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The number one player of Metaverse Player One in Metaverse: Why is it sought after by players?

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Did you know that Neil Stephenson’s 1992 science fiction novel “Avalanche” was regarded as a bible by Facebook’s founder Zuckerberg and was widely circulated throughout the company.

This book describes a virtual world parallel to reality. In Metaverse, everyone has a custom avatar Avatar, which is parallel to the real world, interacts with each other, and is always online. It is lifelike and immersive. The movie “Avatar” created a magnificent Genesis, and its inspiration also came from this.

There are two roads in front of human beings: one outward, leading to the sea of ​​stars, and the other inward leading to virtual reality.

——Liu Cixin

With the maturity of AR, VR, application of 5G and artificial intelligence autonomous generation technology, the improvement of wearable supporting hardware facilities, and the formation of the blockchain economic system, the world in the novel is coming to us, and the users of Metaverse begin to make their own civilization.

The movie “Number One Player” depicts the meta-universe we yearn for. It has a fully operational economic system that spans the physical and digital worlds. Data, digital objects, content, and IP can all pass through the meta-universe. Everyone is in this world. Enjoying the existing facilities, you can also participate in the creation by yourself, thus enriching and prospering the entire universe.

When reality is not so satisfactory and surrounded by pressure and frustration, people in the Z era are more seeking to explore the world in the Metaverse to achieve spiritual satisfaction and self-worth.

The launch of Metaverse Player One game is the best carrier for Metaverse

What is Metaverse Player One?

Chinese name: Yuan Universe-the number one player

 Metaverse Player One is designed by Raven SoftwareMeta Studio, a well-known game developer in Europe and the United States. Raven SoftwareMeta has many years of rich experience in game production, among which “Call of Duty: Planet” is its representative work, and more than 300 million players have experienced it worldwide.

  Inspired by the combination of Metaverse and NFT, Metaverse Player One strives to become the world’s first fully immersive virtual world gaming experience, creating the world’s largest gaming and earning GameFi. With 8 planets as the background, every player has a cosmic planet created by himself in the vast starry sky. Let players write their own story of conquering the planetary universe on the blockchain

  Metaverse Player One uses the combination of DEFI+NFT to become a true metaverse infrastructure. After Metaverse Player One goes live, any player and industry developer will be able to expand the Metaverse ecological landscape by becoming an ecological builder through “Metaverse Player One” and through modules Incentive mechanism to establish a strong community consensus, forming a perfect practice of a new generation of innovative blockchain that NFT+DeFi+GameFi empowers the Internet industry. Metaverse Player One will be the first innovative fusion of NFT+DeFi+Gamei, so that every player is Player One.

  Because the current transaction fees of OEC are the lowest compared to the transaction fees of several other public chains. OKExChain is a decentralized public chain, which can realize the compatibility of smart contracts on the basis of supporting high-performance transactions, which greatly reduces the high handling fee and easy congestion threshold for users to participate in DeFi on Ethereum. Developers and users are very easy to use and friendly, so we chose to build on OEC for the first launch, and later will soon complete the 2.0 version deployment in ETH, HECO, bsc, and Polygon.

The Metaverse Player One team has developed a set of tools and smart contracts to complete a truly decentralized ecosystem. In this ecosystem, through smart contracts, users can freely control and control their own assets. The existence of distributed ledgers protects the account from the risk of theft. The open source code means that players can freely innovate and combine and become the creator of the game. NTF maps the assets in your hands to the physical world. With visualization and identity, virtual goods are transformed from services to transaction entities, thereby enhancing the emotional experience of users. User participation and contribution will be rewarded. Whether it is harvesting farms, creating unique NFTs, developing games, or just using the tools provided by the platform. The Metaverse ecosystem will reward everyone for their contributions.

   UFO is the native token of Metaverse Player One, which corresponds to the self-value of the platform. As a decentralized community autonomous universe, UFO was created by the co-builders of the planet. Therefore, UFO is also controlled by community co-builders. Planeters can use it to buy cards, exchange props and other assets with other players, or trade in virtual auction houses.

