampleforth uses Rebase operation to change the AMPL held by all users as a whole. The Rebase price is based on the average price of the past 24 hours. When this price is above $1.05, the AMPL balance in all users’ wallets increases simultaneously. At prices below $0.95, all users’ AMPL balances decrease simultaneously. During this process, the percentage of AMPL held by users in the supply does not change. It looks like everything is fine on its own, but when the price of cryptos falls to the point where deflation is needed, both the quantity and price of coins held by users are falling, so users face a double whammy.
So it’s easy to create a death spiral. Similarly, when crypto price rises, it is easy to create an upward death spiral. Thus it can be seen that this price model only has two possibilities: the price continues to fall, get into the infinite death circle and leave the market, and the price rises steadily to around 1USDT; Prices rising, the AMPL has been printing (dividend), AMPL reserve disappeared, crypto began to value return, people in loss cannot gain AMPL, prices will fall back near 1 USDT (need funds continue getting into the market), so it is difficult to see AMPL achieve speculation, meanwhile achieve stability, And stability is a necessary condition for a stable currency.
Basis Cash, as represented by 2.0, includes three tokens, Basis Cash (BAC), Basis Share (BAS), and Basis Bond (BAB), among which BAB is non-transferable. The BAC is the stable currency, anchored to $1; BAS is an equity token, and newly-minted BAC tokens can be allocated. BAB is a bond. There is nothing wrong with Basis Cash based on the algorithm itself, but without a good application scenario, relying on the debt market itself is dangerous. There is actually a problem with debt financing in traditional markets, where those “too big to fail” entities can take on the risk of impunity through socialized bailout costs. It is entirely possible that Basis Cash could go into a debt spiral, in which case there would be no willing contributors, the debt would accumulate and the protocol would collapse.
Finance FX is the first partial algorithmic stable currency project, adding the concept of using “partially stable” as a collateral asset to the existing algorithmic stable currency. There are two types of tokens in Frax, the stabilization token Frax, and the governance token FXS. Frax costs USDC and FXS, but only USDC during creation. The initial mortgage rate is 100%, that is, all USDC mortgage is used to cast FRAX. After that, the mortgage rate will be adjusted every hour. If the price of FRAX is more than $1, the mortgage rate will be reduced and FXS ‘share in it will be increased. Raise the mortgage rate if the Frax falls below $1. The mortgage rate is adjusted every hour by 0.25% each time. But its high mortgage ratio leads to the lack of user appeal, its currency numbers and market supply have been stagnant.
Although the above three generations of stable currencies seem to be making breakthroughs and innovations, they do not give a satisfactory answer on how to solve the credit problem. However, algorithm stable currency that cannot solve the credit problem is useless. Bitcoin came into being to solve the problem of credit, but the stable currency, as an important extension of its development, has not inherited the legacy of credit, and is still stuck in the algorithm.

Crypto Credit Network (CCN)
In the financial field, credit is the foundation and the lifeblood. This is true of both traditional and modern financial systems. In the traditional financial system, credit mainly relies on the guarantee of laws and institutions. Apart from the high operation cost, the “credit crisis” gradually exposed by financial intermediaries is the fundamental reason why people urgently embrace the blockchain technology. Algorithm stable currency is going to help cryptos solve the credit problems, guaranteeing machine credit by algorithm, which does not rely on third-party subjective will and makes transaction transparent, efficient, reliable, and stable, let people who do not have to establish credit relationship between each other to achieve cooperation and free trading, reduce the cost of credit.

However, the world of blockchain cryptocurrency is a chaotic existence without a role name. To change from chaos to brightness, each individual needs to have his or her own identity, so that we can obtain the faith like phoenix nirvana. The CCN gives each individual a unique CID (Crypto Identification), which is the most basic rule in the Crypto world. To build a new crypto world of order, autonomy, and equality.
The construction of CCN not only takes blockchain technology as support, but also has a reasonable economic incentive mechanism. Reasonable use of incentive mechanism is an effective means to stimulate all parties to participate in the construction of CCN.
A sound incentive mechanism, reasonable mechanism design from the perspective of leading efficiency and fair governance, can make the value generated by credit information flow effectively to the value provider in the blockchain world, punish the evil behavior, and resolve the conflict between individual interests and collective interests. It makes the individual’s behavior of pursuing individual interests unified with the goal of maximizing collective value.