UFO token model:

Total amount: 1000W

Game mining

80%

LP and card mining

Private placement

8%

Top seed player

Operation

5%

Open the whole market promotion, marketing

team

4%

6-month linear release, 30-month release completed

Liquid mining pool

1%

Preliminary liquidity mining pool addition

consultant

2%

Attract more institutions to participate

 Features and gameplay of “Metaverse Player One”:

Metaverse Player One will be divided into 3 versions.

There will be a small number of rare planet cards in version 1.0, and users can only purchase rare planet cards through IDO to participate in the game. When the rare card sales are completed, 50% of the card sales revenue will be used to reward users who promote Metaverse Player One early, and 50% of the revenue will be used to add to the LP liquidity pool.

Version 2.0. Online LP liquidity mining pool, card pledge function, DAO pool. For the description of the function parameters of version 2.0, see Table 3 below

Version 3.0: In the game, players can design their own planet image, decorate their planet, and interact with friends and other non-player characters (NPC). The original intention and vision of the design team is to create a “second planet” for all players, allowing them to relax in the game, enjoy the fun of the game, and at the same time monetize the time and energy invested.

The launch of Metaverse Player One has been supported by many partners, thank them for their great contributions to the design of Metaverse Player One.

Partners: Raven SoftwareMeta Carbonated Games OSL OKExChain Xsolla

 The land of the virtual world (like the planet in Metaverse Player One) has been hyped since its inception and has become the biggest sweet pastry in the entire ecology.

In June 2021, 9 virtual lands in Axie Infinity were sold at a high price of 888.25 ETH, which is approximately US$1.5 million.

On June 9, 2021, Boson announced that it would purchase virtual real estate in the Vegas district of Decentraland at a market price of approximately US$704,000, and plans to build a virtual shopping mall.

On June 18, 2021, digital real estate developer Republic Realm purchased 259 digital plots, or 66,304 virtual square meters, for 1.295 million MANAs, at a price of approximately US$913,000.

In July 2021, more than 5.3 million square meters (24*24) of virtual land on The Sandbox was auctioned for nearly US$880,000.

Virtual land is like a pig on the wind. Under the Duolun auction and competition, the price of virtual land has risen sharply, bringing huge returns to early investors.

The record increase was a piece of land called “9 Robotis Route” on CryptoVoxels. The initial price was US$101.2, and the current price has reached US$9570.8. The land has only been resold 3 times, and it has reached a 93-fold increase. .

Behind the soaring price is the economics behind each Metaverse.

After the ownership is returned to the player in the form of NFT, each planet is a unique existence, and all transactions are open, transparent and traceable, which is more wonderful than real-world transactions.

Metaverse Player One of the planetary continent

The soaring price of virtual NFT has attracted enough attention, and will step out of the circle in the next big wave of NFT, but the value support behind it still needs to be built on the prosperity of the meta universe itself. The future of the virtual planet land requires a large number of users to develop and construct, build scenarios and expand the scale, so as to realize the real Metaverse, and put our real world and imagined world into it.

Official English telegram: https://t.me/ufoNumberoneplayer

Official Chinese telegram:https://t.me/ufopilotufo

UFO Metaverse Number One Player Dapp:http://www.ufox.io

Process: download TP wallet → create OK chain wallet → top up USDT and okt → copy UFO meta universe Dapp link on TP wallet discovery page and enter → buy various planet blind boxes required by the top player

OKEX Exchange Apple download link:https://www.okex.com/download

OKEX Exchange Android download address:https://okmobiledev.github.io/download/okex/android.html

TP wallet download address:https://www.tokenpocket.pro

Contract address of the number one player in Metaverse:ex144yc437gyr7jv23waxwuqazwugn2xv8rg0ga6q

Block explorer:https://www.oklink.com/

Whatsapp:+44 7761968154

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UniOne Global Industry Summit and the First Leadership Training Conference have been successfully concluded

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China,Hong Kong,Dec.20th.Responding to the Era of Global Uncertainty with Industrial Consensus and Organizational Capacity

In the context of ongoing reshaping of the global industrial structure and accelerated evolution of organizational forms, truly valuable conferences have long moved beyond mere information display or short-term incentives, instead focusing on strategic direction-setting, system development, and consensus-building.

The UniOne Global Industry Summit and the inaugural Leadership Training Program represent a systematic and in-depth dialogue centered on this core objective.

During the opening session, UniLabs ‘Chief Consultant delivered a keynote address, providing a systematic analysis of UniOne’s current development stage from the perspectives of global industrial cycles, organizational evolution, and long-termism. The speech not only reviewed the evolving trends in the global economy and industrial structure but also highlighted UniOne’s strategic path and core decisions within this cycle, establishing a clear and robust strategic foundation for the entire conference.

During the session, the co-founder of Uni Labs delivered a keynote presentation on UNIONE’s industrial strategy and development roadmap. The presentation provided a comprehensive overview of UniOne’s industrial framework, core business focus, and phased objectives. It not only covered the current priority sectors but also outlined the development pace and priorities for the coming period, enabling attendees to grasp UniOne’s long-term strategic vision holistically rather than focusing narrowly on individual businesses or short-term opportunities.

On the topic of industrial layout, the conference elaborated in depth on UniOne’s holistic ecosystem framework and development strategy, emphasizing diversified collaboration over singular reliance. Through clear industrial division of labor and collaborative mechanisms, it aims to build a systemic ecosystem with risk resilience and continuous evolution capabilities. This discussion not only addresses the question of’ what to do, ‘but also reveals the fundamental rationale behind’ why to do it.’

The conference’s economic model discussions focused on the long-term rationality of value creation and distribution mechanisms, systematically analyzing the interplay between participant roles, incentive structures, and ecosystem stability. Through rational and transparent analysis, it emphasized that sustainable development must be grounded in tangible value and clear rules, rather than relying on short-term emotions or external stimuli. This section provided participants with a critical framework to understand the overall functioning of the ecosystem.

 

The meeting expanded its focus to innovation and foundational capacity building, with in-depth discussions on innovation incubation, technical support, and organizational empowerment. Through a systematic analysis of the innovation ecosystem, it was emphasized that UniOne prioritizes not only business expansion but also the continuous development of core competencies and talent systems, ensuring stable support for the long-term sustainability of its ecosystem.

 

The conference will shift its focus from “individual capabilities” to “organizational synergy” in leadership and organizational development, emphasizing that leadership is fundamentally about building trust, fostering consensus, and continuously amplifying team effectiveness. Through sharing real-world cases and practical experiences, it explores how to build teams with execution, cohesion, and long-term resilience within multicultural and complex organizational structures.

The conference transcended isolated discussions of specific topics, instead weaving together industrial, model, organizational, and leadership dimensions to forge a cohesive cognitive framework. This approach enabled participants to gain a higher-dimensional understanding of their roles and future trajectories.

The UniOne Global Industry Summit and the inaugural Leadership Training Program wasn’t a one-time conclusion presentation, but rather a collaborative exploration of long-term value.

It does not convey the path to quick success, but how to build the ability and consensus of certainty in the uncertain times.

This is the core and the most long-term value of the conference.

Media Contact

Organization: CHINA SHUNHE GROUP CO., LIMITED

Contact Person: Alice

Website: https://zpnchain.io/

Email: Send Email

Address:RM 21 UNIT A 11/F TIN WUI IND BLDG NO 3 HING WONG ST TUEN MUN NT HONG KONG

Country:China

Release id:39383

The post UniOne Global Industry Summit and the First Leadership Training Conference have been successfully concluded appeared first on King Newswire. This content is provided by a third-party source.. King Newswire makes no warranties or representations in connection with it. King Newswire is a press release distribution agency and does not endorse or verify the claims made in this release. If you have any complaints or copyright concerns related to this article, please contact the company listed in the ‘Media Contact’ section

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Luis D’Oleo Jr Funnywing Earns National and International Mainstream Media Recognition for Acclaimed Short Film Dreams

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Rising filmmaker, content creator, and entrepreneur Luis D’Oleo, professionally known as Funnywing, is gaining significant national and international mainstream media recognition for his powerful short film, Dreams.