Therefore, CCN can further clarify the economic interests of each participant and the overall interests of the network, so as to fully mobilize the enthusiasm of each participant and guarantee great development of CCN from the source.
The CCN consists of three different identities: Creator, Guardian, and Angel, all of them have established screening mechanisms. Only firm believers can obtain the CCN identity. Early believers are required to contribute to maintaining the stability of early CCN by burning GAC tokens. Therefore, they are not only holders of GaeaCoin, but also determined preachers and builders. When GaeaCoin issues additional shares, it will also receive a corresponding percentage of GAC tokens as a reward.
The establishment of this system aims to provide every GaeaCoin participant with the opportunity to contribute to the community construction, and to create a healthy crypto community culture of dedication and autonomy through consensus, symbiosis, co-construction, and sharing.
In CCN, although the identity is different, the residents on the chain of CCN build the initial transaction link according to their CID address, and constantly expand CCN on the chain. Open CID needs to be recommended by the network resident, once the link is formed, it cannot be changed forever. Each of the three different identities requires a different number of GAC tokens to burn, which can be viewed on the GaeaCoin network. GaeaCoin network residents have different rights according to their status.
The integration with the DEX: OxySwap has pioneered a full range of applications
There is a natural interdependence between exchange and stable currency. The exchange has always been an important part of crypto digital asset market, and it is also the first application place of stable currency. Like Binance with BUSD and Huobi with HUSD, OKEx also launched USDK on June 3, 2019. Traditional CEXs are fiat currencies, where fiat currencies are exchanged for cryptos. If you want to buy crypto digital assets, you need to top up fiat currency, which undoubtedly increases the economic and time costs of investors in the process of exchange. The emergence of a stable currency can not only solve the above problems but also effectively avoid legal risks in the process of the transaction.
As it should be, the integration of GaeaCoin ecology and OxySwap not only lay a solid foundation for stable currency: GAC token application, but also creates opportunities for it to open up more and wider application scenarios.
OxySwap is a decentralized exchange running on the BSC with a collection of DEX liquidity mining, which offers functions of exchange, liquidity, market making, and so on. The strength of OxySwap guarantees the usages of the stable currency: GAC.
GAC will lead a brighter way
GaeaCoin algorithm stable currency: GAC dares to face the challenge, according to the industry news, GAC praises is not only relatively stable from the concept, but also to really put into application. In addition to GAC (GaeaCoin), GaeaCoin ecology also includes GAB (GaeaCoin Bond) and GASH (GaeaCoin Share), which serve to maintain the stability of GAC. GaeaCoin Ecology also integrates GaeaCoin protocol, algorithm, robustness, price response, encryption, and other technologies, superposed with the DeFi ecology of Crypto Credit Network (CCN), OxySwap (DEX), and so on, providing a realistic solution for GAC, and leads it to move towards the real “stability”.
The integration of CCN and OxySwap points out the direction for the application of algorithmic stable currency. In fact, we can already feel the power of the GaeaCoin algorithm stable currency, and once it is used at a large scale, the ideal stable currency is expected to arrive ahead of time. DeFi will also build on this basis, using currency, lending, spot trading, and other components to build continuously upgraded Lego of DeFi.
GaeaCoin’s move directly challenges the world’s centralized stable currency giants such as USDT and USDC, but compared to the previous challenges of AMPL, BAC, and FRAX, this well-prepared challenge looks more anticipated!
About Author
Disclaimer: The views, suggestions, and opinions expressed here are the sole responsibility of the experts. No Digi Observer journalist was involved in the writing and production of this article.
Press Release
New Experiences in Shanghai for Mid-Autumn Festival and National Day! The 2026 International Audio-Visual Arts Carnival Unveils a “Technology + Culture” Audio-Visual Feast
Shanghai, China / Timesnewswire / September 27, 2026 – As cutting-edge technology meets humanities and art, and millennia of Chinese traditional aesthetics collide with next-generation audio-visuals, a city-wide cultural celebration for all arrives as scheduled. The 2026 International Audio-Visual Arts Carnival will be held in Jing’an, Shanghai, from September 24 to October 18, inviting you to perceive the world through sight and sound.

As a city-wide audio-visual feast, this event combines tech experiences, immersive performances, industry summits and trend-themed social activities. Spearheaded by four flagship programs: the International Audio-Visual Arts Experience Space, the “Audio-Visual Wonderland” Immersive Show, the International Audio‑Visual Art and Technology High-End Salon, and the International Audio‑Visual Arts Gala, and joined by two signature events — the 4th “Shining · Shanghai” Jing’an International Light and Shadow Exhibition and the New Nanxi International Technology and Culture Trend Week, the carnival is backed by a full suite of city-wide extension initiatives to form a three-dimensional “1+2+N” event system. Whether you are an art lover, tech enthusiast, family visitors, or industry practitioners, you can discover your exclusive sight-and-sound experience here.
Cutting-Edge Audio-Visual Technology Takes Center Stage — Building an Interactive, Immersive Exhibition
The International Audio-Visual Arts Experience Space opens first from September 24 to 27. Gathering leading domestic and international enterprises across the audio-visual sector, the exhibition features five distinct zones: the Prologue Hall & CMG Zone, Robotics Ecosystem Exhibition Area, International Zone, Domestic Enterprise Zone, and University Zone.

Breaking away from the conventional model of a single theme and single exhibitor category, the exhibition brings together world-leading audio-visual brands, domestic sci-tech enterprises, and cutting-edge research outputs from universities. China Media Group (CMG) hosts an independent pavilion here to showcase national-level audio-visual technological achievements. Unlike traditional static board-style displays, the venue is designed to be “hands-on, interactive, and immersive” across all zones. From glasses-free 3D installations recreating a FIFA World Cup broadcast studio, to immersive film shooting experiences and 3D audio music listening sessions, a range of interactive public scenarios vividly present the most cutting-edge audio-visual technologies on offer. Children and tech enthusiasts alike can enjoy viewing, hands-on play, and learning opportunities here. At the same time, the exhibition also serves as a resource-matching platform for industry practitioners, delivering multi-dimensional value for visitors of all ages: cultural showcase, industrial implementation, and public entertainment.
Blending Virtual and Real, Interpreting Ancient and Modern Elegance — The Immersive Show Unfolds a Time-Travel Journey
The Immersive Show: “Audio-Visual Wonderland” will run in continuous rotation during the Mid-Autumn Festival holiday from September 25 to 27. Breaking the conventional fixed-seating theater setup, the performance adopts a one-way closed-loop visiting route, enabling audiences to immerse themselves in three dreamlike chapters with distinctive artistic styles.

Lion Tides of Myriad Forms revitalizes the intangible cultural heritage of lion dance, bringing together performances of Southern and Northern lion dance schools. It demonstrates the agility and delicacy of Southern Lion Dance and the grand, powerful momentum of Northern Lion Dance, showcasing over seventy sets of traditional lion dance figures from across China to build a diverse “Portrait of Chinese Lion Dances”. Live lion dancers and virtual light-and-shadow lions carry out virtual-real interaction amid interlaced screens and scenes. It fully displays the artistic charm of this intangible heritage via high-pole physical sets and 3D mapping technology. Treasure Box of Time–Space assembles numerous art troupes and conservatories. Supported by bidirectional moving stages and holographic projection, it achieves virtual-reality fusion. Dunhuang flying apsaras dances, Han Dynasty variety shows, flourishing Tang Dynasty music and dance, Song-style porcelain music, Yellow River Old Tunes, and Jiangnan Kunqu are performed in sequence, tracing the context of thousands of years of Chinese civilization. Accompanied by the melody of A Moonlit Night on the Spring River, it conveys the Eastern artistic conception of family reunion during Mid-Autumn Festival. Above the Tides presents a three-dimensional Shanghai through a “Light and Shadow Magic Box”. Dancers’ body movements drive light and shadow in real time, alongside real-time interactive floor screens, laser effects and immersive set design. From river and sea tides to urban renewal, the interweaving of sound and visuals interprets Shanghai’s past and future.
Six Leading Voices from the Global Audio-Visual Industry Gather at Shanghai’s High-End Salon
The International Audio-Visual Art and Technology High-End Salon will be held from September 25 to 26, with one themed session held in the morning and afternoon each day. Tightly aligned with current industry priorities, the salon features four themed tracks: Evolution of Next-Generation Technology Systems; Deep Penetration of AI — From Tool to “Creative Subject”; Terminal Interaction — Toward “Deep Immersion, Multi-Dimensional Perception and Seamless Connection”; and Technology Breaking Boundaries, Reconstructing the New Ecosystem of Fashion Consumption.