 

Menifee, CA, United States, 20th Dec 2025 – Rising filmmaker, content creator, and entrepreneur Luis D’Oleo, professionally known as Funnywing, is gaining significant national and international mainstream media recognition for his powerful short film, Dreams. The project’s growing visibility across major media platforms has positioned Luis as one of Chicago’s fastest-emerging creative voices and a rising force in modern storytelling.

Whatch the firm here https://www.instagram.com/reel/DBW0zgePMrl/?utm_source=ig_web_copy_link

Blending authentic storytelling, emotional depth, and real-world inspiration, Dreams reflects Luis D’Oleo’s unique ability to turn life’s challenges into cinematic motivation. Media outlets have praised the film for its relatable message, raw honesty, and compelling narrative—hallmarks of the Funnywing creative brand.

Dreams isn’t just a film—it’s a reminder that every story matters,” said D’Oleo. “This project was created for those who have been knocked down but refuse to stay there. Receiving recognition from major media outlets proves that passion, purpose, and persistence always rise. My mission is to inspire people to chase their dreams with confidence, courage, and relentless determination.”

As his influence continues to expand across filmmaking, digital content, and entrepreneurship, Luis D’Oleo consistently pushes creative boundaries while motivating audiences worldwide. His work seamlessly blends humor, heart, and hustle, a combination that resonates strongly with today’s next-generation creators and dreamers.

With Dreams marking a pivotal moment in his career, Luis D’Oleo is rapidly establishing himself as a compelling new voice in contemporary cinema. His journey is only beginning—and this film signals the launch of a remarkable rise on the national and global stage.

About Luis D’Oleo Funnywing
Luis D’Oleo is a Chicago-based filmmaker, content creator, and entrepreneur known professionally as Funnywing. He produces motivational, comedic, and cinematic content designed to inspire individuals to pursue their dreams. His short film Dreams has earned both national and international mainstream media recognition.

Media Contact
Instagram: @funnywing_oficial:  https://www.instagram.com/reel/DBW0zgePMrl/?utm_source=ig_web_copy_link

Media Contact

Organization: Deoleo Public Relations Firm

Contact Person: Tony Deoleo

Website: https://deoleopublicrelationsfirm.godaddysites.com/?sfnsn=mo

Email: Send Email

Contact Number: +18184581974

Address:30450 Haun Road, Suite #1003 Menifee, CA 92584

City: Menifee

State: CA

Country:United States

Release id:39359

The post Luis D’Oleo Jr Funnywing Earns National and International Mainstream Media Recognition for Acclaimed Short Film Dreams appeared first on King Newswire. This content is provided by a third-party source.. King Newswire makes no warranties or representations in connection with it. King Newswire is a press release distribution agency and does not endorse or verify the claims made in this release. If you have any complaints or copyright concerns related to this article, please contact the company listed in the ‘Media Contact’ section

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Jonathan Franklin of Georgetown University Highlights How Coverage Itself Shapes Missing Persons Cases

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Washington, D.C, 20th December 2025, ZEX PR WIREJonathan Franklin has reported many high-profile national stories, but one beat continues to shape his thinking: how media attention—or the lack of it—affects the outcome of missing persons cases. In his work for NPR, Franklin has drawn a clear line between editorial decisions made in newsrooms and real-world consequences for families, communities, and the public’s understanding of urgency.

Franklin, who holds a master’s degree in journalism from Georgetown University, believes one of the most underreported facts in American media is this: coverage itself is an intervention. “There’s this quiet assumption that journalism is observational. In missing persons stories, that’s never been true,” he said.