The salon brings together academicians, top-tier creators and representatives of leading enterprises, alongside high-profile international guests including Grammy-winning audio masters and core visual effects creators behind global blockbuster hits such as The Avengers, The Lord of the Rings, and Avatar. Operating under a dual mechanism of open registration plus invitation vetting, the salon enables both industry practitioners and technology and art enthusiasts to access cutting-edge global insights and keep pace with emerging development trends in the audio-visual industry.
Tech Meets Mid-Autumn Traditional Chinese Aesthetics: Offline Mall Events Bring New Holiday Lifestyle Experiences
To bring cultural and tech experiences out of exhibition halls and into daily life, AI-Filled Mid-Autumn Festival | Audio-Visual Art “Imaginators’ Gathering” will be hosted at Jing’an Grandjoy, Shanghai from September 25 to 27. Blending Mid-Autumn traditional Chinese aesthetics with AI technology, the event creates an all-in-one holiday experience combining photo check-ins, interactive participation and leisure for visitors across the commercial precinct.

In the Light & Shadow Interaction Zone, visitors can draw on interactive screens and write their Mid-Autumn wishes, which AI will render into a giant collaborative digital scroll. They can also use AI face-swap technology to step into famous Song Dynasty paintings and generate a custom ancient-style moon-gazing digital portrait. A 270-degree curved-screen racing simulator on site delivers a track-level immersive racing experience. In the Smart Music Classroom, AI processes sheet music into visual performance cues; visitors wearing XR glasses can join a band performance with zero prior musical training. The Digital-Intelligent Exploration Zone gathers a suite of future-lifestyle interactive experiences: AI glasses supporting immersive movie viewing, first-person shooting and voice interaction; glasses-free 3D virtual companions with distinct character personalities, capable of conversation and responsive interaction; and emotion-recognition AI that requires no wearables, generating a custom emotional report by analyzing micro-expressions.
The Imaginators’ Gathering also adds a host of new interactive experiences. Chen Geng, champion of Chinese Poetry Competition, will join forces with the bionic robot “Su Shi” to share poetry interactions with on-site visitors. Attendees can also enter the dedicated Imaginators’ Gathering AR space via their mobile phones to unlock a brand-new visiting experience. On-site themed sharing sessions and China Media Group (CMG) mobile live broadcasts will allow both online and on-site audiences to feel the charm of the collision between traditional festivals and cutting-edge technology.
Following the full slate of immersive audio-visual art activities, the International Audio-Visual Arts Gala will be held on October 18 as the closing event curated by China Media Group (CMG). The gala will feature the centralized release of a selection of cutting-edge audio-visual technology achievements, alongside highlight reel performances from the immersive shows.

Registration for the event remains in high demand, with some sessions already fully booked! Log in to the “Huanxianghai GO” Mini Program for one-stop access to event registration, on-site ticket validation, route lookup, smart wristband benefits and exclusive discount vouchers. We recommend booking early to secure your spot. A dedicated online cloud photo album will also go live during the event, where visitors can find snapshots of themselves and save their own exclusive sight-and-sound memories at any time.
Between Sound and Image, Symbiosis of All Beings. From September 24 to October 18, join us for this audio-visual rendezvous.
About Author
Disclaimer: The views, suggestions, and opinions expressed here are the sole responsibility of the experts. No Digi Observer journalist was involved in the writing and production of this article.
Press Release
Gary Bassett Shares Lessons From 45 Years Across Finance and Technology
The Dallas-based finance and technology entrepreneur discusses how experience in investment banking, community banking, software, acquisitions, and asset management has shaped the questions he asks when evaluating new opportunities.
DALLAS, Texas, 26th September 2026, ZEX PR WIRE— A promising business opportunity can look very different depending on which side of the table someone is sitting on.

After more than four decades working across finance and technology, Gary Bassett has occupied several of those seats. He has analyzed companies as an investment banker, worked inside community banking, built and operated an enterprise software company, experienced an acquisition as a founder, and later returned to institutional finance.
Each experience, Bassett says, added another question to the way he evaluates an opportunity.
“Early in my career, I learned to ask whether the numbers supported the story,” Bassett said. “Later, after running a company myself, I learned to ask another question: What actually has to happen every day for those numbers to become real?”
Looking Beyond the Initial Opportunity
Bassett began his career in investment banking at J.P. Morgan in New York in 1979. His work included financial modeling, valuation, due diligence, and corporate debt transactions.
The experience taught him to examine the assumptions underneath a proposal rather than focusing only on its potential.
“An idea can sound very compelling until you start changing the assumptions behind it,” Bassett said. “What happens if growth is slower? What happens if the cost is higher? What has to go right for the plan to work? Those were useful questions to learn early.”
His subsequent experience in Texas banking brought those questions closer to individual businesses and communities.
Bassett became a founding shareholder of Lamar National Bank and served as president of the Lamar Bank Center. The work exposed him to commercial banking, lending, real estate, and the practical consequences of financial decisions.
That perspective became particularly important when Bassett moved from analyzing businesses to building one.
Building Microbank Changed the View From the Other Side
In 1985, Bassett founded Microbank Software Inc., an enterprise software company serving organizations in banking and construction.
Running the company introduced a different set of considerations. A business could not succeed on strategy alone. Products had to work. Customers had to see value in them. Employees had to execute. Problems that appeared small on paper could become much larger when they affected day-to-day operations.
“Building Microbank changed the way I looked at companies,” Bassett said. “When you have been responsible for the product, the customers, and the decisions that have to be made on Monday morning, you start asking different questions when you look at a business.”
Microbank eventually developed an international client base and was acquired by Citicorp. Bassett also participated in the integration that followed the acquisition.
That process added another layer to his experience. Evaluating whether two businesses make sense together is one challenge. Integrating people, systems, customers, and operating processes after a transaction is another.
“A transaction has a closing date, but the work of combining organizations does not end on that date,” Bassett said. “That experience made me pay much more attention to what has to happen after an agreement is signed.”
Returning to Investment Banking With an Operator’s Perspective
Bassett later spent nearly a decade as a managing director at Bank of America, working in investment banking, mergers and acquisitions, capital markets, and strategic advisory assignments.
He returned to institutional finance with experience he did not have earlier in his career: he had founded and operated a company himself.
Bassett says that experience made him more interested in what sits behind financial statements and projections.
“Numbers are important, but every number came from something that happened inside the business,” he said. “There are customers, employees, operating decisions, competitors, and unexpected problems behind those results. I became much more interested in understanding that part of the story.”
Experience Can Change the Questions
Today, Bassett is the founder, chairman, and managing partner of Dallas-based HP Capital Partners, which he established in 2012.
His career has crossed industries and roles, but Bassett does not view those experiences as separate chapters with no connection to one another.
Instead, each has influenced how he approaches the next opportunity.
For business leaders, he believes evaluating an opportunity requires more than asking how attractive the potential outcome appears. It also means examining assumptions, understanding how an organization actually operates, considering what could disrupt the plan, and determining whether the people and systems involved can execute it.
“Experience does not mean you automatically know the answer,” Bassett said. “If anything, it gives you more questions to ask. I think that is useful. The goal is not to make every opportunity look good or bad. It is to understand what would actually have to happen for it to work.”
About Gary Bassett
Gary Bassett is a Dallas, Texas-based finance and technology entrepreneur whose career has included investment banking, community banking, enterprise software, acquisitions, asset management, and philanthropy. He began his investment banking career at J.P. Morgan and later became a founding shareholder of Lamar National Bank. In 1985, he founded Microbank Software Inc., an enterprise software company Citicorp later acquired. Bassett subsequently served as a managing director at Bank of America. In 2012, he founded HP Capital Partners, where he serves as founder, chairman, and managing partner. Bassett holds a BBA in Finance and an MBA from Southern Methodist University.
About Author
Disclaimer: The views, suggestions, and opinions expressed here are the sole responsibility of the experts. No Digi Observer journalist was involved in the writing and production of this article.
Press Release
Nivia Fontanez Highlights the Often-Overlooked Role of Radiology Technologists in Patient Care
Bronx-based radiology technologist Nivia Fontanez discusses the communication, preparation, positioning, safety, and attention to detail behind medical imaging.
BRONX, N.Y, 26th September 2026, ZEX PR WIRE, When patients arrive for an X-ray or CT scan, much of their attention naturally goes to the imaging equipment. Behind the technology, however, is a radiology technologist who guides the patient through the process and performs the study according to established procedures.
Bronx-based radiology technologist Nivia Fontanez believes patients may not always see the human side of the profession.