His reporting doesn’t claim to solve cases. It doesn’t make promises. What it does is document the structural gaps that determine who get covered, when, and for how long. For families who have lost someone, that timing matters. “When attention comes early, systems move faster,” Franklin said. “When it doesn’t, families are left trying to create urgency themselves.”

Patterns in Coverage, Patterns in Silence

Franklin’s reporting on missing persons cases surfaced repeated disparities in how race, gender, and perceived social status affect media treatment. His work incorporated both individual family accounts and systemic analysis, drawing on datasets that showed a consistent trend: missing persons of color receive far less media attention, even when their circumstances are similar to widely covered cases.

This dynamic, sometimes referred to as “Missing White Woman Syndrome,” was coined by journalist Gwen Ifill to describe the disproportionate media interest in young, white, middle-class women. Franklin’s work approached that phrase not as a slogan but as a hypothesis—one that he put to the test using editorial history, family interviews, and statistical context.

One key subject in his reporting was the launch of the “Are You Press Worthy?” tool by Columbia Journalism Review and TBWAChiatDay New York. This public-facing algorithm allowed people to estimate their likelihood of media coverage if they were to go missing, based on factors like age, race, and gender. Franklin covered the tool not for novelty, but for what it revealed: that journalists already knew how bias worked in theory, yet few were changing their practices in response.

Working the Gap Between Journalism and Justice

While Franklin is not an activist, his reporting has helped bridge conversations between journalists and advocates. He has covered the work of the Black and Missing Foundation and independent projects like Our Black Girls, which document missing persons stories that traditional outlets often ignore.

Instead of turning his reporting into a callout, Franklin focuses on systems. He gives newsroom leaders space to talk through editorial logic, hesitation, and resourcing issues. At the same time, he reports on the silence experienced by families who don’t receive coverage until public pressure builds—or never receive it at all.

“There’s no need to sensationalize what’s already painful,” Franklin said. “Families don’t want pity. They want momentum.”

That balance—between institutional critique and human context—is what distinguishes his work. Colleagues note that Franklin is comfortable sitting with discomfort. His stories don’t close with false resolution. They end where the story, for the family, is still ongoing.

How Journalism Shapes Outcomes

Franklin’s training at Georgetown emphasized structural thinking and accountability. Combined with field reporting experience at WUSA9 and NPR, he brings both a theoretical and practical lens to media responsibility. In his view, the idea that coverage is neutral no longer holds.

“If media attention correlates with better outcomes, then ignoring someone is not a neutral act. It’s a decision with consequences,” he said.

Franklin’s stories are now being used in classrooms, journalism workshops, and internal newsroom sessions about equitable coverage. But he resists any label that places him above the work. He sees his role as iterative. “There’s always someone we missed. The goal isn’t perfection. It’s consistency,” he said.

A Voice Built on Verification, Not Volume

Unlike social media campaigns that chase virality, Franklin’s work stays grounded in verified facts, ethical sourcing, and follow-through. He prefers to let families speak directly when possible. He also resists flattening complex stories into singular narratives of hope or tragedy.

He holds undergraduate degrees from Wofford College in English, Digital Media, and African and African American Studies. That academic background shaped his ability to frame race and justice not as themes, but as ongoing conditions that influence how stories are told and received.

His recent reporting continues to revisit the question: what happens when the public never hears your name? It’s not only about missing persons, but he also says. It’s about visibility as currency. “Attention isn’t the solution,” Franklin said. “But the absence of it is a barrier from the start.”

Looking Ahead

Jonathan Franklin remains committed to reporting stories that explore how institutions respond to crisis. Missing persons cases are one example. His broader work includes coverage of the COVID-19 pandemic’s racial disparities, public protests, court decisions, and elections. But missing persons reporting, he says, always brings him back to the core question of journalism itself: what does it mean to be seen?

For Franklin, that question is not rhetorical. It’s the difference between silence and action.

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