Fontanez works with X-rays, CT scans, and bone density studies. She holds a New York State radiologic technologist license and is qualified to administer contrast for CT studies. Her experience has shown her that medical imaging requires technical knowledge, but operating equipment is only one part of the technologist’s responsibilities.
“Patients see the machine because that is the most obvious part of the room, but there is a lot happening around it,” Fontanez said. “We are thinking about positioning, instructions, safety, and whether the patient understands what we need them to do.”
Positioning Requires Working With the Individual Patient
Positioning is one example of a responsibility that can appear simple from the patient’s perspective. A technologist may ask someone to stand in a certain place, turn their body, move an arm, or remain still while an image is captured.
In practice, patients have different physical abilities and limitations. Some may be experiencing pain or have difficulty moving into a standard position. Technologists must follow appropriate procedures while recognizing what an individual patient can reasonably do.
“You can know the position you need, but you’re still working with a real person,” Fontanez said. “Someone may be uncomfortable or unable to move exactly the way you initially ask. You have to pay attention and communicate.”
That interaction is one reason Fontanez views adaptability as an important part of working in medical imaging. Technical requirements remain important, but patients cannot be approached as though everyone will respond to an instruction in exactly the same way.
Clear Communication Helps Patients Understand What Is Expected
Communication is another significant part of the technologist’s role. Instructions that sound simple to someone working in radiology every day may be unfamiliar to a patient.
Fontanez believes healthcare professionals must be aware of that difference.
“Something can be routine for me and completely new for the patient,” Fontanez said. “I try not to assume that someone understands an instruction just because I’ve given that same instruction many times before.”
That may mean explaining a position differently, letting someone know what will happen next, or checking that an instruction was understood before continuing.
Fontanez also notes that different patients want different amounts of information. Some have questions about each step, while others prefer to receive the necessary instructions and complete the study. Recognizing those differences is part of working directly with people.
“The goal isn’t to overwhelm someone with technical information,” Fontanez said. “It’s to communicate clearly enough that they understand what is expected of them during the study.”
Safety and Attention to Detail Remain Central to Medical Imaging
Many checks in medical imaging are not particularly visible to patients. Technologists follow established procedures for patient identification, the requested study, positioning, imaging practices, and applicable safety requirements.
Certain studies may involve additional considerations. Fontanez’s work with CT imaging, for example, includes her qualification to administer contrast for CT studies.
Fontanez believes one challenge of professional experience is making sure familiarity doesn’t become complacency.
“When you do something regularly, you naturally become more comfortable with it, and experience is important,” she said. “At the same time, you don’t want something being familiar to make you less attentive to the details.”
Efficiency matters in a busy healthcare environment, but Fontanez says there are also situations when taking additional time to verify information or explain an instruction is necessary.
Technology Does Not Replace the Human Side of Radiology
Medical imaging relies heavily on sophisticated equipment, but Fontanez sees the technologist as the connection between that technology and the patient.
Equipment cannot recognize that a patient is struggling to understand an instruction. It cannot independently account for the way an individual is experiencing an appointment or provide the human communication that may be needed during the process.
That responsibility remains with the professionals working directly with patients.
“Technical knowledge matters, but you’re never just working with equipment,” Fontanez said. “There is always a person on the other side of what you’re doing.”
For Fontanez, that is one of the defining aspects of being a radiology technologist. The final medical image may be what remains after the appointment, but producing it involves preparation, communication, positioning, safety procedures, and attention to the individual patient.
Those responsibilities may happen quietly in the background, but they are part of the work every day.
About Nivia Fontanez
Nivia Fontanez is a radiology technologist based in the Bronx, New York. She works in medical imaging with experience in X-ray, CT imaging, and bone density studies. Fontanez holds a New York State radiologic technologist license and is qualified to administer contrast for CT studies.
Fontanez earned an associate degree in computer science from SUNY Cobleskill before transitioning into healthcare. She later earned a bachelor’s degree in radiology from Concordia College in 2020 and has also been certified as a nursing assistant. In 2025, she received a Best Technologist Award for her work. Her professional interests include medical imaging, patient communication, continued learning, and the role radiology technologists play in patient care.
About Author
Disclaimer: The views, suggestions, and opinions expressed here are the sole responsibility of the experts. No Digi Observer journalist was involved in the writing and production of this article.
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Gary Bassett Shares Lessons From 45 Years Across Finance and Technology
